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Issue 95 - November 2014Must have or just a dream? Either way these 6 stood out this month GALILEO is an app-controlled robotic dock for iPhone (and other devices) bringing a new dimension of motion control to your iPhone. You control the orientation of your iPhone remotely or let galileo rotate your iPhone automatically with new apps constantly be...

Submitted by KitPlus

Published 01 December 2014

Capture and Produce

Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#

Published 01 November 2014

#TVFUTURES

by Rhiannon Chislett Issue 86 - February 2014 Since I last wrote we have accomplished a lot more work within our projects. In December we submitted our 20-minute documentary about local traditional businesses, which has resulted in achieving distinction grades and we have also progressed dramatically with our IPTV project. Before Christmas we were...

Submitted by Rhiannon Chislett

Published 01 March 2014

Rising to the occasion

by Kevin CookIssue 83 - November 2013 I must admit I wasnt really in the market for a camera crane until I set eyes on the iFootage M1 Mini Crane. Sure, I love seeing craning shots in a film - and I understand perfectly how these types of shots give the viewer an additional and otherwise unavailable perspective to A scene but it all seemed like a l...

Submitted by Kevin Cook

Published 01 December 2013

Placebo Live Performance Shot on Blackmagic Cinema Camera

Issue 82 - October 2013 Alternative rock band Placebo has recorded a live studio set of its new album on the Blackmagic Cinema Camera. The hour long session was filmed at the famous Rak Studios in London and will be featured as bonus material on the bands soon to be released seventh album, titled Loud Like Love. Directed by Charlie Targett-Adams an...

Submitted by KitPlus

Published 01 November 2013

Alex Fine is super busy: Following the Ravensbourne 3

The name of the game right now is MAJOR FRUSTRATION! The nature of the game right now is SUPER BUSY ORGANISING LOTS OF FILMS ALL AT ONCE! This part of the term in final year at Ravensbourne is quite difficult. My peers and I are all having to either Direct and/or Produce two films (of any type) and work in minor/ supporting roles for at least two o...

Submitted by Alex Fine

Published 01 June 2013

Getting to grip with it with Mark Scotton

By Mark Scotton, sales manager for Cameragrip. Getting the right equipment to ensure you add value to your production can be difficult, especially when there are so many products available that all seem to be offering different solutions. Creating moving shots can be done in a variety of ways by using products such as jibs, cranes, tracking dollies...

Submitted by Mark Scotton

Published 01 March 2013

Alex Fine: Following the Ravensbourne 3

A lot of young people studying film production such as myself are always looking to set up as a film production company. We do little jobs where we make studio diaries for young (or old on the rare occasion) musicians; low budget music video’s, [very] short film’s about nothing in particular, or corporate video’s with clich dolly- moves and scratch...

Submitted by Alex Fine

Published 01 March 2013

Part 2 following the Ravensbourne 3

Last month in the intro issue I described what I did in the past as a hobby and a hopeful branch of my career. Time-lapse is an integral part of what I do and I am eager to develop my skills in it. I had such a chance at the end of October when I got my hands on a ‘Dynamic Perception Stage Zero’ 6ft Dolly track with MX2 Controller. I felt this was...

Submitted by Kieron Seth#

Published 01 December 2012

Getting back to basics on HOW TO CHOOSE YOUR GRIP AND SUP...

When looking to purchase grip and support systems there are now a variety of different options available to the dedicated cameraman and this potential minefield of different equipment, at varying prices, can seem daunting and confusing at first. What’s the difference between a shoulder support, steady mount and a stabilizer? Are slide rail systems...

Submitted by Bob Pank#

Published 01 March 2012