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A hole in one - LiveU and Disc Golf remote production cas...

Disc Golf may not be a sport immediately familiar to many, but it has a long history dating back as far as the early 1960s. Previously known as frisbee golf, it’s a flying disc sport in which players throw a disc at a target. It uses rules similar to those for golf with the sport usually played on a course with nine or 18 “holes”. Very popular...

Submitted by Joss Armitage

Published 28 February 2024

To Remotely Go - TVFutures

Charlie Watts: "One of my biggest concerns as an academic responsible for the education of hundreds of students is the ‘appropriateness’ of much of the technology we purchase and implement within the curriculum. The last few years have seen tremendous change in all sorts of technologies, and the broadcast industry is just one sector that has seen s...

Submitted by Michael Parsons

Published 10 September 2019

The making of The Heist

Shine TV has never been one to shy away from a challenge, be that in terms of using new technologies, filming ideas or overall formats: we pride ourselves on being ambitious and risk-takers. We make Hunted and The Island with Bear Grylls for Channel 4 and we’ve just made The Heist, this time working with Sky One. These are all huge, ambitiously for...

Submitted by Tom Hutchings

Published 25 January 2019

Giving Welsh sport a global audience

From the Ospreys Rugby Union team, to the Football Association of Wales, as well as national cycling, swimming and boxing coverage, Port Talbot based Buffoon Film and Media has been heavily involved in putting Welsh sports on the world stage. Focusing mainly on platforms including Facebook Live and YouTube, the team has already live streamed to mor...

Submitted by Adam Amor

Published 09 November 2018

AoIP Solutions at Sky TV

Sky UK has recently moved the whole of its Sky News operation into new, state-of-the-art facilities in the Sky Studios building on the Sky TV campus in Osterley, West London. Described as being both the most sustainable broadcast facility of its kind in Europe as well as the most technologically advanced, the Sky Studios project is set to completel...

Submitted by Tom Pidsey

Published 18 July 2018

AoIP in the intercom world

Everyones talking about using AoIP (Audio over IP) in the broadcast world, but what does it mean to the operators actually making the production - the intercom users? And after years of interoperability taking the lowest common format of analogue tie-lines (also known as 4-wires), has intercom today already moved into the digital world by sharing d...

Submitted by John Sparrow

Published 17 January 2018

Leveraging licensed broadcast spectrum assets

There are several different approaches to transmitting live and file-based content from the field to the studio. Traditional microwave Electronic News Gathering (ENG) provides high bandwidth, high-quality transmission with low latency. Using the secure, dedicated BAS spectrum keeps control in a broadcasters hands. The past few years have seen a shi...

Submitted by John Payne

Published 02 November 2017

Understanding the process of video production

i In this article I will focus on understanding the process of video production. The use of miniaturised video equipment and understanding the capability of the kit chosen for the job will be mentioned. The video production process is a road map, which not only helps the producer to minimise problems during production and achieve professional resul...

Submitted by Joseph Adamson

Published 07 September 2017

The Future of Bournemouth Air Festival

For the past two years I have had the opportunity to present live at the Bournemouth Air Festival (BAF), which, as a Television & Broadcasting student from the University of Portsmouth, was a fantastic way to see first-hand how an outside broadcast works...whilst getting paid! I managed to get this experience when, last year, I volunteered at the A...

Submitted by Georgia Tolley

Published 15 March 2017

TVFutures - The Battle of the Flowers

Studying on the BSc Television and Broadcasting course at the University of Portsmouth had given me some experience working as a camera operator, but this summer I had the chance to put what I\'d learned over the last two years into practice. Back home in the sunny island of Jersey, in what newsrooms would usually call the \'silly season\', an even...

Submitted by Alex Watson

Published 10 November 2016

Make sure you are connected. The writing is on the wall

SIS LIVE has a long history of providing OB technology for horse and dog racing, our traditional link to sports. So you can rightly deduce that we\'re not what could be considered a more generic OB company. Racing is our heritage and is something we continue to support. Having said that, we work with a multitude of OB companies in our new guise as...

Submitted by John Bozza

Published 26 September 2016

Shooting the WRC Rally

Mark bites the dust for his art and lives to tell the tale... A look at my website will confirm I don\'t just shoot cars, I cover a wide range of genres. But I have shot in and around cars through my career. Early on I joined a facilities company specialising in the design and build of onboard camera systems for F1 and Motorcycle GP live TV coverag...

Submitted by Mark Sallaway

Published 25 August 2016

Remote Production

by Jim Green Issue 113 - May 2016 Ten years ago,remote production was the stuff of dreams,a glimpse into a brave new world. The prospect of providing real-time audio control of live events thousands of miles away,without even leaving the studio,was as enticing as it was unlikely. But broadcasters are already reaping the benefits of remote productio...

Submitted by Jim Green

Published 13 May 2016

4k is a reality for live production

Some aspects of the broadcast industry move exceedingly quickly; new cameras are launched seemingly daily, shows are commissioned and shows are axed but the overall pace of the industry remains pretty steady. Would it shock you to hear that NHK in Japan first built its own 4K prototype camera in 2003? (At this point, it's worth clarifying that we'r...

Submitted by Liam Laminman

Published 01 April 2016

Camera Operation and Training Part 1

by Peter Leverick Issue 110 - February 2016 Question: What is the difference between a Videographer and a Broadcast Cameraman?Answer: About £150/day without kit. This is a borrowed joke from an old friend of mine (name withheld, but thank you John), who was answering a facetious enquiry from a Lighting Director about his own job title compared to m...

Submitted by Peter Leverick

Published 16 March 2016