KitPlus | Articles

From the frontline to the finish line

by Paul Sargeant Issue 88 - April 2014 Dakar Rally: Frontline to Finish Line first hit our screens on 16th April 2013. It followed the exciting journey of a team of seriously injured servicemen from Britain and the US as they took on the worlds toughest rally. The Dakar Rally is the ultimate test of man and machine versus the elements as drivers ra...

Submitted by Paul Sargeant#

Published 01 May 2014

Cutting the cord

by Will Strauss Issue 87 - March 2014 Wireless cameras are not new. In fact, they date back to the 1970s. But its only been in the last ten years that this technology has really blossomed, with engineers working out how to adapt the digital terrestrial transmission technology so that it can be used efficiently for programme-making. From that tippin...

Submitted by Will Strauss#

Published 01 April 2014

Bob Pank looks at the size of 4k

by Bob Pank Issue 86 - February 2014 The television industry has had many new technological eras in recent years. Only two years ago we were still a 3D era; the latest of the many that have surfaced and sunk over the years of cinema, making it recurring fad. Now 4K / UHD is firmly grabbing the attention of equipment manufacturers as well as product...

Submitted by Bob Pank#

Published 01 March 2014

Ask the Experts: Wireless microphone systems for cameras

by Tobias von Allwrden Issue 86 - February 2014 Wireless microphone systems for cameras are used by ENG crews and reporting teams as well as for TV and film shootings, where compact size, low weight and unobtrusive miking are particularly important. A professional camera receiver like the EK 3241 is designed according to the Unislot or Sony standar...

Submitted by Tobias von Allworden

Published 01 March 2014

Location: Seychelles with the Canon C300PL

by Kieron Seth Issue 86 - February 2014 The idea that the Seychelles are all about palm-lined beaches underplays the scale and diversity of this geologically rich group of islands. Unlike many other tropical paradise destinations, a beautiful seascape is only part of the picture for this gem of the Indian Ocean. From the 900 metre peak of Morne Sey...

Submitted by Kieron Seth#

Published 01 March 2014

Will Strauss looks at 6 reasons why 4k is so special

by Will Strauss Issue 86 - February 2014 4k (or UHD) is everywhere. Whether you want it or not, it is (slowly) permeating the living room - in the form of TV sets - and gradually becoming more commonplace on location and in the studio. Someday soon it will be broadcast in the UK too. As Bob Pank points out on page 56 there are a number of reasons f...

Submitted by Will Strauss#

Published 01 March 2014

In the Flesh: On set with the BBC

by Dale McCready Issue 86 - February 2014 Director of Photography, Dale McCready recently lit the second series of BBCs award nominated Zombie drama In the flesh with the Rotolight ANOVA Bi Colour V2 LED flood light. New Zealand born DoP, and Steadicam operator, McCready, has worked on some of Britains most highly rated series such as Atlantis, Dr....

Submitted by Dale McCready

Published 01 March 2014

PAGlink: Reviewed

by Chris Newton Issue 86 - February 2014 Chris Newton is a London based photographer who has taken on the challenge of adding video production to his repertoire. As a photographer I realized I needed to add video to my skill base, so I have been honing my video skills for the last couple of years. Along side commissions, the bulk of my work is for...

Submitted by Chris Newton

Published 01 March 2014

Speed and accuracy in post

by Walter Kummli Issue 85 - January 2014 Walter Kummli is an experienced editor and director of Inhouse Productions Ltd, based in Basel, Switzerland. Since its inception, all editing at Inhouse Productions Ltd has been carried out using EditShares powerful non-linear editing system, Lightworks. Founded in 1999, Inhouse Productions Ltd offer organis...

Submitted by Walter Kummli

Published 01 February 2014

Review: DaVinci Resolve 10

by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins

Published 01 February 2014

Why is mediocrity such a powerful force?

by Thomas Urbye Issue 85 - January 2014 Ive hit the decade mark!Yes, Im now in to my second ten years working in Sohos post production world. Not only that, Im ten years working with some great Directors, DoPs, Producers and Exec Producers (not to mention the great people that are hired by these people). In that time Ive met all sorts of characters...

Submitted by Thomas Urbye

Published 01 February 2014

Supporting kids charity on the trip of a lifetime

by Phil HubertyIssue 84 - December 2013 As a warehouse technician at Procam with aspirations to become a camera operator, I was delighted to be given the chance to film a group of seriously ill and disabled children on the holiday of a lifetime hosted by the charity Dreamflight. Dreamflight is a national charity that takes 192 seriously ill and dis...

Submitted by Phil Huberty

Published 01 January 2014

Ooh ahh.. just a little DIT with Will Strauss

by Will Strauss Issue 84 - December 2013 Issue 84 - December 2013 Like the Offshore Windfarm Engineer or the Waste Management Consultant, the Digital Imaging Technician (DIT) is very much a 21st Century profession and one that didnt exist 10 years ago. Generally recruited for a digitally-shot feature film, commercial or TV drama, the role was initi...

Submitted by Will Strauss#

Published 01 January 2014

Lighting our way at IBC

by Simon TillyerIssue 82 - October 2013 One of our duties at trade shows is rolling a camera rig around the various halls whether it be Las Vegas, London or Amsterdam and interviewing exhibitors. Having done this for a few years now we get to use different kit at each event, a deliberate decision, in order to test it out in a real world use and in...

Submitted by Simon Tillyer

Published 01 December 2013

Rising to the occasion

by Kevin CookIssue 83 - November 2013 I must admit I wasnt really in the market for a camera crane until I set eyes on the iFootage M1 Mini Crane. Sure, I love seeing craning shots in a film - and I understand perfectly how these types of shots give the viewer an additional and otherwise unavailable perspective to A scene but it all seemed like a l...

Submitted by Kevin Cook

Published 01 December 2013