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Pushing Air- the art of acoustic design


Acoustics is usually regarded (or often disregarded) as a black art that is practiced with no discernable science involved, with a great reliance on ears for measurement and blind faith as a method statement. Nothing could be further from the truth in the professional study of sound, with many practitioners furnished with several degrees and a weal...

Submitted by Dennis Lennie
Published 01 January 2010

Double dip 2009


Well here we go again. Christmas is coming and, yes, given market reactions and the news that Dubai’s bubble has burst, it looks likely that we are heading for the classic W – two falls into recession, a double dip. Of course, like you, I hope it won’t come to that but optimism does seem to have evaporated. Pressure also seems to be mounting in Soh...

Submitted by Dennis Lennie
Published 01 January 2010

12 Frequently Asked Questions About On-Camera Lighting


1. Why/when would someone use an on-camera light? The main purpose of an on-camera light is for “fill” light. Simply put, you are just trying to remove any shadows from your talent’s face to give them a nice clean natural look. If you use too much light, however, you will drown out your background and get no depth to the video. Also, in today’s’ ru...

Submitted by Dennis Lennie
Published 01 December 2009

Keep your friends close and your enemies closer


This month, and largely because I am on holiday at the moment and haven’t looked at an English paper or seen a television – and as the Internet is currently not working (which makes posting this article on time an interesting task) – I thought it would be useful to look at elements of business strategy that will help you work out how to focus your...

Submitted by Dennis Lennie
Published 01 October 2009

Lighting series


So far in this series, I have stressed some of my own preferences for good portrait lighting; using Fresnel lamps for key lights to enable accurate barn dooring, minimum spill light and an even ‘field’ of light. Open faced lamps, whilst cheaper, do not give the same control of light, they give rise to double shadows and are also prone to bubble fai...

Submitted by Dennis Lennie
Published 01 October 2009

A Guide to Testing IPTV: Technologies and Challenges Par...


Before we can go on to look at testing IPTV systems, it would be useful to provide an overview of the technologies involved. Network ArchitecturesFigure 3 shows an example of a typical IP network structure. Content is first delivered into the video headend; this can be done in a variety of formats over a number of different delivery mechanisms (e.g...

Submitted by Dennis Lennie
Published 01 October 2009

Ask the experts. Eye & Jitter


Why should TV broadcast engineers be interested in adding Eye and Jitter measurement to their T & M facilities?The call for Eye and Jitter as part of overall video test and measurement lies in the widespread adoption of serial digital interface (SDI) standards for broadcast. Unlike analog transmission in which the image quality gradually degrades a...

Submitted by Dennis Lennie
Published 01 September 2009

Eye to eye Picture displays and multiviewers 2009


The transition from cathode-ray tubes to flat-panel display devices for broadcast picture monitoring was a long time coming but is now almost complete. Grade 1 CRTs from suppliers such as Ikegami and Sony are still purchased in small numbers for monitoring in quality-conscious playout centres and post-production houses. For every other broadcast ap...

Submitted by Dennis Lennie
Published 01 September 2009

Guide to Testing IPTV Technologies and Challenges Part 2


In Part 1 of this series we gave a background to IPTV and explained that the two-way nature of IPTV networks offers many advantages over traditional broadcast technologies, but also presents a number of technical challenges. In this part we will begin to examine some of the challenges faced by IPTV service providers, and the importance of Quality o...

Submitted by Dennis Lennie
Published 01 September 2009

OLED vs LCD


There was a rapid change in image display technology within the last few years. Nowadays CRTs are history, flatpanels substitute them everywhere. Even in the broadcast industry. Different technologies dominate the market;Plasma - a self-lighting principle - mostly used for large screens;TFT-LCDs - a concept that always needs a backlight - most comm...

Submitted by Dennis Lennie
Published 01 September 2009

Eye to eye on Broadcast content management 2009


Content asset management is one of the fastest developing areas of the entire broadcast business. Its advantages over old-style film and videotape libraries are so widely recognised that they hardly need repeating. NAB provided an opportunity to look at new advances from some of the key players. AP introduced a new module for its ENPS 6.0 and 7.0....

Submitted by Dennis Lennie
Published 01 August 2009

The filming of Lands End to John OGroats


I’ve been here for several minutes now. Standing in the pouring rain with a camera pointing at the road sign for Somerset, the drops of rain tapping on the camera rain cover add a certain atmosphere to the wild track. I stood trying to work out who was the madder, the two cyclists I was waiting for, or me. Here they come, 10 seconds on the tape, ba...

Submitted by Dennis Lennie
Published 01 August 2009

Broadcast management systems specialisation not generali...


“Broadcast management systems” is used here as a collective term to encapsulate all of the processes involved from capturing and creating content, to distribution and monetisation. There are so many points of decision making in a broadcast production chain that automating the processes can be mind boggling in complexity. Taking just a view of frame...

Submitted by Dennis Lennie
Published 01 August 2009

A Guide to Testing IPTV: Technologies and Challenges Par...


High consumer expectations have put pressure on content producers, network operators and equipment manufacturers to deliver consistently high quality audio and video to their end users. The proliferation of enabling technologies has resulted in a wide variety of formats and standards adding to the complexity of the challenges faced in establishing...

Submitted by Dennis Lennie
Published 01 August 2009

Brand New School Makes the Move to Uncompressed HD


What did you do over Christmas 2008? I spent the whole two-week break rebuilding the post production workflow at Brand New School, the prestigious commercial production and design firm in Santa Monica, CA, and the experience let me stretch every technology muscle I had built up in 10 years as a video engineer. At the time, Brand New School was usin...

Submitted by Dennis Lennie
Published 01 August 2009