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In the Flesh: On set with the BBC


by Dale McCready Issue 86 - February 2014 Director of Photography, Dale McCready recently lit the second series of BBCs award nominated Zombie drama In the flesh with the Rotolight ANOVA Bi Colour V2 LED flood light. New Zealand born DoP, and Steadicam operator, McCready, has worked on some of Britains most highly rated series such as Atlantis, Dr....

Submitted by Dale McCready
Published 01 March 2014

Estuary TV interview: Local TV launches in the UK


Issue 84 - December 2013The first of a new wave of local TV stations started broadcasting recently with Estuary TV launching from its base in Grimsby. Over the next year, 19 new channels will launch across the UK funded by advertising, sponsorship and commercial agreements with the BBC will see a mix of local news, sport and culture. There have be...

Submitted by KitPlus
Published 01 January 2014

Channel in a box: Tried, tested and trusted


Issue 84 - December 2013 The first of a new wave of local TV stations started broadcasting recently with Estuary TV launching from its base in Grimsby. Over the next year, 19 new channels will launch across the UK funded by advertising, sponsorship and commercial agreements with the BBC will see a mix of local news, sport and culture. There have be...

Submitted by Ben Gunkel
Published 01 January 2014

Ooh ahh.. just a little DIT with Will Strauss


by Will Strauss Issue 84 - December 2013 Issue 84 - December 2013 Like the Offshore Windfarm Engineer or the Waste Management Consultant, the Digital Imaging Technician (DIT) is very much a 21st Century profession and one that didnt exist 10 years ago. Generally recruited for a digitally-shot feature film, commercial or TV drama, the role was initi...

Submitted by Will Strauss#
Published 01 January 2014

Dick Hobbs on the bake off!


by Dick HobbsIssue 83 - November 2013 The taste was that of the little crumb of madeleine¦ which my aunt Lonie used to give me, dipping it first in her own cup of real or lime-flower tea. Like most of us, the only Proust I have read is his section in the dictionary of quotations to look up the famous line about baked goods triggering memories. Marc...

Submitted by Dick Hobbs.
Published 01 December 2013

Remote control and monitoring


by Alan WheableIssue 83 - November 2013 Remote Control and MonitoringYou might wonder what remote control has to do with test and measurement. And you might be pleasantly surprised when you find out. For a number of years now, manufacturers of broadcast equipment have used remote controlled test installations to allow them to test systems and modul...

Submitted by Alan Wheable
Published 01 December 2013

The UKs PTZ explosion


by Kieron SethIssue 83 - November 2013 The advent of broadcast quality, remotely controlled PTZ cameras has had an enormous impact on television production in the UK. Not only can cameras now be discreetly placed in virtually any location but they can also be operated a very small team of technicians. This combination of creative freedom and the si...

Submitted by Kieron Seth#
Published 01 December 2013

Addressing lingering loudnes challenges


by Andrew SachsIssue 83 - November 2013 Why and how has loudness become such prominent issue?The loudness of the television commercials aired between program segments has been the source of consumer complaints and subsequent regulatory action in countries around the world. These complaints stem from the networks and advertisers economic incentives...

Submitted by Andrew Sachs
Published 01 December 2013

Why broadcasters need to be aware of the advent of HEVC


by Kanaan JemiliIssue 82 - October 2013 High-Efficiency Video Coding (HEVC), or H.265, has been the talk of the industry since gaining international standards approval earlier this year. HEVC is a new video compression standard and the successor to H.264/MPEG-4 AVC (Advanced Video Coding). Developed by the ISO/IEC Moving Picture Experts Group and I...

Submitted by Kanaan Jemili
Published 01 November 2013

The art of E.P.I.C innovation


by Robin BrownIssue 81 - September 2013 Autoscript has a history of innovation, technological development and investment that push the boundaries of the prompting discipline not just for the sake of selling more stuff but to solve our customers real-world problems or challenges. All of our innovations are derived from intimate customer knowledge, a...

Submitted by Robin Brown
Published 01 October 2013

The joys of the outside broadcast!


by Barrie WilliamsIssue 81 - September 2013 When Michael Essien wanted to broadcast his charity football match from Ghana, the natural choice was In-5 Broadcast, who over recent years have become well- known for cost-effective outside broadcasts, writes Barrie Williams. However, with no HD broadcast equipment hire in Accra, it was necessary to take...

Submitted by Barrie Williams
Published 01 October 2013

Rotolight expand new range of award winning Anova flood l...


Issue 81 - September 2013 Following the successful launch of the award winning ANOVA LED Floodlight last year, IBC 2013 sees the release of the ANOVA EcoFlood Version 2 (Bi-Colour LED system) and the ANOVA SOLO Single Colour Flood lights available in 5600K (daylight) or 3200K (tungsten). The expansion of the ANOVA Range of products to be premiered...

Submitted by KitPlus
Published 01 October 2013

Will Strauss looks at the growth of MediaCityUK and dock...


by Will StraussIssue 81 - September 2013 Whats up Dock?In less than three years Dock 10 has grown from a mere studio operator with add-ons to a fully-fledged digital media service provider. Will Strauss tracks the changes. MediaCityUK in Salford, Greater Manchester is exactly as the name suggests: a towering metropolis pumping out TV, radio and dig...

Submitted by Will Strauss#
Published 01 October 2013

Peter Savage looks at corporate entertainment


by Peter SavageIssue 80 - August 2013 Two weeks ago I was lucky to be invited to a golf day with a broadcast dealer whose business is, co-incidentally, a supporter of TV-Bay. It was a fantastic day and everyone really enjoyed it but it raised several queries that I thought worthy of addressing in an article. Youre partying for the taxmanThe first q...

Submitted by KitPlus
Published 01 September 2013

Demystifying the black art of digital audio


by Alan WheableIssue 79 - July 2013 At the pure analogue end of the audio world (which these days is very narrow with much of the audio content being captured digitally) it is quite straight forward to check that an audio channel is present, that it sounds right and has the right levels. Likewise if the audio channel has hum or a buzz on it is rela...

Submitted by Alan Wheable
Published 01 August 2013