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London to Capetown, by bike Part 3

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Brazzaville was still five hundred kilometers away and the road was still a little on the rough side but not as sandy. What it lacked in sand however, it made up for in water. The road had developed the particularly unattractive habit of having huge water-filled mud-holes at any place where it was impossible to pass on either side. So there was no...

Submitted by Dennis Lennie

Published 01 December 2008

The largest fibre and Ethernet video SAN network in the w...

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Out of the Ashes of the old Anglian TV studios EPIC has risen like a phoenix to become not only a major broadcasting hub in Norfolk but to rival traditional studios throughout Europe. With the financial backing of Norfolk County Council and the East of England development agency, EPIC has converted the old TV studios and installed a state of the ar...

Submitted by Dennis Lennie

Published 01 December 2008

Virtual Studios

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Traditionally virtual studios have been extremely expensive to equip due to the amount of technology required just to make the studio work. Besides the standard studio cameras and lighting, sophisticated additional technology is required to provide feedback from lenses, pan and tilt heads and dollies, to seamlessly synchronise foreground and backgr...

Submitted by Dennis Lennie

Published 01 November 2008

Dont Drink from the Mainstream.

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Here’s the note pinned on the studio door of Undercurrents productions in South Wales. To do list for 20081) Make 10 new video series on topics ranging from Woodland skills to Technology reviews and from Political news to investigative documentaries. 2) Develop a desktop video player application based upon the open source software. 3) Launch an Int...

Submitted by Dennis Lennie

Published 01 August 2008

The Reflecmedia Chromaflex portable chromakey system

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The use of keying a foreground image over a background image to form a composite is an established and widely used technique in film and TV production. For most cameramen this will usually involve them in shooting a subject against a coloured background, typically green or blue. Sounds simple but reality can be far from it, anecdotes abound of nigh...

Submitted by Dennis Lennie

Published 01 May 2008