KitPlus | Articles

Its good to talk

Online, my sister is quite the socialite. She has more friends on Facebook than people I’ve ever met, and a very active Twitter account. Let’s not even get started on LinkedIn, Buzzsprout, Flickr, You Tube, MySpace and Scrib’d. Half her life is on the web, and while the conventions of these online relationships remain a mystery to me, my sister is...

Submitted by Bob Pank#

Published 01 June 2011

Navigating uncharted waters

I’m home again from the annual pilgrimage to Las Vegas. It must be something to do with getting older, but this year both key performance indicators (good dinners versus greasy hamburgers, and early nights versus late night carousing) fell on the conservative side. And my flight home landed 45 minutes early, rather than a week or so late. I was hea...

Submitted by Bob Pank#

Published 01 June 2011

Post Production Ask The Experts

IntroductionIt’s a familiar scenario: A client calls with an urgent transfer request. It may be a movie sourced at 23.98PsF that needs conversion for broadcast, and the client needs an HD version at 1080 50i with Dolby E audio and an SD program at 625 50i with PCM audio, as well. Or perhaps the content was shot at 1080 59.94i, but the client needs...

Submitted by Bob Pank#

Published 01 May 2011

Transforming Post Production With Content Supply Chain Ma...

These are challenging times for post-production companies and operations. Even the most sophisticated post houses are scrambling to evolve their content chains in the face of game-changing trends: the move from tape- to file-based workflows, the growth of new distribution outlets and windows, and the drive towards same-day-and-date release of major...

Submitted by Bob Pank#

Published 01 May 2011

NAB and the format wars

By the time you read this article you may be sitting comfortably on the plane ready to take-off to Vegas. Every year the show comes at a strange time – just after the shooting season has started in the northern hemisphere. As a result, most of the camera companies at the show will have already sorted their purchasing needs for the year ahead, espec...

Submitted by Bob Pank#

Published 01 May 2011

Eye to Eye: Video Post-production

My first direct experience of video post-production involved hauling a heavy Sony U-Matic tape machine up a flight of stairs before going back for an equally heavy playback deck, a bulky CRT monitor and a large box of interface giblets. That was in 1978. 33 years on, an Apple Mac does the whole editing job a great deal better, faster and more econo...

Submitted by Bob Pank#

Published 01 May 2011

Challenging times

I am writing this on 18 March, but only 77 days in 2011 is proving to be a momentous year for global events. We started out with catastrophic floods in Australia, then the earthquake in Christchurch. I once spent a wonderfully happy day in Christchurch, and it was, at least until 22 February, without doubt the loveliest small city I have ever visit...

Submitted by Bob Pank#

Published 01 May 2011

A day in the life of a Royals videographer

Times have changed; no more phone calls, telexes or faxes, - remember them? Now it’s E-mails; what would we do without them?A quiet day in the office-come-edit-suite, the FCP rendering yet another set of archive clips, and the other Mac illuminated with Thunderbird, when ‘ping’ (the Mac version of “You got mail”) wakes one up from the hypnotic tran...

Submitted by Bob Pank#

Published 01 May 2011

A decaying elephant...filmed

Assignment: To film 24/7 the six week decay of a dead five tonne adult elephant in the wild. Reason: to learn how the death creates six million calories of fat, meat and guts, feeding a whole new cycle of life. It was in early March 2010 when Tigress productions put in the call to TX for a meeting of minds, to discuss the idea of filming an elephan...

Submitted by Bob Pank#

Published 01 May 2011

Back to basics asset management

There are two things you should know before I start. One is that the strapline for my company’s product, Mediaflex, is “Beyond Media Asset Management”. And the second is that I hate the term “Media Asset Management” because it has come to be meaningless. Too many people have used it to mean too many different things. So what is Media Asset Manageme...

Submitted by Bob Pank#

Published 01 May 2011

Jamies 30 minute meals are served up

The ChallengeTo shoot, edit, grade and conform 40 x 30 minutes episodes of Channel 4’s Jamie’s 30 Minute Meals within an extremely tight timescale, whilst ensuring that quality wasn’t sacrificed throughout the process. The SolutionAn efficient file-based workflow incorporating Avid Media Composer and Avid DS with RED and Canon cameras were used to...

Submitted by Bob Pank#

Published 01 May 2011

BVE and the Year Ahead

In the IABM's market survey a year ago, the Director General, Peter White, forecast: “Although the worst appears to be over and a degree of optimism is discernible, 2010 is still shaping up to be a fairly lacklustre year. As we exit the year, however, we do expect to see better signs of market improvement with a more promising 2011 and 2012.” How p...

Submitted by Kieron Seth#

Published 01 April 2011

BVE 2011 retrospect

BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#

Published 01 April 2011

tv-bay Questions

Who are you?I have the pleasure of being CEO of two companies! First being the diRoom, which is boutique post-production facility for colour grading, digital intermediates and delivery masters. We are all filmmakers at diRoom, so we tailor every project workflow to be an entire picture post solution for filmmakers or a service that can fill the gap...

Submitted by Bob Pank#

Published 01 March 2011

Tape goes West at UWE

Three years ago a convoy of white vans arrived at the Faculty of Arts at the University of West of England in Bristol. An hour later its entire stock of SVHS camcorders, linear editing decks and analog tape were history. In came Adobe Premiere, Final Cut Pro and Panasonic digital camcorders. Now 20 professional tapeless HD camcorders have taken up...

Submitted by Bob Pank#

Published 01 March 2011