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Disaster Recovery the broadcast emergancy service


by Lee Sheppard & Paul Moran Issue 90 - June 2014 Weve all heard the phrase Disaster Recovery (DR), but what does it actually mean for broadcasters and content owners, and what constitutes a disaster?DR is a broad term that encompasses a range of scenarios, from catastrophic disaster (for instance, the complete destruction of a whole facility), to...

Submitted by Lee Sheppard
Published 01 July 2014

Giving Content Distributors an Edge in Quality and Compli...


by Adam Schadle Issue 90 - June 2014 Todays media and entertainment ecosystem relies on interconnections between content originators, who produce programming and deliver it over broadcast networks (including terrestrial, satellite, cable, and IPTV), and secondary content distributors who take that programming and deliver it to the end viewer. Incre...

Submitted by Adam Schadle
Published 01 July 2014

Transforming Content and Caputure Distribution


by Russell Wise Issue 90 - June 2014 Within the broadcast industry, ongoing financial pressures have driven continued consolidation of operations, centralization of staff, and efforts to increase efficiency through smarter use of current and forward-looking media-focused technologies. At the same time, the rise of multiplatform content distribution...

Submitted by Russell Wise
Published 01 July 2014

Audio over IP: A more flexible distribution landscape


by Werner Drews Issue 89 - May 2014 In recent yearsx and months IP has become a very important part of the radio broadcasters technical toolkit. As an audio technology company with a fast-developing range of audio distribution products, we have experienced and responded to rapidly mounting demand for IP capability. Broadcasters see IP as a way of a...

Submitted by Werner Drews
Published 01 June 2014

4K at NAB


by Bob Pank Issue 89 - May 2014 The long term NAB veterans will be well aware of just how quickly new technologies can come and go in the television industry. For instance, only a couple of years ago, 3D was still the hot topic, now it has gone quiet, but not altogether gone away. So it is good to report that 4K had another very good NAB, probably...

Submitted by Bob Pank#
Published 01 June 2014

Making 4K mainstream in 2014


by Austin Freshwater Issue 89 - May 2014 4K was one of the hot topics at this years CES. Higher resolutions may be showing more promise as the industry moves on from the latest iteration of 3D, which proved expensive to produce and poorly received by many viewers. However, as we move further into 2014, we continue to see some reticence within the i...

Submitted by Austin Freshwater
Published 01 June 2014

Return to original programming for channel 5


Issue 88 - April 2014Sequence Post recently completed the end-to-end post of the 10 part procedural crime drama, Suspects, starring Fay Ripley, Damien Molony and Clare-Hope Ashitey. The drama series was created and produced by Newman Street, part of FremantleMedia UK, for Channel 5. Set in London, Suspects focuses on a team of three detectives and...

Submitted by KitPlus
Published 01 May 2014

Get the 8k WOW factor at NAB


by Bob Pank Issue 88 - April 2014 Once again 4K will be a prominent feature at NAB. There will be a 4K Zone in the North Hall but surely the format is now so popular that its many supporters will make it 4K everywhere and not confined to a dedicated zone. But 4K is only a part of UHD, the other being 8K, which has far more wow factor (why else go t...

Submitted by Bob Pank#
Published 01 May 2014

From the edge of nowhere to the centre of everywhere


by Joe Fulford Issue 88 - April 2014 Getting your images back to a studio for broadcast can be done in many ways. Getting the tapes or cards back to the studio will take however long it takes a dispatch rider to get there, and sometimes its just not possible to get a motorcycle out to your location. You can transfer the files via FTP from another l...

Submitted by Joe Fulford
Published 01 May 2014

When the going gets tough


by Will Strauss Issue 88 - April 2014 When working in the field, the kit we use has to withstand a fair old battering. And Im not just talking about the cameras, viewfinders and those expensive lenses. While glass still needs protecting, these days so does your laptop, your storage, your memory cards: the lot. They all need bags, cases and toughene...

Submitted by Will Strauss#
Published 01 May 2014

Where no satellite truck has gone before


by Bogdan Frusina Issue 87 - March 2014 For several weeks last year, the world was focused on Rome. Broadcasters from around the world converged on the city to cover the events surrounding the resignation of Pope Benedict XVI and the selection of his successor. Existing cellular towers were overwhelmed with traffic on the key celebration days, when...

Submitted by Bogdan Frusina
Published 01 April 2014

Looking to the Cloud for broadcast business success


by Tom Donoghue Issue 87 - March 2014 More and more, todays highly competitive and rapidly evolving marketplace is ruled by consumer demand for seamless anywhere, anytime, any-device access to high-quality content. Broadcasters are learning quickly that competitive advantage is all about finding new ways to engage audiences and attract advertisers...

Submitted by Tom Donoghue
Published 01 April 2014

Digital Communications


by Christian Bockskopf Issue 87 - March 2014 1. What does Riedel do? Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems,...

Submitted by Christian Bockskopf
Published 01 April 2014

War House goes live in 4K


Issue 87 - March 2014In the next chapter of the War Horse story, National Theatre Live in collaboration with Sony, are pushing the technological boundaries of live entertainment to a new level. For the first time worldwide, the multi-award winning stage production will be broadcast live in 4K. On February 27th 2014, National Theatre Live (NT Live)...

Submitted by KitPlus
Published 01 April 2014

Cutting the cord


by Will Strauss Issue 87 - March 2014 Wireless cameras are not new. In fact, they date back to the 1970s. But its only been in the last ten years that this technology has really blossomed, with engineers working out how to adapt the digital terrestrial transmission technology so that it can be used efficiently for programme-making. From that tippin...

Submitted by Will Strauss#
Published 01 April 2014