KitPlus | Articles

Neither a borrower nor a lender be....

Much has been written in the press recently about access to, or more frequently, the absence of funding for small businesses, otherwise known as SMEs (small and medium enterprises). But how do we define a small enterprise and when does a company transition from a small to medium enterprise?The official definitions are as follows: a small company ha...

Submitted by Bob Pank#

Published 01 March 2011

Tape goes West at UWE

Three years ago a convoy of white vans arrived at the Faculty of Arts at the University of West of England in Bristol. An hour later its entire stock of SVHS camcorders, linear editing decks and analog tape were history. In came Adobe Premiere, Final Cut Pro and Panasonic digital camcorders. Now 20 professional tapeless HD camcorders have taken up...

Submitted by Bob Pank#

Published 01 March 2011

TV Bay Questions

Who are you? (about yourself and Sequence)My name is Ben Foakes,29 years old and founder/ majority owner of Sequence. I work as an editor and post-supervisor as well as jointly running Sequence with my co-manager Kevin Chapman and our fantastic team of staff. The company was setup in June 2004, starting as a single home FCP suite and rapidly growin...

Submitted by Bob Pank#

Published 01 November 2010

The University of Sunderland

OverviewThe University of Sunderland School of Arts, Design and Media in Northeast England operates one of the country’s most vibrant and well-equipped media departments in the country. With a rating of excellence from the Quality Assurance Agency, the media and cultural studies department attracts a diverse group of students to its undergraduate a...

Submitted by Bob Pank#

Published 01 October 2010

Eye to Eye: Storage and archiving

In 1986 or thereabouts, I visited the London headquarters of a stripling company named Lightworks which had developed an innovative and relatively low-cost video editor based around a 1 gigabyte hard-disk drive. The drive was the size of a standard British housebrick and, bought in at £1,000, was considered mightily good value. A typical 1,500 giga...

Submitted by Bob Pank#

Published 01 October 2010

Making the grade

As we enjoy the Summer of 2010 the UK production industry remains in the grip of recession. Also, as noted in the recent UK Screen report, competition within the post production industry is damaging its own members with dangerous price wars. However, the biggest threat is coming from another direction – production companies and agencies bringing in...

Submitted by Bob Pank#

Published 01 September 2010

Eye to Eye: Video monitoring and displays

Given a decent stereo audio source and a pair of headphones, it is quite easy to imagine that you are actually attending a live performance. Not so with video; human eyes are much more demanding. Fortunately picture display technology is developing very quickly and along many different routes. OLEDsLED-backlit LCDs were about the best screens avail...

Submitted by Bob Pank#

Published 01 August 2010

New Light in the Forbidden City

IBC 2009’s Production Village was the venue for the launch of a revolutionary new lighting product, the Rotolight ‘Stealth Edition’ RL48 ring-light. Although the show had more than 48,000 visitors and over 1200 exhibitors, Rotolight was listed in the TV-Bay lighting category, featured in the IBC News and the ‘Eye Catcher’ technology report on Amste...

Submitted by Dennis Lennie

Published 01 December 2009

OLED vs LCD

There was a rapid change in image display technology within the last few years. Nowadays CRTs are history, flatpanels substitute them everywhere. Even in the broadcast industry. Different technologies dominate the market;Plasma - a self-lighting principle - mostly used for large screens;TFT-LCDs - a concept that always needs a backlight - most comm...

Submitted by Dennis Lennie

Published 01 September 2009

A day in the life of a TV lecturer

0830The Dorset country lanes give way to the flood of traffic into Poole and Bournemouth as I negotiate the rush hour streaming into the seaside town. Driving past Poole Harbour, home of Sunseeker Yachts and the RNLI reminds me that yacht I once dreamed of is still a dream. However, the job I once dreamed of became a reality when I became a televis...

Submitted by Dennis Lennie

Published 01 July 2009

Africans in London TV

Joseph Otieno Adamson, Managing Director of the new TV Station Africans in London or AIL TV, is a man whose enthusiasm for all things media knows no bounds. A talented musician, he attended a university course to learn to become a music producer, set up his own recording studio and later decided to extend his talents to video and the world of broad...

Submitted by Dennis Lennie

Published 01 June 2009

From little acorns....

So what do we do? We have done little for television – our market place is much more modest. Parafotos has its origins in the early sixties when I started filming free fall parachuting– having to cope with a Bolex H16 strapped to the side of my helmet during the opening of the parachute was an interesting experience which no doubt accounted for an...

Submitted by Dennis Lennie

Published 01 May 2009

EPIC HD Upgrade

EPIC-TV came into being in late 2006, after Norfolk County Council acquired the ITV Anglia Regional news and Network production studios at Magdalen Street Norwich. Since then it’s been re-developed as one of the technically most advanced production facilities in Europe, with three broadcast studies, two of the HD, one of them Virtual, linked direct...

Submitted by Dennis Lennie

Published 01 May 2009

The largest fibre and Ethernet video SAN network in the w...

Out of the Ashes of the old Anglian TV studios EPIC has risen like a phoenix to become not only a major broadcasting hub in Norfolk but to rival traditional studios throughout Europe. With the financial backing of Norfolk County Council and the East of England development agency, EPIC has converted the old TV studios and installed a state of the ar...

Submitted by Dennis Lennie

Published 01 December 2008

Guide to filming in London

Film London aims to make filming in the capital as straight-forward a process as possible. They hold a library of over 10,000 London film locations, a comprehensive database of crew and facilities in the region, and can also provide information and advice about the filming process. Please note however that they do not provide permits for filming. T...

Submitted by Dennis Lennie

Published 01 July 2008