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4k testing in todays world


by Adam Schadle Issue 86 - February 2014 1. With the need to ingest and process video from a number of sources, broadcasters are faced with a multifaceted need to handle all types of formats including 4K. What is your multi-resolution strategy?With the emergence of new compression standards such as High-Efficiency Video Compression (HEVC), which of...

Submitted by Adam Schadle
Published 01 March 2014

The Digital Production Partnership


by Simon Pegg Issue 86 - February 2014 The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transition to fully digital production and distribution in television. As part of its work, the group has established common...

Submitted by Simon Pegg
Published 01 March 2014

Broadcasting predictions for 2014


by David Hochner Issue 85 - January 2014 2013 has seen a huge array of developments within the broadcasting and satellite space ranging from the rise of connected devices, OTT and Smart TVs becoming common place in the home, the emergence of Ultra HD, or 4K as it is commonly known, through to some broadcasters starting their 3D screenings and those...

Submitted by David Hochner
Published 01 February 2014

Archive eXchange format (AXF) explained


by S Merrill Weiss Issue 85 - January 2014 The proprietary nature of archive storage long has made it challenging for content producers and owners to exchange archive files and media between systems. Thus, when faced with the need either to migrate archives to new generations of storage technology or to consolidate archives, media companies have be...

Submitted by S. Merrill Weiss
Published 01 February 2014

The new DPP standard


by Craig Newbury Issue 85 - January 2014 Why and how is the DPP standard significant for broadcasters and other media facilities across the U.K, and beyond? The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transit...

Submitted by Craig Newbury
Published 01 February 2014

Taking legacy content into the 4K world


by Josef MarcIssue 84 - December 2013 There are 780,000 UHDTVs already manufactured and poised to hit the marketplace, and the effects of those devices (and the factories that continue to make them) are unstoppable. UHDTV and 4K will be everywhere, sponsored by UHDTV manufacturers and content owners. 4K tablets are shipping as well. As the drumbeat...

Submitted by Josef Marc
Published 01 January 2014

Moving into the IP based 4K UDTV camp


by Chuck MeyerIssue 84 - December 2013 There appear to be two parallel trains of inertia currently taking place in broadcast, one of course being the onset of 4K UDTV, the other being the transition to an IP-based content transport infrastructure. For many, the rapid changes and associated question are daunting, even for experienced professionals....

Submitted by Chuck Meyer
Published 01 January 2014

Supporting the transition to 4K


by David AckroydIssue 84 - December 2013 Plasma, LCD and LED screen technologies brought broadcasters HD audiences that justified their investment in HDTV. Recent computer monitors, tablets, mobile phones, digital cinema and 3D have driven an explosion in viewing formats. Together they have created an appetite for continued change and development i...

Submitted by David Ackroyd
Published 01 January 2014

Flawless fencing technology


by Susan KanwarIssue 83 - November 2013 KABCOM is a leading organiser of competitive fencing events worldwide. Since 1992 they have organised several Olympic Games, many regional competitions such as the Asian, African and Pan-American Games, and a number of World Championships. In addition, they arrange both the Fencing Grand Prix and World Cups a...

Submitted by Susan Kanwar
Published 01 December 2013

Royal College of Art targets loudness with NUGEN Audio


by Mike WyeldIssue 83 - November 2013 In the world of cinema and filmmaking I like to imagine the UK\'s Royal College of Art needs no introduction. Weve had some amazing alumni; Director Sir Ridley Scott, novelist Len Deighton, and Sgt Pepper artist Peter Blake have all walked the halls. Vacuum designer James Dyson imagined his revolutionary vacuum...

Submitted by Mike Wyeld
Published 01 December 2013

Addressing lingering loudnes challenges


by Andrew SachsIssue 83 - November 2013 Why and how has loudness become such prominent issue?The loudness of the television commercials aired between program segments has been the source of consumer complaints and subsequent regulatory action in countries around the world. These complaints stem from the networks and advertisers economic incentives...

Submitted by Andrew Sachs
Published 01 December 2013

Will Strauss looks at automatic QC for the people


by Will StraussIssue 83 - November 2013 The method in which television producers should deliver their programmes to UK broadcasters is changing. From 1 October 2014 it will be digital files, rather than HDCam SR tapes, that are the preference. It is a fundamental and fairly disruptive change that is the cause of much debate right now. The parameter...

Submitted by Will Strauss#
Published 01 December 2013

Embracing the 4K future with next generation encoding tec...


by Kevin CookIssue 83 - November 2013 Whats keeping todays media and broadcast operators up at night? To find out, just walk the floor of any 2013 broadcast industry trade show. Only a few short years ago we were obsessed with the digital transition and migrating to HD operations, followed by adoption of 3-D technologies. And now, todays big challe...

Submitted by Ludovic Pertuisel#
Published 01 December 2013

New Blueshape products


Issue 82 - October 2013 Cache Media, exclusive distributor for the UK and Ireland for Blueshape Battery Systems, has announced the arrival in stock of two new product ranges:The new GRANITE battery series is designed to endure even the most extreme conditions, features a super rugged construction, giving the batteries remarkable resistance to impac...

Submitted by KitPlus
Published 01 November 2013

Why broadcasters need to be aware of the advent of HEVC


by Kanaan JemiliIssue 82 - October 2013 High-Efficiency Video Coding (HEVC), or H.265, has been the talk of the industry since gaining international standards approval earlier this year. HEVC is a new video compression standard and the successor to H.264/MPEG-4 AVC (Advanced Video Coding). Developed by the ISO/IEC Moving Picture Experts Group and I...

Submitted by Kanaan Jemili
Published 01 November 2013