KitPlus | Articles

The evolution of camera connectivity and the HPX600

Tape in, tape out. Cable in, video out. Card in, card out. Simpler times: productions orchestrated by an army of runners, tape op’s and engineers, with transmission to TV, ingest via a VTR and a room dedicated to storing media. Today’s production team has changed. It’s become a small elite squad, tasked with multi-channel playout, multi-resolution...

Submitted by Kieron Seth#

Published 01 July 2013

Dick Hobbs remembers the BBC Television Centre

I am writing this column the day after the last news programme was transmitted from BBC Television Centre, and by the time you read it the place will be more or less moribund. Which is sad. My first experience of Television Centre was – frighteningly – 40 years ago when I went to a recording of Andr Previn’s Music Night in TC1. It was a Rachmaninov...

Submitted by Bogdan Frusina

Published 01 May 2013

Life live beyond the Premier League

by Kieron SethIn Europe outside broadcast has traditionally been within the reach of a handful of deep-pocketed television companies. Across the Atlantic, small OB vans have been popular for years with niche, regional news crews beaming state pie eating competitions to eager viewers. With the advent of Local TV and low-cost fast turnaround producti...

Submitted by Kieron Seth#

Published 01 April 2013

The joy of field editing

In the world of remote working, cloud storage and instant news, the ability to edit on location at a shoot has become a pre-requisite. Only a few years ago, field editing used to be merely about the quick rough cut, the assembly of proxy files or simply the ingest of media in an edit-friendly format. These days, however, energy efficient, high perf...

Submitted by Kieron Seth#

Published 01 February 2013

Ask the Experts - 3d with BSkyB

This month we had an exclusive opportunity to talk to Cara Cheeseman, Post Production Supervisor for all 3D content, both internally and externally, at BSkyB. The 21 questions are gathered from a variety of industry professionals with an interest, some sceptical and some fanatical, in 3DWhen it comes to 3D conversion... creating 3D images from 2D s...

Submitted by Bob Pank#

Published 01 January 2013

Taking on the World of Sophisticated Asset Management

Asset management systems have come a long way in only a few years. They’ve always offered a world of promise for workflow improvements, but not so long ago asset management silos were the norm – with individual departments within a broadcasting operation - such as news, sports production, and drama - operating their own closed systems, inaccessible...

Submitted by Bob Pank#

Published 01 October 2012

New Solutions for Accelerated and Secure Movement of High...

For broadcasters and media enterprises of all shapes and sizes, the ability to move critical content rapidly and securely from point A to point B has always been important – but it’s never been so complex and rife with risk as in today’s multiformat, multiscreen content delivery environment. Today’s broadcasters and content owners are often require...

Submitted by Bob Pank#

Published 01 October 2012

A report from the StreamUK Production Team

A report from the StreamUK Production TeamIn 2011 StreamUK grew by an astonishing 45%, expanding its European branches as well as the size of its UK office. The production team have been kept even busier during the start of 2012, as they look to break their previous record of 105 premium webcasts in 12 months. In 2011 we celebrated helping our clie...

Submitted by Kieron Seth#

Published 01 July 2012

Big Fish, Little Fish, Camera-Top-Box

Big Fish, Little Fish, Camera-Top-BoxFor whole swathes of people within the television industry the concept of digital production - and what we generally refer to as ‘going tapeless’ – is probably now considered slightly old hat. Broadcasters, engineers, camera people and other early adopters of technology are so au fait with digital production the...

Submitted by Will Strauss#

Published 01 July 2012

Tv-bay questions

Name & TitleJonathan Bentham, Engineering Director – IVTV BroadcastWho are you (about yourself and who you work for)?I’m a broadcast vision engineer and director of IVTV Broadcast living in the North West. IVTV Broadcast specialise in Live and Pre-Recorded content for Broadcast and other live events. What do you do? What does your company do?I am r...

Submitted by Bob Pank#

Published 01 June 2012

Sam Usher, Managing Director, Red Handed TV LTD

Name & Title? Sam Usher, Managing Director, Red Handed TV LTDWho are you? (about yourself and who you work for)?Started life as a contemporary dancer, living in Brussels dancing and choreographing for some of the great companies. The aim was always to become a choreographer. Decided to move back to the UK and realized quite quickly I wasn't going t...

Submitted by Bob Pank#

Published 01 March 2012

Real-Time Frame Rate Conversion in a Tapeless Workflow

Introduction - (for the full diagramatic version of this article please click on the magazine cover above.)When content moved within facilities and around the world on tape or via live feeds, frame rate and format conversions were easily achieved using real-time hardware converters such as Snell's Alchemist Ph.C-HD. As broadcasters and content owne...

Submitted by Bob Pank#

Published 01 February 2012

TV Bay Questions

Name & Title?James Willett, Freelance ColouristWho are you? (about yourself and who you work for)?Freelance Colourist living and working in LondonWhat do you do? What does your company do?I'm the guy that has the brilliant job of doing everything from lining up and visually matching shots to creatively stylising and achieving the Directors look for...

Submitted by Kieron Seth#

Published 01 November 2011

Storage and archiving

Anyone looking closely at a helical scan video tape mechanism, particularly the miniature variety, might be forgiven for wondering how such an elaborate technology ever came to be invented. The first experimental video tape recorders were essentially audio recorders running at very high speed to achieve the bandwidth needed for television signals....

Submitted by Bob Pank#

Published 01 October 2011

Ask the Experts on Storage and Archive

What is the most important thing to consider when choosing storage for content creation applications?The single most important aspect to consider when choosing a storage device for content creation is workflow. It is critical to have made a decision with regards to the capture device, the video format to be used and how the finished project will be...

Submitted by Bob Pank#

Published 01 October 2011