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Ask the Experts Monitoring sound in the stdio

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1. Why do I need monitors? And why can't I just use my Hifi speakers?It may sound like the most obvious thing in the world, and it is, but along with your headphones your monitoring system is the only thing in your mix room that actually makes sound. All the decisions you make in relation to mixing, mic placement, balancing and more are coloured by...

Submitted by Will Strauss#

Published 01 December 2012

Rent-a case, the answer to transporting LCDs?

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Over the last few years we have seen the release of hundreds of new plasma LCDs LEDs and now 3D LED with new models from new manufactures being released with what seems like every day. The huge growth in the sector has driven down the cost of production allowing companies to be very creative in how and which way to use the screens. For example we n...

Submitted by Bob Pank#

Published 01 November 2011

Lighting Q and A

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I AM SETTING UP A STUDIO WHAT IS THE MOST EFFICIENT AND PRACTICLE WAY TO LIGHT IT Modern studios and current camera technologies have changes the way efficient image capture can be achieved. No longer do we need huge 5K and 10K lamps in our small to medium studios, but a new generation of lighting tools is now available, and has actually been aroun...

Submitted by Bob Pank#

Published 01 January 2011

Eye to Eye New post-production kit at IBC 2009

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This alphabetical overview of new video and film post-production kit at IBC 2009 was going to start with Apple but the company pulled out of both NAB and IBC in 2008. I begin instead with Avid which has certified its Media Composer, NewsCutter, Symphony and DS software to run on the new HP Z series Workstations – the HP Z800 and HP Z400. Avid custo...

Submitted by Dennis Lennie

Published 01 October 2009

Ask the Expert with Broadcast Service Centre

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Ask the Expert with Broadcast Service Centre’s Dave LlewellynThis month we visited independent service company, Broadcast Service Centre Ltd (BSC), specialising in providing top quality technical support for a wide range of equipment within the Broadcast and Pro video industry. Dave Llewellyn has worked as a broadcast engineer for BSC (Broadcast Se...

Submitted by Dennis Lennie

Published 01 May 2009

Lighting. Back or rim light part 4

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In my last article, I discussed modelling of the ‘talent’ by choice of lamp, and careful choice of the horizontal and vertical angle of the ‘key’ light. Having made those choices my next priority would be to choose a ‘back’ light. It is also sometimes known as a ‘hair’ light which gives a pretty good clue as to its function. Just to say that we are...

Submitted by Dennis Lennie

Published 01 May 2009

Filters for HD Cinematography

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The availability of low-cost HD camcorders with film-style tools, like 24 frame-per-second imaging and quality lenses, has put filmmaking capability in the hands of many. To achieve a film-style look, a director of photography can add a compliment of optical filters. Such filters can not only make color and other corrections to the image as it is s...

Submitted by Dennis Lennie

Published 01 April 2009

Everything you ever wanted to know about TV lighting Part...

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Back in time in the days of monochrome TV, portrait lighting was used to try and compensate for the lack of colour in those days of flickering 405 line pictures on tiny screens. The other consideration was to compensate for the lack of depth; the missing dimension from our TV screens. When colour TV came along in the 1960’s, pictures looked more re...

Submitted by Dennis Lennie

Published 01 January 2009

How we lit Mick

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Shine a lightLets start at the beginning with the most fundamental, basic of questions – what’s the point of lighting anything, let alone a living legend like Sir Mick Jagger? The answer is simple – because lighting is the most important part of the whole process. Not the filming. Not the fiddly edit. Not the chin-scratching pre-production. The lig...

Submitted by Dennis Lennie

Published 01 January 2009