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Highly Experienced


by Dick Hobbs Issue 110 - February 2016 I was recently asked to write an article on quality of experience in video streaming. Obviously the first thing I did was ask Saint Google to find me recent research on the subject. It pulled up an absolute gem, a report published by Ofcom, the UK government's communications supremos. It was written by an out...

Submitted by Dick Hobbs.
Published 16 March 2016

Gaining insight in a fragmented broadcast world


by Keith Bedford Issue 110 - February 2016 The proliferation of mobile devices, on-demand content and the fragmentation of viewing habits makes the task of measuring TV audiences and the level of audience participation a bigger challenge than ever before. While the ways that consumers' access content may have changed radically, broadcasters' need f...

Submitted by Keith Bedford
Published 16 March 2016

Soho shaking all over Manchester


with Alan Bradbury Issue 108 - December 2015 It was a busy time for my colleagues and I here at Soho Editors last month, but quite a telling one too. The relentless thrust northward of post-production, film, TV and broadcast services in the UK, saw us - and indeed many other companies - exhibiting at the Kitplus Tour, hosted at the MediaCityUK comp...

Submitted by Alan Bradbury
Published 15 December 2015

Drones in the Broadcast Industry


with Leighton Chenery Issue 108 - December 2015 There is little doubt that the emerging technology of Drones within the Broadcast industry is most likely to have insurance implications. As the market continues to expand and organisations enhance their activities through the use of Drones, adequate insurance coverage will be of particular importance...

Submitted by Leighton Chenery
Published 15 December 2015

In media monitoring, as in medicine, a quick fix is not a...


by Simen Frostad Issue 107 - November 2015 A man is rushed to hospital with a suspected heart attack. The priorities of the medical team that treats him are clear: keep the patient alive, contain the damage to the heart as far as possible, stabilise the situation until the patient is out of danger. They work under the pressure of these immediate pr...

Submitted by Simen Frostad
Published 01 December 2015

CLASS - FIMS: A plug-and-play solution


by Bruce Devlin Issue 106 - October 2015 No two broadcasters are alike. Meaning, that just about every broadcaster in the world uses its own, customized workflow comprised of any number of proprietary tools and solutions, specially designed to work together. With so many systems with proprietary interfaces in existence, IT-based media projects requ...

Submitted by Bruce Devlin
Published 01 November 2015

Sony PXW-FS5 Review


by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman
Published 01 November 2015

Shoot safe, shoot dynamic


by Nick Allen-Miles Issue 104 - August 2015 Todays craze for shooting from a UAV or drone is not for the faint hearted. Unless used legally and in very limited situations, its a dangerous way of capturing dynamic shots. Wherever people are involved or height restrictions apply, there are more useful ways of filming safely that deliver a more intere...

Submitted by Nick Allen Miles
Published 01 September 2015

CLASS - LEAN Mean Versioning Machine


by Bruce Devlin Issue 103 - July 2015 Today, there are numerous ways to access and consume media, be it through UHDTVs, smartphones, tablets or other screens, devices or services. Because there are so many outlets and even more bytes of information as a result, content owners and broadcasters are working incessantly to deliver top-quality content a...

Submitted by Bruce Devlin
Published 01 August 2015

Keep memories safe at RWF


by Martin Bennet Issue 103 - July 2015 RWF World founders Gwynne Roberts and Sadie Wykeham have embarked on a 30-plus year mission with a single purpose: to tell the world about human rights violations through the eyes of its survivors. Through the course of their journey, these truth-seekers have informed the world of late 20th-century injustices...

Submitted by Martin Bennett
Published 01 August 2015

The holistic approach to fighting piracy


by Rory OConnor Issue 102 - June 2015 Now more than ever, consumers are driving the way that their content is delivered and consumed across platforms. Content owners increasingly need to be able to respond and adapt in an agile manner to deliver quality content across every consumer device from the day they hit the market. To stay relevant, operato...

Submitted by Rory O Connor
Published 01 July 2015

A wide spectrum of choice


by Andy Clements Issue 101 - May 2015 Without microphones, in-ear monitors (IEMs), intercom and distribution systems based on wireless technology, many of today\'s large-scale television studios, outside broadcast and film productions would be very difficult, if not impossible, to stage. Wireless solutions provide convenience and, in the main, grea...

Submitted by Andy Clements
Published 01 June 2015

Digital media services need more than just standard prote...


by Simen Frostad Issue 101 - May 2015 Standards are conceived in abstract. They are set up and negotiated between interested parties in a process that can last several years, with each party to the negotiations pressing its own case, and the standard that emerges at the conclusion is usually compromised in some way. At worst it can simply be a lowe...

Submitted by Simen Frostad
Published 01 June 2015

Extreme equipment for the Film and TV industry


Issue 100 - April 2015 Big films require big shots and to get the action in camera, you need grip equipment and the latest camera support technology to make that vision a real possibility on set. Whether filming underwater or capturing high speed vehicle to vehicle action, Chapman Leonard UK have always looked to supply productions in the UK and Eu...

Submitted by KitPlus
Published 01 May 2015

Rise of the drones


by Jeremy Braben Issue 100 - April 2015 Drones are taking TV and film productions where they have never gone before. But how can they be used to best effect, what challenges do they present and will they replace helicopters in aerial filming? Jeremy Braben of Helicopter Film Services (HFS) has some of the answers... The recent explosion of unmanned...

Submitted by Jeremy Braben
Published 01 May 2015