KitPlus | Articles

An editors perspective

by Larry Jordan Issue 92 - August 2014 When it comes to chroma-key (also called “green-screen key”) the phrase “Don’t worry, we’ll fix it in post.” is a recipe for disaster, because if you don’t shot your key right during production, it will be painful, timeconsuming and expensive to fix it later during editing. I know, because I’m an editor. Bad c...

Submitted by Larry Jordan#

Published 01 September 2014

What Directors do and dont do

by David Crossman Issue 92 - August 2014 Piers Haggard the BAFTA award-winning Director for his BBC TV work - says you can\'t teach Directing any more than you can teach Art. Piers may be right but I believe there are some directorial skills which can be passed on. Like many crew members and actors I have suffered at the hands of inexperienced Dire...

Submitted by David Crossman

Published 01 September 2014

A new age of teleprompting?

by Jon Hilton Issue 92 - August 2014 Whilst it may not be the first thing on the production agenda, one could argue it is an essential production tool today delivering at least two fundamental production values. Firstly it can save you money by reducing the time required to get that perfect take and secondly it means that your presenter will be wor...

Submitted by Jon Hilton#

Published 01 September 2014

Black magic studio camera

by Mark Stopher Issue 92 - August 2014 Blackmagic Design recently released their new Studio Camera - it’s a small, portable broadcast camera, intended for live studio productions. There’s an HD version that you can pick up for £1,289 and a 4K version is said to be shipping soon. At tv-bay we were shooting some product demonstration videos in our st...

Submitted by Mark Stopher

Published 01 September 2014

DLED Dedolight Reviewed

by Justin Mills Issue 92 - August 2014 Ive been using Felloni LED light panels for over 18 months now, and have really enjoyed the ease of operating lights using battery power in my case, V lock batteries that I also use to power my cameras. No cable runs, easy to reposition and that much less time setting up and packing up. Although their 1ft x 1f...

Submitted by Justin Mills

Published 01 September 2014

Light in the rain

by Spencer Doran Issue 90 - June 2014 Following on from the success of their unique 4LIGHT & 4LONG series, European LED lighting pioneer THELIGHT has launched their new super-soft and rainproof VELVET light range. With so many LED light options and a seemingly endless number of manufacturers, its good to see one of the industries most respected nam...

Submitted by Spencer Doran

Published 01 July 2014

Teletest Telesend HD LCD receiver Review

by Jon Boast Issue 90 - June 2014 It was towards the middle of last year that I reviewed my Teradek Bolt HD wireless system for TV Bay magazine. I commented then, that monitors are about the one thing that cameramen use day in day out, wireless ones particularly. Even these days you change your camera from day to day, one day you may be out shootin...

Submitted by Jon Boast

Published 01 July 2014

The Importance of Storage

by Nino Leitner Issue 90 - June 2014 When I was a student in film school, I never put much thought into storage solutions for my film work. This was quite haphazard and looking back on it now, quite a foolish approach to work I cherished. Of course, my story has a nasty sting in its tail - one day I lost a years worth of university work, which I ne...

Submitted by Nino Leitner

Published 01 July 2014

Atomos Samurai Blade and Connect Converter TSG

by Kevin Owen Issue 90 - June 2014 Kevin Owen has worked in live television broadcast industry for the past 10 years, specializing in fiber optic systems integration and video engineering. Troubleshooting problems on the fly, often at remote locations away from the production truck has become an integral part of his job. Kevin is most often found w...

Submitted by Kevin Owen

Published 01 July 2014

Rotolight ANOVA from the eyes of a DoP

by Alasdair McBroom Issue 90 - June 2014 Belfast based Photographer and DoP, Alasdair McBroom talks about his experience of the Rotolight ANOVA V2 that he used to light his latest projects working along side Director / Writer Stuart Drennan (Hollyoaks, BBC, Channel 4) for their TV and Film Production Company, Wolfhound Media. The Rotolight Anova V2...

Submitted by Alasdair McBroom

Published 01 July 2014

4K at NAB

by Bob Pank Issue 89 - May 2014 The long term NAB veterans will be well aware of just how quickly new technologies can come and go in the television industry. For instance, only a couple of years ago, 3D was still the hot topic, now it has gone quiet, but not altogether gone away. So it is good to report that 4K had another very good NAB, probably...

Submitted by Bob Pank#

Published 01 June 2014

Making 4K mainstream in 2014

by Austin Freshwater Issue 89 - May 2014 4K was one of the hot topics at this years CES. Higher resolutions may be showing more promise as the industry moves on from the latest iteration of 3D, which proved expensive to produce and poorly received by many viewers. However, as we move further into 2014, we continue to see some reticence within the i...

Submitted by Austin Freshwater

Published 01 June 2014

LED lighting comes of age

by Chris Chisnall Issue 88 - April 2014 Lighting is paramount to any production, whether its for an independent short or for a multi-million pound Soap, you can own the best cameras on the market but without the right lighting you dont have the shot! Either on location or in the studio, you need to take in to consideration the lighting setup; key l...

Submitted by Chris Chisnall

Published 01 May 2014

Packing a real punch for Bangshock

by John Milkovich and Jamie Milkovich Issue 88 - April 2014 Headed up by Creative Director and DP John Milkovich, and Chief Post Production Editor Jamie Milkovich, Vancouver-based media company Bangshock recently took their Ninja 2 on a shoot to capture the Thailand Superfight Thepprasit Pattaya. The Ninja 2s feather weight and rugged build proved...

Submitted by John Milkovich

Published 01 May 2014

Shooting in secret

by Kieron Seth Issue 88 - April 2014 Now showing on Channel 4 is Endemols new and highly popular Secret Eaters series. Based round a fixed rig production, the series uses newly developed mobile fixed rig technology and incorporates a number of recently introduced technical innovations, vital for fast turn-around TV. Secret Eaters is one of a string...

Submitted by Kieron Seth#

Published 01 May 2014