KitPlus | Articles

Ravensbourne 21st Century Broadcast Education

Just over eighteen months ago, Adrian Scott of the Bakewell House Consultancy was commissioned to guide Ravensbourne through the EU Tendering process to appoint a Systems Integrator to transform the broadcast facilities of Ravensbourne as it moved into its new multi-million pound home at Greenwich Peninsula. Winning the contract, TSL rose to the ch...

Submitted by Bob Pank#

Published 01 December 2010

Does 2D to 3D really work?

It is widely said that 3D has to be done well as, if it’s not, then it actually can hurt the viewer and give 3D a bad name. Certainly there have been big efforts to make good 3D, with Sky going to great lengths to ensure they set a high standard. Unlike the old 3D celluloid films, digital 3D can be a completely stable medium; it does not degrade wi...

Submitted by Bob Pank#

Published 01 December 2010

Meet Steadicam

1) What is Steadicam?Steadicam is a body-worn camera support systems that isolates the movement of the camera from that of the operator and allows the camera to travel with great freedom over almost any terrain without resorting to conventional track and dolly techniques. Invented by Garrett Brown, the first model was produced in 1976 primarily for...

Submitted by Bob Pank#

Published 01 December 2010

Deja Vu

3D was everywhere at IBC with a choice of new products on offer for all parts of production. This makes 3D far more accessible as well as easier to produce. It was also clear that interested visitors to the show were no longer swayed by the initial ‘wow’ factor and were trying to see the more important things – notably the economic realities. In th...

Submitted by Bob Pank#

Published 01 November 2010

Television camera lenses

This is a glass-to-glass report with a difference, starting at front-end of the video production chain and staying there. Given the speed of development in almost every other branch of television, it is easy to overlook the advances taking place in optics. Until, that is, you need a wider capture angle than your existing kit can deliver or you want...

Submitted by Bob Pank#

Published 01 November 2010

tv-bay IBC2010 double takes

Tv-bay Double Takes..!Acquisition For-A VFC-7000 Camera HD Variable Frame Rate CameraASA1800 Sensitivity, Native 720x1280 resolution with inbuilt up-convert to 1920x1080 and will output at 50 or 59.94 frame rates. 120 - 700 Frames per second recording speed. Two HD-SDI outputs enabling live and recordings to be viewed simultaneously. Standard onboa...

Submitted by Bob Pank#

Published 01 November 2010

3D to see at IBC 2010

IBC2010 marks the fourth year when the new wave of Stereoscopic 3D took hold at the show. That’s three years of time for development and implementation. While cinema is racing ahead, taking a good extra percentage of people at the door who pay a 3D premium price – television in Europe is only just beginning. Sky is the pioneer for the UK, going on...

Submitted by Bob Pank#

Published 01 October 2010

The University of Sunderland

OverviewThe University of Sunderland School of Arts, Design and Media in Northeast England operates one of the country’s most vibrant and well-equipped media departments in the country. With a rating of excellence from the Quality Assurance Agency, the media and cultural studies department attracts a diverse group of students to its undergraduate a...

Submitted by Bob Pank#

Published 01 October 2010

Eye to Eye: Storage and archiving

In 1986 or thereabouts, I visited the London headquarters of a stripling company named Lightworks which had developed an innovative and relatively low-cost video editor based around a 1 gigabyte hard-disk drive. The drive was the size of a standard British housebrick and, bought in at £1,000, was considered mightily good value. A typical 1,500 giga...

Submitted by Bob Pank#

Published 01 October 2010

Polecam Production Profile

I have been working in the film and television industry since 1989, starting as a news cameraman and editor at the Manitoba Television Network. MTN is a local independent television broadcaster in my home town of Winnipeg. In 1991 I joined the French television service of the Canadian Broadcasting Corporation (CBC) as a sound man and advanced to EN...

Submitted by Bob Pank#

Published 01 October 2010

Safekeeping for the Future

A CIRENCESTER audio archival engineering company has just finished working on a set of African recordings that are more than a century old. Paul Turney, of Sirensound Digital, was commissioned to digitize the wax cylinders for future safekeeping of the audio. Wax cylinders were patented by Thomas Edison and were one of the earliest form of sound re...

Submitted by Bob Pank#

Published 01 October 2010

Manfrotto 504HD tripod first hands on review

Well we’ve just got our grubby hands on the beautiful shiny new Manfrotto 504HD tripod system.... I believe this to be the replacement for the 503 head that we have many of and tend to use for cameras like the Sony EX1 and EX3 in our fleet. Couple of things straight from the box.. Its light – even though the legs are metal. Comes with the usual pad...

Submitted by Bob Pank#

Published 01 September 2010

ALEXA bringing new creative freedom to filmmakers

ALEXA brings new creative freedom to filmmakers. A compact, lightweight and affordable digital camera, ALEXA redefines the limits of motion picture capture with ultra-fast workflows and image quality akin to 35 mm film. From major motion pictures and high-end dramas to commercials, music videos and mainstream TV, ALEXA suits a wide variety of appli...

Submitted by Bob Pank#

Published 01 August 2010

Eye to Eye: Video monitoring and displays

Given a decent stereo audio source and a pair of headphones, it is quite easy to imagine that you are actually attending a live performance. Not so with video; human eyes are much more demanding. Fortunately picture display technology is developing very quickly and along many different routes. OLEDsLED-backlit LCDs were about the best screens avail...

Submitted by Bob Pank#

Published 01 August 2010

3D Diaries Part 2 Cameras and rigs

The idea of S-3D is not hard to grasp: one image for each eyeball. But making it work well enough to maintain the 3D illusion for the viewer is far from simple or straightforward. The fun starts with acquisition that breaks into two types of operation; live (no post production) and not live (with post). Shooting 3D requires acquiring two streams of...

Submitted by Bob Pank#

Published 01 July 2010