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Managing Loudness for Broadcast TV


Often viewed as the “ugly sister” when compared to its more glamorous rival video, audio is finally receiving some much deserved attention in broadcast circles. The trigger for this realisation is an increasing shift in awareness that viewers are interested in not just the pictures they are seeing, but equally the sound they are hearing. In particu...

Submitted by Anothony Wilkins
Published 01 June 2013

The Cloud, a big hit at NAB with Bob Pank


NAB 2013 will go down in history as the event where the broadcast industry took to the Cloud in a big way. Perhaps it was the number of smaller companies and start-ups that have been successfully operating cloud services for a year or more that persuaded the big names to join in but, more likely, these moves have been in the pipeline for a while. T...

Submitted by Bob Pank#
Published 01 June 2013

Learning to love IT with Dick Hobbs


There are three clearly defined levels of activity at NAB. There is the buzz which someone is trying to get going, there is the stuff which people are actually trying to buy, and there is the latest collection of buzzwords and catchphrases which provide endless entertainment for those with a love of language. This year, for instance, we were all to...

Submitted by Bob Pank#
Published 01 June 2013

Loudness: What happens now if my work is not compliant?


Now that loudness is a mandatory requirement in the United States, Europe, and much of the rest of the world, it’s not so much a question of when organizations will begin to comply, but how?1. Now the standards are in place, what happens now if my work is not compliant?There are varying repercussions for noncompliance, depending where you work and...

Submitted by Jon Schorah
Published 01 June 2013

Exceptional loudness control does not have to break the b...


by Oliver Masciarotte, Director of Customer Experience, Minnetonka Audio SoftwareThe industry is buzzing about loudness control. It is perhaps the most important audio issue facing broadcasters today because governments have mandated change. EBU R128 and other such legislation around the world attempts to provide some level of consistency in percei...

Submitted by Oliver Masciarotte
Published 01 June 2013

Evolving the industry audio monitoring systems


With respect to monitoring, particularly for multiplatform content delivery, how can our facility straddle the divide between baseband and file-based signals?The media industry as a whole is moving toward multiplatform content delivery. This shift includes and affects not only traditional broadcasters and new media outlets, but the content creators...

Submitted by Don Bird
Published 01 June 2013

Back to basics: MPEG Dash


by David Springall, CTO & Founder, YospaceJust when you thought that you had got your head around the different flavours of MPEG, another one comes along. What on earth is MPEG-DASH, and why do we need to care about it?The DASH part stands for dynamic adaptive streaming over HTTP. MPEG-DASH is an attempt to create a standardised approach to deliver...

Submitted by David Springall
Published 01 May 2013

Cameras, conversations and conversions at Camera Diner wi...


Every Thursday evening, around 500 viewers tune in online to Camera Diner’s live show getting a unique look at the latest in film and still camera technology, as well as exclusive interviews with some of the imaging world’s biggest names. The whole thing is streamed live from a basic set-up in Oxford, England. Shot on a 1950’s style diner set, the...

Submitted by Paul Genge
Published 01 May 2013

BNC: Is it at the end of the line?


by Robin PalmerThe familiar BNC connector has been around a long time. It was invented in the late 1940s, primarily for military radio frequency and microwave interconnections. The initials derive from the style plus the names of the inventors (Paul Neill and Carl Concelman): Bayonet Neill–Concelman. The original development work was done by Octavi...

Submitted by Robin Palmer
Published 01 May 2013

Three legs good... better, best


by Kieron SethFluid SticksWhy do exhibitions and open days still exist in the social media mad world? Why do manufacturers and resellers maintain show rooms when information is immediately accessible online?Simple: no matter which ‘celebrity’ DOP endorses a particular product, there’s no way to log on to assess how any camera balances on the should...

Submitted by Kieron Seth#
Published 01 March 2013

Loudness measurement: One year on


By Jon Schorah, creative director, NUGEN Audio. With, much of Europe and the U.S. now producing broadcast audio to meet loudness standards, Jon Schorah, creative director of NUGEN Audio, reflects upon the current state of play, the lessons learned along the way, and what’s to come. Playout or Production Normalisation?Commonly there are two ways to...

Submitted by Jonathan Schorah
Published 01 February 2013

Metering in the age of loudness: Keeping things on the le...


By Martin DysterThe new age of production and post production for HD broadcast has gotten more complicated with the advent of legislation and guidelines concerning the relative loudness between different programs, channels and, especially, commercials. With ATSC A85 in place in the U.S., EBU R128 covering the members of the European Broadcasting Un...

Submitted by Martin Dyster
Published 01 February 2013

The Future of 3D


Over the last 3 years I’ve worked in more than ten different countries on stereo 3D; and no matter where in the world I am I’m continually running across the rumour that 3D has done its dash and will soon be heading the way of the dodo. As with most rumours though I have yet to see any evidence of this. One of the most anticipated releases for Fran...

Submitted by Will Strauss#
Published 01 January 2013

Ask the Experts - 3d with BSkyB


This month we had an exclusive opportunity to talk to Cara Cheeseman, Post Production Supervisor for all 3D content, both internally and externally, at BSkyB. The 21 questions are gathered from a variety of industry professionals with an interest, some sceptical and some fanatical, in 3DWhen it comes to 3D conversion... creating 3D images from 2D s...

Submitted by Bob Pank#
Published 01 January 2013

Meeting standards in 3D


It has been said that poor quality stereoscopic TV will ‘poison the water’ for everyone. This was because in the past 3D was made to quite poor and uncontrolled production and delivery standards. But since BSkyB’s “Technical Guidelines for Plano Stereoscopic 3D Programme Content” were published over two years ago programme makers have had specific...

Submitted by Bob Pank#
Published 01 January 2013