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The Reflecmedia Chromaflex portable chromakey system

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The use of keying a foreground image over a background image to form a composite is an established and widely used technique in film and TV production. For most cameramen this will usually involve them in shooting a subject against a coloured background, typically green or blue. Sounds simple but reality can be far from it, anecdotes abound of nigh...

Submitted by Dennis Lennie

Published 01 May 2008

Chromakey tips and tricks.

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Chromakey is one of those slightly magical effects that can still bring out the child in all of us. Also childlike are the frustrated tantrums you throw when you have been trying for hours to get a decent key, and realise you will have to pay some compositing wizard to rescue the shot. There are now 2 distinctly different ways to shoot chromakey fo...

Submitted by Dennis Lennie

Published 01 April 2008

Hands on the EX-1

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High Definition at 1920x1080 means 5 times more detail, resolution and sharpness than SD. With this in mind lens selection and focus become absolutely critical when out shooting in the field. I’m sure we’ve all at some point been on a shoot when our precise focus has been a little out but the lens is wide and we’re shooting DVCAM so can ‘get away w...

Submitted by Dennis Lennie

Published 01 April 2008

The Sony PMW-EX1 what can we expect?

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We cannot ignore the fact that tapeless acquisition and workflow has become a ‘hot topic’ in recent months with programme makers recognising that like it or not, tapeless acquisition in HD is where television production is headed. Mitcorp have always been at the forefront of technology educating and supporting our customers with full workflow solut...

Submitted by Dennis Lennie

Published 01 March 2008