KitPlus | Articles

Exceptional loudness control does not have to break the b...

by Oliver Masciarotte, Director of Customer Experience, Minnetonka Audio SoftwareThe industry is buzzing about loudness control. It is perhaps the most important audio issue facing broadcasters today because governments have mandated change. EBU R128 and other such legislation around the world attempts to provide some level of consistency in percei...

Submitted by Oliver Masciarotte

Published 01 June 2013

LiveU Buyers guide to cellular uplinking

With Ronen Artman, LiveUCellular uplinking continues to change the way that video is gathered in the field, bringing new levels of flexibility and cost-effectiveness. The technology allows broadcasters to alter the way that they approach events, be that news, sports, community activities or anything in between. It has also delivered high quality li...

Submitted by Ronen Artman

Published 01 May 2013

4K at NAB with Bob Pank

As we head once more to NAB you may wonder what this year’s big thing will be. I put my money on 4K. As I write there must be many exhibitors polishing up their ‘4K solution’ message, ready for their customers at the show. With the extraordinary situation of screens costing more than cameras, a viable business model clearly remains far off. But, to...

Submitted by Bob Pank#

Published 01 May 2013

Building a live linear streaming channel to reach multipl...

The market for live and on-demand streaming video has exploded in recent years thanks in part to broadband connections and the proliferation of connected devices. A recent survey by The Diffusion Group showed that some 50 percent of online video viewers watch some form of streaming live video at least once a month, and 64 percent said comprehensive...

Submitted by Jennifer Baisch

Published 01 May 2013

The key to the success of OTT services

By: Antonin Krl, nangu.TV CEOSmartphones and tablets have provided a major technological breakthrough in how we operate. Look around and you’re likely to see someone using their device to search for content, watch content or interact either directly or via social media applications. This is reflected in the Orange Exposure 2012/2013 annual independ...

Submitted by Antonin Kral

Published 01 May 2013

Creating a feature-rich subscriber-based OTT entertainmen...

TV Everywhere has become a way of life in the Nordic market, where every major broadcaster has succeeded in taking its services over the top and into the online video space. One of those broadcasters – pan-Nordic pay-TV channel provider C More Entertainment – has offered Web TV services for years through its online video portal. Competition for vie...

Submitted by Helge Hoibraaten

Published 01 May 2013

Planetary scientists stream galaxy worldwide

Sky-live.tv is a website that broadcasts real-time astronomical occurrences. It is the result of collaboration between Ciclope Group, at the Technical University of Madrid’s Montegancedo Astronomical Observatory, and Shelios, a nonprofit organization aimed at promoting and disseminating lectures, courses, exhibitions, and the results of scientific...

Submitted by Raymond Burns

Published 01 May 2013

Life live beyond the Premier League

by Kieron SethIn Europe outside broadcast has traditionally been within the reach of a handful of deep-pocketed television companies. Across the Atlantic, small OB vans have been popular for years with niche, regional news crews beaming state pie eating competitions to eager viewers. With the advent of Local TV and low-cost fast turnaround producti...

Submitted by Kieron Seth#

Published 01 April 2013

Live production for multi-platform delivery

by Steve Burgess, technical director, Megahertz Broadcast SystemsLive event television, whether it is sport or music and entertainment, has always made serious demands of production technology. At Megahertz Broadcast Systems we have been building outside broadcast trucks for some of the world’s most demanding customers, for more than 25 years, so w...

Submitted by Steve Burgess

Published 01 April 2013

Creating the illusion: Green screen lighting

The illusionIf good cinematography is about creating the illusion of three dimensional reality, on a two dimensional screen. Working to create reality using background plates offers a whole new variety of technical issues that need to be addressed with skill if it is going to be successful. In this article I will touch on some of the basic issues t...

Submitted by David Morphy

Published 01 March 2013

Ask the Experts: What Workstation?

Investing in a new computer workstation or high end PC for use with digital video/or and media production can be a daunting task. With so many different manufacturers to choose from, and with a practically endless list of components to select from customers can be left with literally millions of possible choices. Scary if you aren’t a hardware guru...

Submitted by Mike Leach

Published 01 February 2013

The joy of field editing

In the world of remote working, cloud storage and instant news, the ability to edit on location at a shoot has become a pre-requisite. Only a few years ago, field editing used to be merely about the quick rough cut, the assembly of proxy files or simply the ingest of media in an edit-friendly format. These days, however, energy efficient, high perf...

Submitted by Kieron Seth#

Published 01 February 2013

Why does my project look different on every screen I watc...

By Thomas UrbyeThe age old question, asked by so many people who’ve come through my suite: “I’ve downloaded it to my laptop and it looks different?”Then there is the inevitable panic:“Thomas, how can we make sure that everyone who watches it, watches it ‘properly’?”This issue recently came to light with a campaign backed by moviemakers launched to...

Submitted by Thomas Urbye

Published 01 February 2013

Buyers guide to cellular uplinking

by Ronen Artman (VP of marketing LiveU) and Lorna Garrett (Director, Garland Partners Ltd)Cellular uplinking continues to change the way that video is gathered in the field, bringing new levels of flexibility and cost-effectiveness. The technology allows broadcasters to alter the way that they approach events, be that news, sports, community activi...

Submitted by Ronen Artman

Published 01 February 2013

3D filmmaking

Stereographers are in demand, they have little time and the time they do have is highly valued. I first met Demetri at IBC this year during the showing of HUGO (see page XX) and we were fortunate enough to catch up with him again during a flight to LA where he was heading for the first stage of 3D post for 47 RONIN. His opinions on 3D filmmaking ar...

Submitted by Bob Pank#

Published 01 January 2013