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Mobile communications Eye to Eye

Point to point communication via satellite is one of the most useful tools available to television and radio reporters in a world of fast news distribution. This short summary looks first at some of the newest SNG link kit and then at broadcast-related telecoms. Advent Communications has introduced an enhanced version of its 1.5m and 1.8m NewSwift...

Submitted by Dennis Lennie

Published 01 March 2009

How The SADiE LRX2 Is Making Location Multitrack Recordin...

Nearly twenty years ago I saw one of the first SADiE Digital Audio Workstations, which were just starting to make their mark as the first cost effective computer sound editor. I was so impressed with the concept that I immediately wanted one, even though I had no professional use for it whatsoever. Most of my work (particularly then) was in TV docu...

Submitted by Dennis Lennie

Published 01 March 2009

Audio acquisition and production

Remembering the days when the average 'portable' sound recorder was heavy enough to induce a hernia, I have high respect for the capabilities of modern digital audio devices. Not least the solid-state recorders that have emerged as successors to the Sony-originated DAT and MiniDisk formats. But avoid anything that lacks XLR connectors unless you ar...

Submitted by Dennis Lennie

Published 01 February 2009

The Fairlight Time Machine

Just over fifty years ago, the then Soviet Union launched the first satellite into orbit around our planet. At that time the USA and USSR were in the depths of the cold war and the launch of Sputnik 1 on the 4th October 1957 was the starting gun for the space race. The winner would be the country to successfully land the first human being on the Mo...

Submitted by Dennis Lennie

Published 01 February 2009

Audio Technology Spotlight

In the ever changing world of TV technology, formats, standards and delivery, it’s always been reassuring to think that audio equipment for sound gathering on location hasn’t changed too much. That is, until the last couple of years when the emergence of the now widely used digital solid state recorders, digital transmission radio mic systems, high...

Submitted by Dennis Lennie

Published 01 February 2009

Lightworks Editing

It is said that “Variety is the Spice of Life” and the Lightworks Editing systems have been very spicey recently. The new season of the English Football Premiere League will once again see Perform Media Services Ltd. bringing their Lightworks “Softworks” editing systems into action. Perform have the contract to provide in match “near live” and dela...

Submitted by Dennis Lennie

Published 01 December 2008

Why should people take holidays

As I sit here on holiday taking a well-earned rest in August – the month when most people in our industry feel they are captain of the good ship Mary Celeste – it is good to reflect on why people should take holidays and how and why they are good for your business as a whole. Re-charge and re-tuneThe first and most notable reason is that they do re...

Submitted by Dennis Lennie

Published 01 December 2008

Virtual Sets

When I first started approaching people in the UK with Brainstorms Virtual Studio software I was surprised to have them shake their heads vigorously and explain that virtual studio systems were “far too expensive and too difficult to set up and run” Coupled with that was the lack of realism and who’s using them?In Spain where Brainstorm are based t...

Submitted by Dennis Lennie

Published 01 November 2008

Virtual sets come of age

Virtual studios (VS) have experienced a roller coaster ride of popularity through their short life. Initially they were hailed as the future for live broadcasting, seamlessly combining people and computer-generated environments without the need for post-production. But the racks of SGI computers, complex studio set-ups, complex camera tracking syst...

Submitted by Dennis Lennie

Published 01 November 2008

Virtual Studios

Traditionally virtual studios have been extremely expensive to equip due to the amount of technology required just to make the studio work. Besides the standard studio cameras and lighting, sophisticated additional technology is required to provide feedback from lenses, pan and tilt heads and dollies, to seamlessly synchronise foreground and backgr...

Submitted by Dennis Lennie

Published 01 November 2008

Chyron interview with tv-bay

Chyron has moved into the online content creation space. What is driving this shift?The foundation for this new division is Chyron’s recent acquisition of AXIS Graphics, a unique web-based graphics system that has pioneered online graphics production. Chyron and AXIS bring innovation to graphics creation workflow and production - and most important...

Submitted by Dennis Lennie

Published 01 October 2008

A brief history of television graphics

Thirty years ago, television captions were routinely created by sticking white Letraset characters onto black card. Credit rolls were possible using special devices which used long strips of black material onto which the Letraset was stuck, and which were literally rolled, either by an electric motor but sometimes even by hand. There were, of cours...

Submitted by Dennis Lennie

Published 01 October 2008

Chromakey questions

What does a specialist paint give me that a DIY superstore (matt blue or green emulsion) doesn’t?VFX Bluescreen Solutions paints are pigment based, as opposed to DIY chains ‘stain’ based. Pigment based paints ensure consistency and intensity of colour, against the stain based paints because they are ‘pure’, instead of being made up of various other...

Submitted by Dennis Lennie

Published 01 April 2008