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Immersive Audio

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In 2012, the Oculus Rift Kickstarter campaign burst onto the scene, initiating a new wave of public interest in sense-enveloping immersive experiences. 5 years later, the consumer reality is mixed with some very public let-downs like Google Glass (which is coincidentally enjoying a re-birth at the time of writing, now as a technical tool in the wor...

Submitted by Jon Schorah - new

Published 19 October 2017

New Upmixing Challenges and Strategies for Audio Post-pro...

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by Jon Schorah Issue 109 - January 2016 Following the successful introduction of Halo Upmix, NUGEN Audios new upmixing plugin, Creative Director and Co-Founder Jon Schorah reflects on the changing landscape and increasingly complex demands of the modern audio post-production environment. The audio post-production engineer survives in a demanding an...

Submitted by Jon Schorah

Published 21 January 2016

AERO.soft - Bringing audio monitoring and processing into...

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by Martin Dyster Issue 107 - November 2015 In the past, audio processing and monitoring required the purchasing of multiple, specialized hardware to support each function in the air chain. But now, thanks to the increase in the speed of Ethernet connectivity, and IT-based processing power, many of these same processes can be condensed and supported...

Submitted by Martin Dyster

Published 01 December 2015

Managing Loudness for Broadcast TV

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Often viewed as the “ugly sister” when compared to its more glamorous rival video, audio is finally receiving some much deserved attention in broadcast circles. The trigger for this realisation is an increasing shift in awareness that viewers are interested in not just the pictures they are seeing, but equally the sound they are hearing. In particu...

Submitted by Anothony Wilkins

Published 01 June 2013

The intricacies of capturing phase-coherent surround soun...

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By Pieter Schillebeeckx – Product Manager, SoundField at TSL PPLSince its acquisition of SoundField, TSL Professional Products Ltd, a leading manufacturer of surround microphones, audio monitoring, tally and power management solutions for the broadcast industry, routinely field a growing number of questions from the industry regarding the successfu...

Submitted by Pieter Schillebeeckx

Published 01 June 2013

Ask the Experts - Loudness

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Introduction:Loudness level inconsistencies are one of the most common problems in the broadcast industry. Loudness standards are now being introduced as discontinuities in audio levels between programs, or between programs and advertisements, have been the cause of viewer complaints – in fact they are the number one cause. Of course anything that...

Submitted by Bob Pank#

Published 01 August 2012

Whats new in broadcast test and measurement

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The test and measurement product category continues to expand as the broadcast business itself diversifies. Notable recent developments include higher resolution displays and a gradually increasing number of analysers which, having detected a fault, endeavour to fix it. No sign at NAB 2011 of any tablet-based test and measurement equipment but perh...

Submitted by Bob Pank#

Published 01 July 2011

Junger Audio Helps Broadcasters Get To Grips With 5.1 Upm...

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Television viewers who have invested in home cinema systems will already know how dreadful mono and stereo audio can sound when played through 5.1 surround sound speakers. Instead of being enveloped by carefully mixed 5.1 surround sound, viewers are, instead, subjected to unbalanced audio coming at them from unpredictable directions. This problem i...

Submitted by Dennis Lennie

Published 01 January 2010