KitPlus | Articles

4k - fancy fad or future of broadcasting?

by John Halksworth Issue 96 - December 2014 Given the increasing popularity of 4K or Ultra High Definition (UHD) televisions, as well as 4K-capable video cameras, it is safe to say that 4K/UHD is here to stay. While filmmakers in all spheres have been shooting in 4K for some time, distribution of 4K is still in its infancy with very few cinemas sho...

Submitted by John Halksworth

Published 01 January 2015

4k Streaming: a Key OTT Differentiator

by Keith Wymbs Issue 96 - December 2014 OTT streaming providers are amongst the first to offer 4K UHD TV services. In fact, 4K UHD may be seen as a key differentiator for OTT services such as Netflix and M-GO as they compete with pay TV operators according to a recent report from ABI Research. Netflix has launched 4K video streaming of shows such a...

Submitted by Keith Wymbs

Published 01 January 2015

Emphasising Television in streaming television

by James Gilbert Issue 96 - December 2014 There have been all sorts of doom and gloom stories, over a decade or more, about how television is changing. Budgets are being slashed, workflows are becoming automated, and standard IT hardware is taking over from bespoke broadcast kit. But despite all this, television still looks good. If you watch telev...

Submitted by James Gilbert

Published 01 January 2015

Matrox Monarch HD

Issue 96 - December 2014 Matrox Monarch HD is the video streaming and recording appliance for the first live underground music site of its kind, DMO Live (Don't Miss Out), a new platform that records and live-streams international music parties, exclusive artist interviews and festivals direct to the DMO website. Created for the electronic music lo...

Submitted by KitPlus

Published 01 January 2015

REVIEW: Matrox Monarch HD

by Colin Ashby Issue 95 - November 2014 Firstly, a confession; it\'s a fair bet that, technically, I know a lot less than you the reader although I\'ve worked in broadcast television for over 30 years so I have a lot of hands-on experience. To balance this out, I\'m a cameraman so we\'re by nature attracted to new models, bright shiny things, whist...

Submitted by Colin Ashby

Published 01 December 2014

Essentials for Viable Audio over IP Distribution

by Werner Drews Issue 95 - November 2014 Using IP for audio distribution is an enticing prospect for most broadcasters. It offers the prospect of OPEX economies and opens up a lot of new flexibility for infrastructure design: backup and regionalisation solutions are among the many possibilities. IP lines can be used for STL (Studio to Transmitter L...

Submitted by Werner Drews

Published 01 December 2014

Rotolight ANOVA lights

Issue 95 - November 2014We are moving into an era when technology enables us to streamline our workflow more than ever before and studios are looking to utilize equipment that is portable, versatile and energy efficient without undermining the quality of the end product. LED Lighting is increasingly more popular as LED technology advances and the u...

Submitted by KitPlus

Published 01 December 2014

Africans in London TV

by Joseph Adamson Issue 95 - November 2014 Africans in London TV (AILTV) was first featured in TV-BAY magazine issue 029 in 2009. The article was about AILTV when it started, including the reason why it was created, the content and future plans. The emphasis was on the gear that I was using at that time which was a Canon HV20, Sony VX1000, Sony PD1...

Submitted by Joseph Ail

Published 01 December 2014

Move and Deliver

Issue 94 - October 2014You may not have heard of the open source video company Kaltura. But you probably will have heard of Harmonic. Together the two companies made an announcement at IBC that is indicative of where multi-screen, multi-platform TV is heading. They have teamed up to develop and market a cloud-based video infrastructure and OTT TV p...

Submitted by Will Strauss#

Published 01 November 2014

News

Issue 94 - October 2014The most complete, compact multimedia studio in the World NewTek™ have unveiled TriCaster Mini™––the world’s most complete and compact multimedia studio. The ultra-portable system allows anyone who doesn’t speak or understand the technical language of video production or broadcasting to transform an ordinary presentation into...

Submitted by Will Strauss#

Published 01 November 2014

The Latest in Ultra Slow Motion Live streaming and Replay

Issue 94 - October 2014We have seen the technological progress from slow motion to super and ultra slow motion and the added value, interest and analysis it has brought to the viewing of sport, natural history and other areas. These clever systems have been coming in the form of normal broadcast camera size packages but now German company Live Moti...

Submitted by KitPlus

Published 01 November 2014

How To Produce and Stream a live Production

by Chris Waddington Issue 94 - October 2014 Today, anyone with a smartphone and an internet connection can stream video content for free. The challenge is to create professional looking content that makes an impact; to do that it needs to have the polished look viewers are accustomed to seeing on network television, or they\'ll stop watching. In th...

Submitted by Chris Waddington

Published 01 November 2014

Capture and Produce

Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#

Published 01 October 2014

Move and Deliver

Issue 93 - September 2014 In an industry that hands out a lot of awards, it can be easy to take the revelation of each golden statuette or glass embossed brick with a pinch of salt. When NATAS hands out a Technology and Engineering Emmy, however, people sit up and take notice. This month Video Services Forum, Media Links, Nevion, DVBlink, Inc, Harr...

Submitted by Will Strauss#

Published 01 October 2014

How to Produce and Stream a Live Production Part One

by Chris Waddington Issue 93 - September 2014 With recent advances in camera technology, services that can send your content across the internet to any web-connected device and desktop streaming production systems like NewTek’s TriCaster, even beginners can create sophisticated video content that looks great and stream it live to the web. In this t...

Submitted by Chris Waddington

Published 01 October 2014