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Managing Media

Looking after the media for a television production used to be a relatively simple task. The footage would be shot and captured on tape. The tapes would be delivered to the post-production facility for editing. They would be ingested into the edit system, the editor would construct the final program and it would be recorded back to tape. All the ta...

Submitted by Bob Pank#

Published 01 February 2012

Convergence Grading for Stereoscopic 3D Broadcast with Da...

After soldiering through a long run of freelance work in Soho, I had a couple of days off. I thought, “It’ll be nice to relax a little bit,” which is when I got the call. “We have this project with quite a tight turnaround, a couple of days to deliver 75 minutes worth of 3D.” I told them to hold on — this would be my first 3D job. They replied, “It...

Submitted by Bob Pank#

Published 01 January 2012

Reaching for 3D

From the opening shot of the Ryder Cup to the Champions League final when Manchester United played Barcelona this year, a stately homes documentary to a Derren Brown magic show, cameraman Chris Taber has been there, filmed it and got the T-shirt. And the reason the camera crane operator has been in demand for so many high-profile jobs? In a word: 3...

Submitted by Bob Pank#

Published 01 January 2012

Putting the Realism into Reality Television

“Reality television’ as a category of programming emerged in the late 1990s with the introduction of shows that attempted to portray real people responding to real challenges under more or less continual public gaze. Unlike sport, where the focus is primarily on physical skills and endurance, reality television shows place their participants in a w...

Submitted by Bob Pank#

Published 01 January 2012

Monitoring in the file-based environment

One of the major challenges facing broadcasters and content producers today is quality control. In the traditional model QC was performed by skilled viewers in real time, watching the content on a good monitor alongside a waveform monitor and audio meters to ensure the technical parameters were optimised. That is still critical, although the onus f...

Submitted by Bob Pank#

Published 01 December 2011

The IBC 2011 Future Zone

Meet Tony Drummond-Murray, an engineer. His company, Murraypro, has been inventing and manufacturing precision equipment for 37 years. The mere 10 minutes I spent on the Murraypro stand at this year's IBC were an education. I learnt how and where manufacturers dangerously cut corners when designing their products and what effect this has on broadca...

Submitted by Kieron Seth#

Published 01 November 2011

Streamlining Final Delivery with an All-in-One Solution

Market differentiation is a challenge for professional content creators and post facilities, especially as budgets wane and client expectations for high-quality content rise. Over the last two decades, the business has changed dramatically with the transition to digital workflows. A few years ago you’d have to invest in tape decks, build a large in...

Submitted by Bob Pank#

Published 01 October 2011

LIGHTS, CAMERA, PROMPTING

Prompting equipment may seem to be one of the most standard, reliable and commonplace pieces of a workflow but that doesn’t mean provision should be treated with complacency. Thinking ahead and selecting best of breed is as applicable in this case as it is for a supposedly more mission-critical asset management, newsroom or production system. In re...

Submitted by Bob Pank#

Published 01 October 2011

All the Things You Want to Know About Cloud Computing

Though the current buzz surrounding the concept of cloud computing makes it seem like an all-new technology, the idea and practice originate from IBM’s pioneering use — nearly three decades ago — of virtualized mainframes with “thin clients.” These thin clients allowed users to centralize processing in the very expensive mainframe components, CPU m...

Submitted by Bob Pank#

Published 01 October 2011

Easy and accurate testing of low-power transmitters for d...

Using portable TV analyzers for gap filler installation, maintenance, and service measurementsTwenty-five kilograms or more: That is how much the test equipment needed for testing digital television transmitters – a test receiver, spectrum analyzer, and power meter – weigh all together. This weight is not an issue for a transmitter like the one on...

Submitted by Bob Pank#

Published 01 July 2011

Transforming Post Production With Content Supply Chain Ma...

These are challenging times for post-production companies and operations. Even the most sophisticated post houses are scrambling to evolve their content chains in the face of game-changing trends: the move from tape- to file-based workflows, the growth of new distribution outlets and windows, and the drive towards same-day-and-date release of major...

Submitted by Bob Pank#

Published 01 May 2011

3D Post at NAB, Wimbledon, and more

You may recall that last time 3D Diaries tackled the subject of post production in August 2010, it warned that the ‘fix it in post’ habit was definitely to be avoided. This means shoot it correctly in the first place, as trying to fix errors, especially the 3D ones, in post can get very tricky and, may be expensive. This remains the case even thoug...

Submitted by Bob Pank#

Published 01 May 2011

Mobile Cameraman Extraordinaire

I had wanted to work in television since my teens and, at 20, started as a trainee assistant cameraman at Mersey Television on 'Brookside' in Liverpool and then joining Thorn-EMI Facilities in London. Thorn-EMI put me in charge of a studio used to shoot links for companies like Children's Channel using very bulky early tubed Betacams. Five years la...

Submitted by Bob Pank#

Published 01 April 2011

Eye to eye: The changing face of video displays

Video display technology is progressing so fast that the phrase 'More revolutions than a banana republic' inevitably comes to mind. No offence intended if you have just taken over as president. From the 1930s to the present century, television display was dominated almost entirely by cathode ray tubes. Competition then arrived in the form of plasma...

Submitted by Bob Pank#

Published 01 March 2011

3D to see at IBC 2010

IBC2010 marks the fourth year when the new wave of Stereoscopic 3D took hold at the show. That’s three years of time for development and implementation. While cinema is racing ahead, taking a good extra percentage of people at the door who pay a 3D premium price – television in Europe is only just beginning. Sky is the pioneer for the UK, going on...

Submitted by Bob Pank#

Published 01 October 2010