KitPlus | Articles

Say again? What is loudness?

Loudness is making a lot of noise these days, but what does it really mean? There is certainly no shortage of gurus who are happy to posit answers, but are they addressing the right questions?For instance, much has been made of the EBU’s recent Loudness Metering specification (EBU Tech 3341). But it has to be said that the EBU only makes recommenda...

Submitted by Bob Pank#

Published 01 June 2012

The evolution from audio to PIX

Sound Devices has built a strong reputation throughout the world as a leading manufacturer of high-quality audio field recorders and mixers renowned for rugged reliability, operational flexibility and pristine audio quality. While our users are quite familiar with our folks in sales, marketing and technical support areas, they may not be aware of t...

Submitted by Bob Pank#

Published 01 June 2012

Tv-bay questions

Name & TitleJonathan Bentham, Engineering Director – IVTV BroadcastWho are you (about yourself and who you work for)?I’m a broadcast vision engineer and director of IVTV Broadcast living in the North West. IVTV Broadcast specialise in Live and Pre-Recorded content for Broadcast and other live events. What do you do? What does your company do?I am r...

Submitted by Bob Pank#

Published 01 June 2012

Silly Plugger

I have never been to a Mobile World Congress. I take the view that exhibitions are generally noisy, uncomfortable places where the chances of learning something interesting are widely variable. NAB and IBC are must-sees, of course, but otherwise I am not a great fan of exhibitions. Although it is impossible to type its name in Word, I make an excep...

Submitted by Bob Pank#

Published 01 May 2012

Eye to Eye: Video over IP

Live video streaming via Internet Protocol is perhaps most familiar in the form of Skype’s free-of-charge online videophone service. Skype is a very easy way for an on-location broadcaster to get a video contribution back to base. A safer and more conventional technique, as with a reporter-to-anchor interview, is to live-stream video via one’s own...

Submitted by Bob Pank#

Published 01 May 2012

Cloud Matter Part 1 - Fear of Fluff!

Although I’m writing this article in the usual way, by sitting at my desk and tapping on my keyboard, the only app running on my computer is the web browser. I can see the article on the screen but have no idea where it’s being stored. Still I have every confidence that it will be instantly recalled whenever I want it.... provided my modem and Inte...

Submitted by Bob Pank#

Published 01 April 2012

The evolving art of sports television

Given the choice of watching a major live event on site or via television, most people would opt for the real thing. Sure, you have to get to the venue, perhaps queue to buy a ticket, find your seat or maybe stand for hours. If it is a football match, the audience in front will probably stand up for a better view of each goal, completely blocking y...

Submitted by Bob Pank#

Published 01 April 2012

A new era in slow-motion?

Those readers who watch sports programmes on a regular basis may have noticed that many productions now have high speed cameras providing so called “ultra-motion” replays as a part of slow motion sequences. These cameras have been in use for many years in such areas as crash testing and sports training, but until recently the quality of the image h...

Submitted by Bob Pank#

Published 01 April 2012

My first BVE

The problem with Premier Inns, is that they can be quite disorientating. All the rooms are decorated the same, whichever hotel you're in, be it England or Scotland. It is especially confusing just after your alarm goes off, as you're not quite with it and I often struggle to remember where I am, and what I'm supposed to be doing. To some extent I t...

Submitted by Bob Pank#

Published 01 April 2012

tv-bay Questions

Anthony Bairstow – Senior Video Editor at MTV and Editor of Two and Two, BAFTA nominated short. Who are you?I graduated from the BA Film & TV course at Westminster University and gradually found my way into the TV industry, eventually working at MTV Networks Europe. However, I have always had numerous side projects on the go, one of the latest bein...

Submitted by Kieron Seth#

Published 01 April 2012

Sam Usher, Managing Director, Red Handed TV LTD

Name & Title? Sam Usher, Managing Director, Red Handed TV LTDWho are you? (about yourself and who you work for)?Started life as a contemporary dancer, living in Brussels dancing and choreographing for some of the great companies. The aim was always to become a choreographer. Decided to move back to the UK and realized quite quickly I wasn't going t...

Submitted by Bob Pank#

Published 01 March 2012

Eye to Eye: Video Post-production

This column’s previous excursion into video post-production was just before the 2011 NAB Spring Convention, always a dangerous time to talk about new hardware or software when a deluge of upgrades, lookalikes and lite-editions are about to hit the aisles of the Las Vegas Convention Center. Quite a lot has happened in this category over the past 12...

Submitted by Bob Pank#

Published 01 February 2012

Stereoscopic 3D legalisation

Since its foundation in 1989, ONSIGHT has expanded from a London-based broadcast hire business into a full-service production facilities company. Also located at Shepperton Studios, ONSIGHT specialises in film and television production, post production and distribution. ONSIGHT’s activity encompasses every link in the signal chain and is certainly...

Submitted by Bob Pank#

Published 01 February 2012

Managing Media

Looking after the media for a television production used to be a relatively simple task. The footage would be shot and captured on tape. The tapes would be delivered to the post-production facility for editing. They would be ingested into the edit system, the editor would construct the final program and it would be recorded back to tape. All the ta...

Submitted by Bob Pank#

Published 01 February 2012

Grading across the Atlantic

In the last five years, color correction has made leaps and bounds in terms of the way we grade, the performance capabilities of grading systems and even the locations where we grade. Only a few years ago, color correction suites were isolated rooms that were nearly impossible to connect to other offices or artists. But the color world has changed...

Submitted by Bob Pank#

Published 01 February 2012