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Sony PXW-FS5 Review


by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman
Published 01 November 2015

Shoot safe, shoot dynamic


by Nick Allen-Miles Issue 104 - August 2015 Todays craze for shooting from a UAV or drone is not for the faint hearted. Unless used legally and in very limited situations, its a dangerous way of capturing dynamic shots. Wherever people are involved or height restrictions apply, there are more useful ways of filming safely that deliver a more intere...

Submitted by Nick Allen Miles
Published 01 September 2015

Hungerford and the 10 rules of making a Microbuster


by Miles Bullough Issue 101 - May 2015 On April 27th 2015 Wildseed Studios\' debut feature film, \'Hungerford\', launched on iTunes and begins what we hope will be a digital voyage around the world to success. We coined the term \'Microbuster\' to describe movies made on micro budgets but with blockbuster ambitions - and it perfectly captures what...

Submitted by Miles Bullough
Published 01 June 2015

Tour competition winners announced


Issue 96 - December 2014Miller Tripods have been celebrating their 60th anniversary in 2014 and donated one of their limited edition LP\'54 classic Tripods to our Tour raffle in aid of Dreamflight, raising £1040. You can watch the drawand presentation to winner,Peter Baughan, click hereHireacamera were offering a Sony FS7 hire for a week to a luck...

Submitted by KitPlus
Published 01 January 2015

Africans in London TV


by Joseph Adamson Issue 95 - November 2014 Africans in London TV (AILTV) was first featured in TV-BAY magazine issue 029 in 2009. The article was about AILTV when it started, including the reason why it was created, the content and future plans. The emphasis was on the gear that I was using at that time which was a Canon HV20, Sony VX1000, Sony PD1...

Submitted by Joseph Ail
Published 01 December 2014

Capture and Produce


Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#
Published 01 November 2014

It is in the Can Bag


by Dan Rose Issue 94 - October 2014 As a freelance cameraman/director, like every one else, I\'m always looking for that money shot! And some times it\'s a ground shot or a maybe a moving shot from a vehicle window. The lower shots can be hard to keep stable using your hands, and I don\'t really want to put my cameras on a wet or stony surface, wel...

Submitted by Dan Rose
Published 01 November 2014

Packing a real punch for Bangshock


by John Milkovich and Jamie Milkovich Issue 88 - April 2014 Headed up by Creative Director and DP John Milkovich, and Chief Post Production Editor Jamie Milkovich, Vancouver-based media company Bangshock recently took their Ninja 2 on a shoot to capture the Thailand Superfight Thepprasit Pattaya. The Ninja 2s feather weight and rugged build proved...

Submitted by John Milkovich
Published 01 May 2014

When the going gets tough


by Will Strauss Issue 88 - April 2014 When working in the field, the kit we use has to withstand a fair old battering. And Im not just talking about the cameras, viewfinders and those expensive lenses. While glass still needs protecting, these days so does your laptop, your storage, your memory cards: the lot. They all need bags, cases and toughene...

Submitted by Will Strauss#
Published 01 May 2014

#TVFUTURES


by Joe Watson Issue 87 - March 2014 So while my colleagues on the course have been writing about what they\'ve been doing at college, I\'m going to write about what I\'ve been doing out of college which is mainly work experience. Since I started the course back in 2012 I have had quite a few breaks acquiring work experience in the media industry. I...

Submitted by Joe Watson
Published 01 April 2014

Rising to the occasion


by Kevin CookIssue 83 - November 2013 I must admit I wasnt really in the market for a camera crane until I set eyes on the iFootage M1 Mini Crane. Sure, I love seeing craning shots in a film - and I understand perfectly how these types of shots give the viewer an additional and otherwise unavailable perspective to A scene but it all seemed like a l...

Submitted by Kevin Cook
Published 01 December 2013

Televising Swan Lake in live 3D from St Petersburg


by Tim HighmoorIssue 79 - July 2013 Stereoscopic television may still be in its infancy as a home entertainment medium but it is thriving in the cinema world. Freed from domestic distractions, cinema audiences are ideally placed to give their full attention to the images on the big screen. On Thursday 6 June 2013, the Mariinsky Ballet company in Ru...

Submitted by Tim Highmoor
Published 01 August 2013

Do you have firmware deficiency syndrome?


For 5 days in June 2013 we did a survey on Facebook and our own website and asked how often camera users had gone online to check for firmware updates…Checked online for a firmware upgrade….. …within last 30 days 18%…within last 90 days 9%…within last 12 months 3%…never checked online 70%We could have gone further to see which users used what camer...

Submitted by KitPlus
Published 01 July 2013

Three legs good... better, best


by Kieron SethFluid SticksWhy do exhibitions and open days still exist in the social media mad world? Why do manufacturers and resellers maintain show rooms when information is immediately accessible online?Simple: no matter which ‘celebrity’ DOP endorses a particular product, there’s no way to log on to assess how any camera balances on the should...

Submitted by Kieron Seth#
Published 01 March 2013

Will Strauss gets a grip!


By Will StraussOf all the many areas of television technology that tv-bay Magazine covers, you might think that camera support is the one that appears, on the surface at least, to move the slowest. Take the tripod for example. Fundamentally, the design hasn’t changed for a hundred years. Or how about the dolly? The wheels and track device that Alfr...

Submitted by Will Strauss#
Published 01 March 2013