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4k storm chasing


by Alister Chapman Issue 103 - July 2015 15 years ago I got my first big Broadcast Commission. It was to produce a 1 hour special on Tornado Chasing vacations. Yes, people pay to go on storm chasing holidays. In 1999 this was a new thing, today its a booming business. Ive always been fascinated by natural extremes and filming tornadoes seemed like...

Submitted by Alister Champman
Published 01 August 2015

DIY Camera dollies, flatbed vs T frame and is it worth it...


by Alasdair Brenninkmeijer Issue 102 - June 2015 As filmmakers we are creatives and sometimes we see a simple product as a waste of money, saying "I could make that.\" Sure enough with enough time, maybe we could, but is it really worth it? Lets take a camera dolly for example. The challenge is to create something to smoothly move the camera from o...

Submitted by Alasdair Brenninkmeijer
Published 01 July 2015

NAB 2015 Highlights


by Beth Zarkhosh Issue 101 - May 2015 For those of us lucky enough to visit this year\'s annual NAB Show in Las Vegas, we know how amazing and mesmerising it was, but for those who didn\'t get the chance to make it, then here\'s a lowdown on what we thought was the highlights of the biggest post production and broadcast conventions in town!Las Vega...

Submitted by Beth Zarkhosh
Published 01 June 2015

Outsourcing for maximum efficiency


by Den Lennie Issue 100 - April 2015 We filmmakers are very adept at wearing many hats. Producer, director, editor, cameraman, sound... it\'s the nature of boutique production. It can mean that you can make more money by doing more of the jobs yourself, but equally it can thin your resources out a little finely. There are certain jobs you will choo...

Submitted by Den Lennie
Published 01 May 2015

Freelance Success - Make the most of your talent


by Peter Savage Issue 98 - February 2015 I was reading the back page of The Sunday Times this morning an article by Luke Johnson of Pizza Express fame (though that description doesnt do justice to this serial entrepreneur and business investor). Todays article was about how to get rich quick. Interesting, I thought, as it made me think of all the p...

Submitted by Dick Hobbs.
Published 01 March 2015

Move and Deliver


Issue 94 - October 2014You may not have heard of the open source video company Kaltura. But you probably will have heard of Harmonic. Together the two companies made an announcement at IBC that is indicative of where multi-screen, multi-platform TV is heading. They have teamed up to develop and market a cloud-based video infrastructure and OTT TV p...

Submitted by Will Strauss#
Published 01 November 2014

Cooking Up A Creative Storm With Patrick And Kylie


Issue 94 - October 2014Three years ago, Patrick Drake, who had recently left a lucrative job working at Goldman Sachs in London to follow his true cooking passion, met Kylie Flavell, a young woman who had abandoned her career as a high-stakes fashion journalist in Australia to pursue her dream of one day hosting her own escapist travel and food sho...

Submitted by KitPlus
Published 01 November 2014

Suriving IBC


by Larry Jordan Issue 93 - September 2014 I long ago lost count of the number of trade shows I’ve attended -- it runs into the hundreds. From small table-top affairs to massive shows like IBC, NAB, CES, and many others now long forgotten, I’ve attended shows, exhibited at shows, and covered shows as press. In this article, I want to share my experi...

Submitted by Larry Jordan#
Published 01 October 2014

Keeping it real


by Will Strauss Issue 92 - August 2014 With Sky buying into an immersive video start-up, and the BBC trialling content on an Oculus Rift headset, virtual reality could be about to move from simply sets and studios to a whole new realm. Once residing purely in the realms of science fiction and, latterly, video gaming, it appears that virtual reality...

Submitted by Will Strauss#
Published 01 September 2014

LED lighting comes of age


by Chris Chisnall Issue 88 - April 2014 Lighting is paramount to any production, whether its for an independent short or for a multi-million pound Soap, you can own the best cameras on the market but without the right lighting you dont have the shot! Either on location or in the studio, you need to take in to consideration the lighting setup; key l...

Submitted by Chris Chisnall
Published 01 May 2014

#TVFUTURES


by Rhiannon Chislett Issue 86 - February 2014 Since I last wrote we have accomplished a lot more work within our projects. In December we submitted our 20-minute documentary about local traditional businesses, which has resulted in achieving distinction grades and we have also progressed dramatically with our IPTV project. Before Christmas we were...

Submitted by Rhiannon Chislett
Published 01 March 2014

In the Flesh: On set with the BBC


by Dale McCready Issue 86 - February 2014 Director of Photography, Dale McCready recently lit the second series of BBCs award nominated Zombie drama In the flesh with the Rotolight ANOVA Bi Colour V2 LED flood light. New Zealand born DoP, and Steadicam operator, McCready, has worked on some of Britains most highly rated series such as Atlantis, Dr....

Submitted by Dale McCready
Published 01 March 2014

#TVFUTURES


by Danny Hutchings Issue 85 - January 2014 Since introducing myself to tv-bay readers in October I have been working on two major assignments for this year, which are a video production unit based on a 20 minute documentary and a multimedia unit producing a studio-based TV show for exhibition on a range of platforms. These so far among other smalle...

Submitted by Danny Hutchings
Published 01 February 2014

Rotolight expand new range of award winning Anova flood l...


Issue 81 - September 2013 Following the successful launch of the award winning ANOVA LED Floodlight last year, IBC 2013 sees the release of the ANOVA EcoFlood Version 2 (Bi-Colour LED system) and the ANOVA SOLO Single Colour Flood lights available in 5600K (daylight) or 3200K (tungsten). The expansion of the ANOVA Range of products to be premiered...

Submitted by KitPlus
Published 01 October 2013

Audio phase: Robin Palmer asks why it is wobbly?


Phase meters and audio vectorscopes are to be found on most test kit involved with audio monitoring. This is important because left/right audio correlation problems between the channels will distort the stereo ‘image’ and could degrade mono compatibility. If left and right phase should ever be inverted, any centered identical audio would be cancell...

Submitted by Robin Palmer
Published 01 June 2013