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Why broadcasters need to be aware of the advent of HEVC


by Kanaan JemiliIssue 82 - October 2013 High-Efficiency Video Coding (HEVC), or H.265, has been the talk of the industry since gaining international standards approval earlier this year. HEVC is a new video compression standard and the successor to H.264/MPEG-4 AVC (Advanced Video Coding). Developed by the ISO/IEC Moving Picture Experts Group and I...

Submitted by Kanaan Jemili
Published 01 November 2013

Will Strauss rounds up IBC 2013


by Will StraussIssue 82 - October 2013 Dear Reader. I have a confession. I did not visit every single one of the many hundreds of stands at IBC this year. In fact, I didnt even visit all 11 halls within the RAI. And I didnt talk to all 52,974 attendees. I was there. I have the stroopwafels to prove it. Its just that IBC is a massive show. And I am...

Submitted by Will Strauss#
Published 01 November 2013

High speed camera system technology


by Steve CotterillIssue 81 - September 2013 High speed camera systems are now readily available, but all systems are not equal. Say you want to enhance your live TV coverage of a sporting event with slow motion. For some time now, the only alternative to standard 25fps based replays would have been replays from supermotion 75fps cameras manufacture...

Submitted by Steve Cotterill
Published 01 October 2013

Peter Savage looks at what IBC may have in store for us


by Peter SavageIssue 81 - September 2013 The broadcast industrys shows are so much more than whats on show and, yes, it is worth spending time in the bars as Peter Savage explains. Time has flown by again. It seems nothing like a year since I sat down during the Olympic Games to write last years preview of IBC and here I go again: fingers flicking...

Submitted by Ronen Artman
Published 01 October 2013

Dick Hobbs gets up to speed with ESOMPS


The UK communications regulator Ofcom has issued a consultation document on the prospects for a technology called Earth Stations on Mobile Platforms, or ESOMPs. My first response to the consultation is that they should get a better acronym. An ESOMP is a small communications device which is attached to a mobile platform: a train, a plane, a ship or...

Submitted by Dick Hobbs.
Published 01 October 2013

Storage news: Space 4K Duo, the facility goes on location


Issue 80 - August 2013 The 4K location shoot is now commonplace, particularly in film, music video and drama production. However, for digital imaging technicians (DITs) working in the field, UltraHD is extremely problematic. Once data is ingested, replicating the material for insurance purposes can be taxing and the process of offloading files onto...

Submitted by KitPlus
Published 01 September 2013

Redefining the archive with Raj Patel


by Raj PatelIssue 80 - August 2013 The entire broadcast workflow has changed dramatically in recent years. Predictably, its been a slow-process. The enormity of transitioning from an analogue to a digital workflow is huge for a variety of reasons - planning, testing, implementation and budget, can mean some installations taking up to two years to c...

Submitted by Raj Patel
Published 01 September 2013

Graduation of the Ravensbourne 3!


Issue 80 - August 2013 ALEX FINEThe last year of university, and the last year of my life, have been the hardest Ive ever experienced¦so far. This year has boiled my blood, and my peers, and Im glad to say Im now out of that particular blood feud. I was fortunate enough to be struck with some good grace in the last few weeks of the degree. The docu...

Submitted by KitPlus
Published 01 September 2013

Ensuring online video revenue in the face of piracy


by Helge HoibraatenIssue 80 - August 2013 When it comes to distributing video online, broadcasters and other content distributors have seen a substantial viewing time amongst certain demographics move from traditional channels to piracy. Numerous debaters have tried to give a definite answer to whether this hurt sales and current business models, o...

Submitted by Helge Hoibraaten
Published 01 September 2013

4K is bigger than size alone


by Bob PankIssue 79 - July 2013 It seems that numbers are a great eye-catcher and 4K was everywhere at NAB, and will be at IBC too. Here, of course, we are talking about a TV system with four times the number of pixels of HD, namely a picture area of 3840x2160 for TV, or for cinema 4096x2160. At the recent BeyondHD conference in London discussion a...

Submitted by Bob Pank#
Published 01 August 2013

Addressing challenges in multiformat signal management an...


by Brian PeterssonIssue 79 - July 2013 One of the many demands broadcasters face today is establishing effective multiformat signal management and confidence monitoring, which have become critically required capabilities, and there are several reasons behind this. The first is the broadcast industrys progressive evolution slow at first, but acceler...

Submitted by Brian Petersson
Published 01 August 2013

Cloud STB with Bob Pank


It’s like trying to get to Heathrow in time for your flight. Many of us have to go there by road and the journey will involve travelling on the UK’s busiest motorways. Even outside rush hour the journey may be quick, or not so quick or a real nightmare. This is a bit like live streaming video on the Internet. Yes, we’ve probably all used at least o...

Submitted by Bob Pank#
Published 01 July 2013

Finance - the shooting season with Peter Savage


Peter Savage goes biking and rediscovers that new isn’t always best for creating real impact, and that flexibility is the new game. The shooting season has started and, with it, the weather looks (well, this week at least) as if we could at last see some summer. The light is better, the days are longer, and the summer sports programme has kicked of...

Submitted by Dave Martland
Published 01 July 2013

Sony NEX-EA50 reviewed


Once in a while you get the chance to review a camera that brings back memories of years gone by - Sony's NEX-EA50 camera is one of those cameras. Some may say I am stretching things a bit too far, but as I looked at it I felt at home with it because it reminded me of my old Sony VX9000E (also known as the DSR200). This was my first DV camera and a...

Submitted by Zulqar Cheema
Published 01 July 2013

Exceptional loudness control does not have to break the b...


by Oliver Masciarotte, Director of Customer Experience, Minnetonka Audio SoftwareThe industry is buzzing about loudness control. It is perhaps the most important audio issue facing broadcasters today because governments have mandated change. EBU R128 and other such legislation around the world attempts to provide some level of consistency in percei...

Submitted by Oliver Masciarotte
Published 01 June 2013