KitPlus | Articles

TVFutures My Dive in to Learning

In 2014 I had my first taste of underwater diving. I was on a family holiday and I happened across the experience of a lifetime. Within the first few minutes of that adventure I had decided that I wanted to be part of the diving world going forward. After countless dives and extensive training to become a scuba diving instructor, I made the decisio...

Submitted by Lucy Crow

Published 26 March 2020

Filming behavioural sequences in tough environments

Three leading figures from the world of natural history production discuss their experiences with the Panasonic VariCam and EVA1 large sensor cameras, and offer advice for shooting in challenging environments including underwater, at high altitude and in extreme weather. Panasonic was proud to sponsor an exclusive seminar with three leading individ...

Submitted by KitPlus

Published 24 January 2019

Polecam user review

When it comes to filming from above, drones have dominated in recent years. But restrictions on where and when they can be used means there is still a demand for traditional style jibs. Polecam has been a major player in the crane market for nearly two decades and its rigs have captured everything from interesting perspectives of major sporting eve...

Submitted by Phil Vinter

Published 15 March 2017

TV Futures

by Jemma Davis Issue 112 - April 2016 The second year of my degree course gives a variety of options, and one of these is scuba diving and filming. It\'s something I\'ve never considered before, so when I saw it as an option choice I was delighted to be faced with the opportunity to film underwater. I can also now say it was the best thing I\'ve ev...

Submitted by Jemma Davis

Published 25 April 2016

Extreme equipment for the Film and TV industry

Issue 100 - April 2015 Big films require big shots and to get the action in camera, you need grip equipment and the latest camera support technology to make that vision a real possibility on set. Whether filming underwater or capturing high speed vehicle to vehicle action, Chapman Leonard UK have always looked to supply productions in the UK and Eu...

Submitted by KitPlus

Published 01 May 2015

DOPs discuss minicams, lenses, 4k and all

by Mel Noonan Issue 100 - April 2015 If anyone knows about the practical reality of using minicams and lenses it has to be the DOPs who are out there using them. We are now seeing minicams used in all areas of production, some with 1080p and 4K capability at prices you would not have believed possible a few years back. I spoke to some of the DOPs I...

Submitted by Mel Noonan

Published 01 May 2015

Sealife - Shooting 4k

by Kieron Seth Issue 98 - February 2015 Since the days of Jacques Cousteau and his Undersea World, marine habitats have fascinated television audiences. From 1972 to 1975 the French explorer and filmmaker brought his excitement and passion for sea life to our screens and have inspired documentary makers since. The films lay bare the lengths the cre...

Submitted by Kieron Seth#

Published 01 March 2015

Hands-on with the Antelope PICO ultra slow motion minicam

by Mel Noonan Issue 98 - February 2015 Super slow motion, or super motion, has been around for years and is mostly 3x recording speed. If you record say 3 seconds of action and play it back at normal European production frame rate you\'ll have 9 seconds of slow motion replay. These cameras must integrate with the live production workflow in use. SS...

Submitted by Mel Noonan

Published 01 March 2015

6

Issue 95 - November 2014Must have or just a dream? Either way these 6 stood out this month GALILEO is an app-controlled robotic dock for iPhone (and other devices) bringing a new dimension of motion control to your iPhone. You control the orientation of your iPhone remotely or let galileo rotate your iPhone automatically with new apps constantly be...

Submitted by KitPlus

Published 01 December 2014

Capture and Produce

Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#

Published 01 November 2014

Does size matter? with Polecam

It’s simple. Horses for Courses! ScenarioWhen shooting Anything, Anywhere, there is always a trade between budget, performance, manpower, speed and space – the production company and client will inevitably want quite simply “the best they can get and at the best price”. However when the application and location of the shoot dictate over and above t...

Submitted by KitPlus

Published 01 July 2013

Alice Chants final term: Following the Ravensbourne 3

The final term of a degree is going to be challenging, but what an amazing learning curve I have been on. I have had the opportunity to work with some great people on various projects and have been able to further develop my skills as a Director. My main project is an experimental film of which I wanted to showcase my ideas and a concept, without t...

Submitted by Alice Chant

Published 01 July 2013

Finally a compact HD zoom lens!

By Steffan Hewitt, director, PolecamThere are a great number of situations in our industry where the requirement for a small low profile broadcast quality HD camera is needed, whether it be for documentaries, natural history, in car, on board, covert, news, drama, underwater, on a jib arm or small remote head – the list goes on, and expands from th...

Submitted by Steffan Hewitt

Published 01 March 2013

Will Strauss gets a grip!

By Will StraussOf all the many areas of television technology that tv-bay Magazine covers, you might think that camera support is the one that appears, on the surface at least, to move the slowest. Take the tripod for example. Fundamentally, the design hasn’t changed for a hundred years. Or how about the dolly? The wheels and track device that Alfr...

Submitted by Will Strauss#

Published 01 March 2013

Extensive, flawless and enjoyed by millions

Due to the multiple locations of the London Games, coverage was inevitably going to a be a challenge, with locations throughout London and the South; some of them specifically designed and created for the events such as the main Stadium, Velodrome and Aquatics Centre, whilst clever forward thinking meant that existing famous landmarks such as Horse...

Submitted by Bob Pank#

Published 01 October 2012