KitPlus | Articles

ITTP Approved Skills scheme: A progress report

by Bernard Newnham Issue 105 - September 2015 Back in January 2015 the ITTP the Institute for Training in Television Production - held its second annual conference at Pinewood. Its a way of bringing together people from education and the industry to discuss the problems that affect both. The conferences have been highly successful, with platform se...

Submitted by Bernard Newnham

Published 01 October 2015

Streaming graduation

by Charlie Watts Issue 104 - August 2015 Graduation is a big deal for students, families and for the degree awarding institutions, and so it has been this way in Portsmouth since 1995. Now twenty years later it should come as no surprise that the University of Portsmouth has elevated the Graduation Ceremony Broadcasting Operation into something so...

Submitted by Charlie Watts

Published 01 September 2015

Cue Dick Barton Music

by Charlie Watts Issue 103 - July 2015 RUN VT: This time last year the University of Portsmouth course team and students of BSc Television and Broadcasting were recovering from a mammoth charity fundraising 24 hour broadcast. In hindsight this event helped to convey what the course was capable of, and it created an unforgettable milestone moment. I...

Submitted by Charlie Watts

Published 01 August 2015

The business case for media asset management

by Kevin Usher Issue 103 - July 2015 You could argue that, so far, there have been two stages of commercial justification for asset management systems in broadcasting. First, it was a necessary evil: if broadcasters, production companies and other media organizations wanted to store content as filesat least some of the timethey needed a means of fi...

Submitted by Kevin Usher

Published 01 August 2015

#TVFUTURES

by Callum O\'LearyIssue 102 - June 2015I made it! So here we are, the last feature to write for Kit Plus and the end of my time as a BSc (Hons) Television and Broadcasting student at the University of Portsmouth. I remember my first year at the University fondly. Lecturers and students told me that it would fly by and however cliched it sounds...it...

Submitted by Callum O Leary

Published 01 July 2015

Is working for free, training or a pathway to paid work?

by Graham Reed Issue 102 - June 2015 I suspect like a lot of KitPlus readers I often have a look at a websites that advertise jobs, but mainly un-paid. I have frequently thought that these job offers are really just trying to get free or cheap labour for the benefit of the director/producer. One recently advertised for .... a cameraman thats enthus...

Submitted by graham reed

Published 01 July 2015

Why fast production storage is just not enough

by Martin Bennett Issue 102 - June 2015 UHD, 4k, 6k, 8k¦the proliferation of high-resolution formats and files along with the growing number of skillsets that can collaborate on projects push storage bandwidth and capacities beyond their limits. If we just take a look at the potential storage requirements for a single 8K raw digital cinema format t...

Submitted by Martin Bennett

Published 01 July 2015

#TVFUTURES

by Callum O\'Leary Issue 101 - May 2015 When I first introduced myself back in September, I had just begun my final year project and it was all very early days. I cannot stress how scary the prospect of a final year project is, and it is most certainly a mountain that needs to be climbed. I had originally decided upon a \'combined project\', which...

Submitted by Callum O Leary

Published 01 June 2015

Is it my eyes, is it in focus?

by Graham Reed Issue 100 - April 2015 Is it me or as I get older, and my eyes not as good as they were, are viewfinders getting smaller and less sharp?When I started as a cameraman the cameras were large (EMI 2001\'s) as were the viewfinders. They were large format cameras with a 30mm 4x3 sensors and the normal aperture was f 3.5, so a shallow dept...

Submitted by graham reed

Published 01 May 2015

#TVFUTURES

by Dylan Ellcome Issue 100 - April 2015 The end of my third year of BSc Television and Broadcasting at the University of Portsmouth is drawing closer, meaning the end of my time at University. Several deadlines have come and gone, and my CCI management of Script Editing has slowed down. But I still can\'t comprehend this ending, as there is still m...

Submitted by Dylan Ellcome

Published 01 May 2015

Training for media - who should do it?

by Martin Uren Issue 99 - March 2015 Simple enough to ask, but any possible answer to the question of who should train those working in the media industries, or more specifically the moving image industries, is complex and involves many interrelated factors. I would like to explore the issues, and maybe present some suggestions on how we might do a...

Submitted by Martin Uren

Published 01 April 2015

The changing face of film and TV

by George Olver Issue 99 - March 2015 With the convergence of technologies and blurring of lines between broadcast and other forms of media, the industry has undergone a seismic shift over recent years. In 2015 half of all UK ad spend will be spent on digital, in what has been described as a "seminal moment in the history of the ad industry". Clien...

Submitted by George Olver

Published 01 April 2015

Education meets industry...

by Bernard Newnham Issue 98 - February 2015 Heatherden Hall - the most famous country house you\'ve never heard of. Famous because it has appeared in large numbers of British films from Goldfinger to Carry on Camping. Why? Because it\'s the original building at the UK\'s premier film studio - Pinewood. A fitting place, then, to hold a conference on...

Submitted by Bernard Newnham

Published 01 March 2015

#TVFUTURES

by Raechelle Jackson Issue 98 - February 2015 The penultimate term studying Television and Broadcasting is a time to reflect upon my journey as a CCI TV manager thus far and look to the future. And as graduation starts to inch ever closer, I am now pondering the opportunities that lie ahead of me. When I think back to what I knew as I walked throug...

Submitted by Raechelle Jackson

Published 01 March 2015

How full is your spectrum?

by Ian Muir Issue 98 - February 2015 Colour tuneable (Bi-Colour) LED based lamps are now increasingly commonplace in the world of Film and Broadcast. Their capacity to provide a choice of colour temperatures, usually in the realms of 3200K to 5600K, can be extremely useful. This is particularly beneficial when working in environments where setup ti...

Submitted by Ian Muir

Published 01 March 2015