KitPlus | Articles

State of the Nation - The chances of anything coming from...

Among the autumn dramas the old-fashioned broadcasters have offered us this year was a new adaptation of the HG Wells classic The War of the Worlds. Writer Peter Harness stayed pretty faithful to the book, retaining its setting of leafy Surrey and focusing on the human stories. But any mention of The War of the Worlds inevitably brings up the CBS R...

Submitted by Dick Hobbs - new

Published 27 January 2020

Shopping for lenses and more...

When it came to updating the studio at the University of Surrey, Andy Attwell was looking for manufacturers that would offer more than just a great product. It sounds like a dream job. With the funding secured to update the studio in the Department of Music and Media at the University of Surrey, Guildford, it was time for Television Studio Manager,...

Submitted by Andy Attwell

Published 24 January 2019

NEP Student Day

The world of broadcasting is in constant flux, with undefined boundaries between broadcast, TV, film and interactive media. With a changing consumer demographic now a key influence on the industry, many companies no longer specialise in a single medium, but have had to become adaptable to deliver multiple services through a combination of media. Wi...

Submitted by KitPlus

Published 09 November 2018

The Biggest Toy Shop in the World

When Nigel Woodford started his career at BBC Wood Norton in 1962, television was black and white and BBC Two had not yet been launched. In 2018 Nigel will retire, and Richmond Film Services, the pro-audio equipment rental company set up by Nigel in 1973, can count numerous contributions to iconic moments in British cultural, sporting and film hist...

Submitted by Emma Morrison

Published 08 September 2018

State of the Nation - part 2

This is, of course, the IBC issue of this splendid magazine. Much of the rest of its pages are filled with what you will see there, or (in some cases) what vendors and their marketing communications agencies want you to see there. This year’s IBC is a particularly special event, though. It is 50 years – almost to the day – since the very first Inte...

Submitted by Dick Hobbs - new

Published 19 October 2017

Mr MXF thinks the future is bright

I have had the good fortune to spend some time with students at Southampton Solent, The University of Surrey, Ravensbourne and Godalming College in the last few weeks. Although student numbers are down on the technology courses, enthusiasm is high and the passion for the broadcast and media industry is evident in the eyes of the stars of tomorrow....

Submitted by Bruce Devlin

Published 13 January 2017

Space lights and a man called Bill

The Space Light has become one of those universally used fixtures which inhabit many film sound stages, as well as finding employment within studio-based broadcast productions. Its history, not completely lost in the sands of time, is very much part of the evolution of the British film industry, whilst its use extends now to Hollywood and beyond. F...

Submitted by Ian Muir

Published 07 December 2016

Putting the Realism into Reality Television

“Reality television’ as a category of programming emerged in the late 1990s with the introduction of shows that attempted to portray real people responding to real challenges under more or less continual public gaze. Unlike sport, where the focus is primarily on physical skills and endurance, reality television shows place their participants in a w...

Submitted by Bob Pank#

Published 01 January 2012

Top Gear Test Drive Hovercam

Hovercam were contacted to work on some new ideas for Top Gear back in January 2009. The production team were keen on trying new ideas to put a different perspective on the cars that are tested for performance around their test track at Dunsfold, Surrey. Typically the program has featured two-dimensional imagery of super cars, so the idea was to br...

Submitted by Dennis Lennie

Published 01 September 2009

Aston 7 your lucky number for Sports Graphics

Aston Broadcast has been supplying CG products for long enough to know that the world of live sports graphics presentation never stands still for long. Programme directors like to push the boundaries on visual effects in order to wow the viewer and to differentiate the presentation from that of rival channels or programmes. More often than not, Ast...

Submitted by Dennis Lennie

Published 01 October 2008