KitPlus | Articles

The 2010 spending review cutting into the future of our i...

Our industry can survive the government’s cuts provided we stand-up and speak for ourselves, says Peter Savage. In October the UK government announced the most comprehensive spending cuts in over 50 years. With the Department for Culture, Media and Sport facing cuts of more than £300m and the BBC’s licence fee frozen for six years, the forecast is...

Submitted by Bob Pank#

Published 01 December 2010

Redefining Mobile, High Definition Recording With Cinedec...

IBC 2010 saw the official European launch of Cinedeck EXTREME v2.0, an ultra-portable cinema grade integrated High Definition monitoring, recording and playback device that has already won numerous awards and accolades since making its first public appearance at this year’s NAB Convention in Las Vegas. Cinedeck EXTREME v2.0 incorporates a number of...

Submitted by Bob Pank#

Published 01 November 2010

Television camera lenses

This is a glass-to-glass report with a difference, starting at front-end of the video production chain and staying there. Given the speed of development in almost every other branch of television, it is easy to overlook the advances taking place in optics. Until, that is, you need a wider capture angle than your existing kit can deliver or you want...

Submitted by Bob Pank#

Published 01 November 2010

Eye to Eye: Sports Production

I was somewhat crestfallen to receive the advice 'Lay off 3D' when I rang TV Bay for guidance on the theme for this month's Eye to Eye. For better or worse, 3D looks set to be a major part of sports television in the coming years. But I picked up my crest, closed one eye and carried on running. Long-range opticsIt is by now quite widely appreciated...

Submitted by Bob Pank#

Published 01 July 2010

Accessorising DLSR video

Some DSLR stills camera manufacturers now include HD video capabilities within their top-of-the-range products. This raises the prospect of lower cost stills cameras shooting good quality HD video. While this is true in certain circumstances there is much more that needs to be included with these cameras to make them consistently produce their best...

Submitted by Bob Pank#

Published 01 March 2010

Eye to Eye: Acquisition and Production

Back in the days of the Audio Fair which annually graced London's Russell Hotel, my co-hack Frank Jones of Hi-Fi News put his head into the KEF Electronics demonstration room and bellowed the time-honoured question "What's new?"KEF was showing established products that year so its founder, the avuncular Raymond Cooke, responded with his own questio...

Submitted by Bob Pank#

Published 01 March 2010

De Wolfe Celebrates Centenary

De Wolfe Music Publishers, the longest-running independent film and television music library resource in the world, is celebrating its remarkable centenary this year. Over the last hundred years, the music library’s vast collection of instantly recognisable and iconic tracks has helped shape popular culture; if you've ever seen Man About The House,...

Submitted by Dennis Lennie

Published 01 January 2010

The filming of Lands End to John OGroats

I’ve been here for several minutes now. Standing in the pouring rain with a camera pointing at the road sign for Somerset, the drops of rain tapping on the camera rain cover add a certain atmosphere to the wild track. I stood trying to work out who was the madder, the two cyclists I was waiting for, or me. Here they come, 10 seconds on the tape, ba...

Submitted by Dennis Lennie

Published 01 August 2009

Eye to Eye File-based content distribution 2009

The rapidly divergent pattern of broadcast market development resembles the branches of a fast-growing tree. But there is one crucial aspect in which the industry is quite obviously converging: the transition from video and audio to file-based content distribution and delivery. This would have happened anyway given the increasing popularity of the...

Submitted by Dennis Lennie

Published 01 June 2009

Lighting. Back or rim light part 4

In my last article, I discussed modelling of the ‘talent’ by choice of lamp, and careful choice of the horizontal and vertical angle of the ‘key’ light. Having made those choices my next priority would be to choose a ‘back’ light. It is also sometimes known as a ‘hair’ light which gives a pretty good clue as to its function. Just to say that we are...

Submitted by Dennis Lennie

Published 01 May 2009

JVC introduces new Final Cut Pro 6

Victor Company of Japan, Ltd. (JVC) further expands its ProHD camcorder line-up by introducing two professional solid state camcorders, the industry's first to store files in the native QuickTime format for Apple's Final Cut Pro™ onto reliable and inexpensive SDHC media cards. The compact hand-held GY-HM100 3-CCD camcorder is introduced in January...

Submitted by Bob Pank#

Published 01 April 2009

Eye to Eye Video acquisition and production

BVE2009 in London, February 17-19 offers UK-based programme-makers a useful opportunity to try out the latest video acquisition and production equipment ahead of NABshow2009 and its loud after-echo, IBC. The following outlines some of the new front-end kit likely to be on display at Earls Court. Cameras and camcordersARRI will be exhibiting its D-2...

Submitted by Dennis Lennie

Published 01 April 2009

Audio Technology Spotlight

In the ever changing world of TV technology, formats, standards and delivery, it’s always been reassuring to think that audio equipment for sound gathering on location hasn’t changed too much. That is, until the last couple of years when the emergence of the now widely used digital solid state recorders, digital transmission radio mic systems, high...

Submitted by Dennis Lennie

Published 01 February 2009

How we lit Mick

Shine a lightLets start at the beginning with the most fundamental, basic of questions – what’s the point of lighting anything, let alone a living legend like Sir Mick Jagger? The answer is simple – because lighting is the most important part of the whole process. Not the filming. Not the fiddly edit. Not the chin-scratching pre-production. The lig...

Submitted by Dennis Lennie

Published 01 January 2009

New developments in mobile HD production

When widescreen HDTV was first demonstrated back in the 1980s, the pictures were great but the size and price of the kit left much to be desired. Two decades on, broadcast-quality 1080i/720p HD cameras and recorders have reached levels of compactness and affordability that would have seemed impossible in those early days. When I designed the origin...

Submitted by Dennis Lennie

Published 01 January 2009