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Have Lorry will Broadcast - NHS70


One thing that has become a permanent offering here at the University of Portsmouth is our focus on big, outside broadcasts that we offer to students studying BSc Televisions and Broadcasting. Students spent their third year making multiple live programmes, but as they reach the months of April and May, we shift the experience to something that is...

Submitted by Charlie Watts
Published 18 July 2018

Twenty Years of Transcription


In 1998 Dom Bourne dropped out of university and started a business providing transcriptions to production companies. The company operated from his childhood bedroom and Dom hoped it would keep him in beer money for a year or two before he decided what he really wanted to do with his life. Twenty years later and, this year, Take 1 celebrates two de...

Submitted by Dom Bourne
Published 18 July 2018

TVFutures : Bouncing Back


When I arrived at the University of Portsmouth three years ago, I would never have thought in my wildest dreams I would end up where I am now. My time at university has been eye opening, informative and fun. Of all the lessons I have learned in the past three years, resilience is the one that has taught me the most. Starting out in the television i...

Submitted by Jane Lawrance
Published 07 June 2018

TV Futures, Tales on Location


If I think back to last May, I was just finishing my second year at the University of Portsmouth, studying Television and Broadcasting, and winding down for the summer. Then out of the blue I got a message from my course leader, saying I might be getting a call from someone who was a location manager working for Raider productions, you know, the pr...

Submitted by Georgia Thirtle
Published 26 March 2018

TVFutures: Learning is the key


If you asked me the question ‘where do you see yourself after you graduate’ three years ago I would have probably answered ‘in a lot of debt, but if you don't think about it, it doesn't exist because three years is a long time right ?’. WRONG! These three years studying Television and Broadcasting at the University of Portsmouth have been the quick...

Submitted by Abbie Neill
Published 12 February 2018

The Outlook for 2018


January has arrived…and the New Year promises great opportunities for those prepared to seek them out, with the one certainty that change is constant. Let’s start with London studio space, and the lack thereof. The issue is finally being addressed with fortuitous timing (or maybe some expert planning) as Riverside Studios in Hammersmith opens its s...

Submitted by Duncan Payne
Published 12 February 2018

State of the Nation


This morning I was eating my healthy muesli and idly listening to Radio 4 when someone came on who claimed to be from the Oxford University Computational Propaganda Project. Now regular readers will know that I am fond of a bit of good old-fashioned obfuscation. But talking about computational propaganda when what you mean is fake news on social me...

Submitted by Dick Hobbs - new
Published 12 February 2018

Managing Talent


Presenting for television is a talent that is critically competitive. Budding presenters around the world produce showreels, attend acting schools and fight to be the next Ant and Dec¦ but what is it exactly that makes a successful television presenter? As a wannabe TV presenter myself, I wanted to explore the exact process talent managers follow w...

Submitted by Nicole Inanc
Published 02 November 2017

State of the Nation - part 2


This is, of course, the IBC issue of this splendid magazine. Much of the rest of its pages are filled with what you will see there, or (in some cases) what vendors and their marketing communications agencies want you to see there. This year’s IBC is a particularly special event, though. It is 50 years – almost to the day – since the very first Inte...

Submitted by Dick Hobbs - new
Published 19 October 2017

The ITTP - A Review


Five years ago a group of practitioners who were concerned about the poor training provision and a lack of common skills standards in the broadcast industry formed the ITTP. Since then there have been many meetings with senior industry figures and representatives from training organisations and educational establishments. The ITTP has received supp...

Submitted by graham reed
Published 19 October 2017

TV Futures - Running around for clients


My second year at the University of Portsmouth seemingly began in a familiar fashion to the previous year. We sat in a large lecture theatre and listened intently to our course leader, who gave an outline as to what students on the BSc Television and Broadcasting course should be expect experience-wise from the up-and-coming year. He continued to e...

Submitted by Joseph Long
Published 19 October 2017

A 360 degree view of fashion


Im often asked, what do you do when the students arent around?, and the simple answer is, as it would be from any university technical support member of staff, I get involved in passion projects and these help me to stay up-to-date with the kit and keep my hand-in with video filmmaking. So, in April this year the Faculty of Creative and Cultural In...

Submitted by Michael Parsons
Published 19 October 2017

Understanding the process of video production


i In this article I will focus on understanding the process of video production. The use of miniaturised video equipment and understanding the capability of the kit chosen for the job will be mentioned. The video production process is a road map, which not only helps the producer to minimise problems during production and achieve professional resul...

Submitted by Joseph Adamson
Published 07 September 2017

TV Futures


i When I was younger my dad used to encourage me to be a Jack of all trades and a master of none. One of those clich© things parents hand down to their children. However, as I have grown and gone through different stages of education I have found this little piece of wisdom has followed me. Don\'t get me wrong, being amazing at one thing is a great...

Submitted by Jane Lawrence
Published 07 September 2017

State of the Nation - part 1


i Imagine you are the director of the Champions League Final, knowing that 200 million people will be watching your every decision. Or you\'re directing the Eurovision Song Contest. Or even, to be honest, the Tunbridge Wells local news opt out. And at live minus 30 seconds, all the screens in the monitor wall suddenly go black then show a demand, i...

Submitted by Dick Hobbs - new
Published 07 September 2017