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Supporting the RED

James Cullen was working as a studio cameraman for the BBC when he was asked by television quiz show favourite CJ de Mooi to shoot a promo for him. The brief was to showcase CJ’s enthusiasm for the Porsche 911 Carrera, and Cullen knew that the production standards had to match the engineering excellence of the car. “I was using a RED One camera whi...

Submitted by Dennis Lennie

Published 01 November 2009

Adventure between two Oceans 2009

The route of this year’s Dakar Rally went through South America, subjecting participants and equipment to very extreme conditions. Bikers and quad pilots as well as teams in cars and trucks participated in this 31st rally of its kind in South America. Cameraman Len Jansen and his team DakarPress from the Netherlands were also there. They have been...

Submitted by Dennis Lennie

Published 01 October 2009

NAB 2009 report

By general consensus, this year's NAB Spring Convention, or 'NABshow' as it styles itself, was one of the best ever. Wider aisles and a respectable rather than manic level of attendance made the event, in the words of one exhibitor, 'Business Class'. NAB was always the prototype show where you could sense the directions in which manufacturers were...

Submitted by Dennis Lennie

Published 01 July 2009

EPIC HD Upgrade

EPIC-TV came into being in late 2006, after Norfolk County Council acquired the ITV Anglia Regional news and Network production studios at Magdalen Street Norwich. Since then it’s been re-developed as one of the technically most advanced production facilities in Europe, with three broadcast studies, two of the HD, one of them Virtual, linked direct...

Submitted by Dennis Lennie

Published 01 May 2009

Eye to Eye Video acquisition and production

BVE2009 in London, February 17-19 offers UK-based programme-makers a useful opportunity to try out the latest video acquisition and production equipment ahead of NABshow2009 and its loud after-echo, IBC. The following outlines some of the new front-end kit likely to be on display at Earls Court. Cameras and camcordersARRI will be exhibiting its D-2...

Submitted by Dennis Lennie

Published 01 April 2009

Choosing the right tripod

Camera support equipment is constantly changing as technological advances influence what can be created in the viewfinder. New generations of ultra compact cameras are enabling the camera operator to explore and get into the action as never before and longer lenses allow close-up views previously unobtainable. But with so much choice, how do you se...

Submitted by Dennis Lennie

Published 01 January 2009

Camera rigs and lighting

The biggest single story at IBC this year, apart from the usual company-eats-company rumours, was the continuing progress of stereoscopy or '3D' as it is currently undersold. A stereoscopic snapshot may well be 3D (displaying length, width and height) but a stereoscopic movie is in fact 4D as it includes a timeline. John Logie Baird set the stereos...

Submitted by Dennis Lennie

Published 01 January 2009

Lights, Camera, Makohead Action

With the movie Quantum of Solace due to hit the big screens in October, audiences around the world are already gearing up for another huge blockbuster from the James Bond stable. The movie, which began shooting at Pinewood studios in November 2007, will undoubtedly include the spectacular action sequences that are the hallmark of James Bond films....

Submitted by Dennis Lennie

Published 01 December 2008

Virtual Sets

When I first started approaching people in the UK with Brainstorms Virtual Studio software I was surprised to have them shake their heads vigorously and explain that virtual studio systems were “far too expensive and too difficult to set up and run” Coupled with that was the lack of realism and who’s using them?In Spain where Brainstorm are based t...

Submitted by Dennis Lennie

Published 01 November 2008

Virtual sets come of age

Virtual studios (VS) have experienced a roller coaster ride of popularity through their short life. Initially they were hailed as the future for live broadcasting, seamlessly combining people and computer-generated environments without the need for post-production. But the racks of SGI computers, complex studio set-ups, complex camera tracking syst...

Submitted by Dennis Lennie

Published 01 November 2008

Virtual Studios

Traditionally virtual studios have been extremely expensive to equip due to the amount of technology required just to make the studio work. Besides the standard studio cameras and lighting, sophisticated additional technology is required to provide feedback from lenses, pan and tilt heads and dollies, to seamlessly synchronise foreground and backgr...

Submitted by Dennis Lennie

Published 01 November 2008

A brief history of television graphics

Thirty years ago, television captions were routinely created by sticking white Letraset characters onto black card. Credit rolls were possible using special devices which used long strips of black material onto which the Letraset was stuck, and which were literally rolled, either by an electric motor but sometimes even by hand. There were, of cours...

Submitted by Dennis Lennie

Published 01 October 2008