KitPlus | Articles

Putting Your Sports Announcers in the Best Light

Sports event remote crews have long fought the challenge of matching light on announce booth talent to the ambient light on the field below. Light on the playing surface during a single event can range from bright sunlight, ducking in and out of clouds, to minimal level artificial light. During daylight hours, without additional light on the talent...

Submitted by Kieron Seth#

Published 01 January 2011

The 2010 spending review cutting into the future of our i...

Our industry can survive the government’s cuts provided we stand-up and speak for ourselves, says Peter Savage. In October the UK government announced the most comprehensive spending cuts in over 50 years. With the Department for Culture, Media and Sport facing cuts of more than £300m and the BBC’s licence fee frozen for six years, the forecast is...

Submitted by Bob Pank#

Published 01 December 2010

AF101 a first look

IBC saw the first working prototypes of the AF100 being shown to the public. Barry Green (some of you will be familiar with Barry from the US Forum DVXUSER) had the pleasure of working with the pre-production AF101 while at IBC. Incidentally the AF100 & AF101 are the same basic camera for different markets, all of them are NTSC/PAL switchable. At t...

Submitted by Bob Pank#

Published 01 November 2010

TV Bay Questions

Who are you? (about yourself and Sequence)My name is Ben Foakes,29 years old and founder/ majority owner of Sequence. I work as an editor and post-supervisor as well as jointly running Sequence with my co-manager Kevin Chapman and our fantastic team of staff. The company was setup in June 2004, starting as a single home FCP suite and rapidly growin...

Submitted by Bob Pank#

Published 01 November 2010

GSOH

This will come as no surprise to anyone who has met me, but I like a laugh. After a hard day at the coal face of incisive insights into the technology of our industry, nothing chills me out quicker than a good comedy. There is a channel on my personal EPG to which I return regularly. I will not mention it by name because I am about to be rude about...

Submitted by Bob Pank#

Published 01 September 2010

Filming Underwater

Filming underwater remains one of the toughest assignments for any professional production, whether documentary or drama. There are safety concerns involved in having crew and, possibly talent, working underwater. Documentary filmmakers often operate in remote locations, far from medical aid and, especially, decompression chambers needed to treat b...

Submitted by Bob Pank#

Published 01 March 2010

Looking back, and forward to the next decade of media pro...

The year 2000 doesn’t seem that long ago – and what’s for certain is that as you get older ten years is a very short space of time. A decade is a long time in technology though. In 1999 most people didn’t have a mobile phone and weren’t even on the internet at home, painfully slow dial-up was the only option for most. A decade on, the internet is a...

Submitted by Bob Pank#

Published 01 March 2010

Location test equipment

What to look for…. SizeRuggedFast switch on timeLight weightMultiple applications from one unitDaylight readable displayLong Battery lifeSound monitoring as well as videoMountings (when you need both hands!)A number of years ago Hamlet gave itself the impossible task of developing the world’s first 3G, HD and SD capable, video and audio measurement...

Submitted by Dennis Lennie

Published 01 February 2010

12 Frequently Asked Questions About On-Camera Lighting

1. Why/when would someone use an on-camera light? The main purpose of an on-camera light is for “fill” light. Simply put, you are just trying to remove any shadows from your talent’s face to give them a nice clean natural look. If you use too much light, however, you will drown out your background and get no depth to the video. Also, in today’s’ ru...

Submitted by Dennis Lennie

Published 01 December 2009

Tv-bay industry recruitment special

The last 12 months have proved to be challenging times for businesses in our industry and there has been mixed reactions on the best way to tackle the issues facing companies. Having been a part of the most difficult economic climate within the last decade a number of businesses are simply focussing on survival, staying afloat and consolidation. Ha...

Submitted by Dennis Lennie

Published 01 December 2009

Lighting the X Factor

It’s Friday morning at a television studio in the shadow of Wembley Stadium’s iconic arch and already there are fans and paparazzi outside waiting to catch a glimpse of their favourite contestants and judges arriving for rehearsals. Now three weeks into the live final shows, nine contestants have reached ‘Rock Week’, once again singing for their li...

Submitted by Dennis Lennie

Published 01 December 2009

Broadcast management systems specialisation not generali...

“Broadcast management systems” is used here as a collective term to encapsulate all of the processes involved from capturing and creating content, to distribution and monetisation. There are so many points of decision making in a broadcast production chain that automating the processes can be mind boggling in complexity. Taking just a view of frame...

Submitted by Dennis Lennie

Published 01 August 2009

Its A Bigger DAM Picture

There’s a lot of fuss these days about “Digital Asset Management.” Why? Because organizations (and their hard drives) are busting at the seams with digital assets that are multiplying faster than hamsters at a rave. Many of these organizations already have enterprise management software solutions in place, so DAM often becomes a new, isolated plane...

Submitted by Dennis Lennie

Published 01 August 2009

Africans in London TV

Joseph Otieno Adamson, Managing Director of the new TV Station Africans in London or AIL TV, is a man whose enthusiasm for all things media knows no bounds. A talented musician, he attended a university course to learn to become a music producer, set up his own recording studio and later decided to extend his talents to video and the world of broad...

Submitted by Dennis Lennie

Published 01 June 2009

Lighting. Back or rim light part 4

In my last article, I discussed modelling of the ‘talent’ by choice of lamp, and careful choice of the horizontal and vertical angle of the ‘key’ light. Having made those choices my next priority would be to choose a ‘back’ light. It is also sometimes known as a ‘hair’ light which gives a pretty good clue as to its function. Just to say that we are...

Submitted by Dennis Lennie

Published 01 May 2009