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As a Videographer do I need a tripod and head


As you know, video has changed radically over the past few years, with even lighter and more compact cameras producing broadcast-quality HD footage. With new equipment opening up new ways to film and encouraging film-makers, videographers and former photographers to cross over their outdated boundaries, comes a need for new supports to match these...

Submitted by Bob Pank#
Published 01 December 2010

Eye to Eye at the Wildscreen International Film Festival


Founded in 1982, the Wildscreen International Film Festival is claimed to be the world's largest event of its kind. It attracts several hundred delegates from more than 30 countries, all of whom (if they register early enough) get their contact details listed in the festival directory. The festival is staged every two years in Bristol and revolves...

Submitted by Bob Pank#
Published 01 December 2010

Around the globe with Q-Ball


The bicentenary of the birth of Charles Darwin was celebrated during 2009 by a variety of TV programmes studying the background to his 1859 book 'On the Origin of Species'. One of the most ambitious tributes was a 35-part series planned and produced by Dutch broadcaster VPRO. Rather than hire a studio, they commissioned the three-masted clipper Sta...

Submitted by Bob Pank#
Published 01 November 2010

Television camera lenses


This is a glass-to-glass report with a difference, starting at front-end of the video production chain and staying there. Given the speed of development in almost every other branch of television, it is easy to overlook the advances taking place in optics. Until, that is, you need a wider capture angle than your existing kit can deliver or you want...

Submitted by Bob Pank#
Published 01 November 2010

Manfrotto 504HD tripod first hands on review


Well we’ve just got our grubby hands on the beautiful shiny new Manfrotto 504HD tripod system.... I believe this to be the replacement for the 503 head that we have many of and tend to use for cameras like the Sony EX1 and EX3 in our fleet. Couple of things straight from the box.. Its light – even though the legs are metal. Comes with the usual pad...

Submitted by Bob Pank#
Published 01 September 2010

Eye to Eye: Sports Production


I was somewhat crestfallen to receive the advice 'Lay off 3D' when I rang TV Bay for guidance on the theme for this month's Eye to Eye. For better or worse, 3D looks set to be a major part of sports television in the coming years. But I picked up my crest, closed one eye and carried on running. Long-range opticsIt is by now quite widely appreciated...

Submitted by Bob Pank#
Published 01 July 2010

A conversation with Peter Harman, Vinten Product Manager


Vinten is celebrating its centenary in 2010. What were the origins of the business?William Vinten was an engineer with a passion for quality. He set himself in business to repair friends’ bicycles at the age of 13, did a full apprenticeship in a machine shop, and worked for Frederick Lamplough, the steam car pioneer. But it was seeing his first mov...

Submitted by Bob Pank#
Published 01 June 2010

Eye to Eye: Getting a grip


Getting a gripCameras and camcorders are shrinking at such a rapid rate that a lot of today's established support devices are looking completely out of scale. In some aisles of the NAB 2010 Central Hall, visitors were at perpetual risk of colliding with excited demonstrators nipping hither and yon with hand-held stabilisers for DSLRs. Most were onl...

Submitted by Bob Pank#
Published 01 June 2010

POV cameras explained


John Chambers is Managing Director of Drivedata (UK) Ltd, which specialises in minicam solutions for broadcast, military and extreme-sports applications. Minicams, also referred to as POV cameras, are becoming increasingly popular as they get smaller, cheaper and easier to use. The POV camera is now a firm favourite in reality TV, sports coverage a...

Submitted by Dennis Lennie
Published 01 March 2010

Note Perfect


Live music events are big business. Major artists can expect millions of pounds to be poured into full scale productions where the ticket prices are as high as audience expectations. As the artist takes to the stage the atmosphere is electric and for the poised camera operator the pressure is high. He needs to acquire the best shots, capture the im...

Submitted by Bob Pank#
Published 01 March 2010

Im a celebrity get me out of here


Gearhouse Broadcast was awarded the contract to supply broadcast equipment and some crew for Granada Productions “I Celebrity Get Me Out of Here” in 2008. Since that time we have been involved in two UK shows and one German show in Australia plus a USA show in Costa Rica. Planning for these shows is an all year round exercise as the UK show is Dece...

Submitted by Dennis Lennie
Published 01 February 2010

Robotic cameras on location


Television is such a natural extension of the human senses that I doubt if more than one viewer in a thousand gives much thought to the effort put into modern programme production. Much of the original push for creative freedom came from outside broadcast crews, initially using turret-mounted optics and later zoom lenses to obtain close-ups of dist...

Submitted by Dennis Lennie
Published 01 February 2010

Eye to Eye: Lighting and lighting control


In 1985 I visited the Paris HQ of France Regions 3 with Arthur Garratt, a freelance science broadcaster who worked mainly for BBC World Service. FR3 was one of the first European television networks to make full use of high-efficiency ENG and EFP. We learnt a lot and were able to offer one recommendation in return. Watching a news presentation by t...

Submitted by Dennis Lennie
Published 01 December 2009

NEW CAMERA INNOVATIONS FOR WORLD GYMNASTICS CHAMPIONSHIPS...


Billed as the Greatest Gymnastics show on earth the World Championships came to the O2 Arena in October with 437 gymnasts making it one of the biggest events of its kind ever. The O2 played a perfect host to the event with unprecedented BBC coverage, spectators packed to the rafters and a perfect “warm-up” to the Olympics in three years where the A...

Submitted by Dennis Lennie
Published 01 December 2009

LED lighting for image creators


Somehow I ended up on a growing number of LED Lighting equipment manufacturers e-mail mailing lists. Most of them were from China, some from the States and elsewhere. They must have thought that, as we supply broadcast, film and video lighting, that we would be interested in LED lighting. They were right. So I used to dutifully reply, asking them q...

Submitted by Dennis Lennie
Published 01 December 2009