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Dick Hobbs going large


by Dick HobbsIssue 82 - October 2013 First, I would like you to watch a five minute video. You can find it at adayinbigdata.com. Watched it? Good. Yes, I know the girl is intensely irritating no-one in real life is ever that cheery. But it gets over an important point, I think: we generate huge amounts of data which, if we are happy to share it, ca...

Submitted by Dick Hobbs.
Published 01 November 2013

Why broadcasters need to be aware of the advent of HEVC


by Kanaan JemiliIssue 82 - October 2013 High-Efficiency Video Coding (HEVC), or H.265, has been the talk of the industry since gaining international standards approval earlier this year. HEVC is a new video compression standard and the successor to H.264/MPEG-4 AVC (Advanced Video Coding). Developed by the ISO/IEC Moving Picture Experts Group and I...

Submitted by Kanaan Jemili
Published 01 November 2013

Dreamhack - Summer 2013


Issue 82 - October 2013 DreamHack is the worlds largest digital festival and holds the official world record as worlds largest LAN party in the Guinness Book of Records. DreamHack is focused on everything you can do with computers, Internet and digital entertainment and culture. DreamHack is a lot of gaming, communication, programming, designing, m...

Submitted by KitPlus
Published 01 November 2013

Wireless cameras at live events


by Scott WalkerIssue 81 - September 2013 While wireless cameras have been used in high end broadcast for years, prices have dropped and there are now a variety of products on the market to suit lower cost broadcasts, and the technology is creeping into events with live outdoor screens and lower budgets, where it adds a creative angle to the show. I...

Submitted by Scott Walker
Published 01 October 2013

Ask the experts: your questions on wireless camera system...


by Stuart BrownIssue 81 - September 2013 tv-bay talks to Stuart Brown, Broadcast Systems Director at Cobham Broadcast about your questions on wireless camera systems. What makes wireless camera systems a viable option now as opposed to only a few years ago?When the COFDM modulation scheme was introduced over a decade ago, it revolutionised event c...

Submitted by Stuart Brown
Published 01 October 2013

From archival master to usable video with Mark Gray


by Mark GrayIssue 80 - August 2013 With about 4 million new video channels expected to hit the market in the next five years, its going to be more important than ever to make high-quality content readily available. Many media archives and libraries; studios; broadcasters; production and postproduction facilities; and mastering, quality control, and...

Submitted by Mark Gray
Published 01 September 2013

Making an advert with the Blackmagic Cinema Camera


by Brandon KahnIssue 80 - August 2013 When Mothers Basement came to us with an advert to put on UK cinema screens, I knew my trusty, but basic, XF 305 wasnt going to cut it. Sure, most ads you see in cinema are projected in regular HD and are often shot no higher than 1080, but I felt we needed some extra size. Some extra dynamic range and colour i...

Submitted by Brandon Kahn
Published 01 September 2013

Evolutions in the media cloud with Bob Pank


by Bob PankIssue 80 - August 2013 Years ago my boss, the sales director, warned me that talk of technical revolutions was not good. After all, a revolution ends up where it started. On the other hand evolutions were much better. Of course he was right. Over the years the technology of television has continuously evolved via numerous incremental imp...

Submitted by Bob Pank#
Published 01 September 2013

Ensuring online video revenue in the face of piracy


by Helge HoibraatenIssue 80 - August 2013 When it comes to distributing video online, broadcasters and other content distributors have seen a substantial viewing time amongst certain demographics move from traditional channels to piracy. Numerous debaters have tried to give a definite answer to whether this hurt sales and current business models, o...

Submitted by Helge Hoibraaten
Published 01 September 2013

4K is bigger than size alone


by Bob PankIssue 79 - July 2013 It seems that numbers are a great eye-catcher and 4K was everywhere at NAB, and will be at IBC too. Here, of course, we are talking about a TV system with four times the number of pixels of HD, namely a picture area of 3840x2160 for TV, or for cinema 4096x2160. At the recent BeyondHD conference in London discussion a...

Submitted by Bob Pank#
Published 01 August 2013

Televising Swan Lake in live 3D from St Petersburg


by Tim HighmoorIssue 79 - July 2013 Stereoscopic television may still be in its infancy as a home entertainment medium but it is thriving in the cinema world. Freed from domestic distractions, cinema audiences are ideally placed to give their full attention to the images on the big screen. On Thursday 6 June 2013, the Mariinsky Ballet company in Ru...

Submitted by Tim Highmoor
Published 01 August 2013

NyeTec: Company spotlight


Issue 79 - July 2013 Established for 10 years, NyeTec is a growing family run company. We believe traditional service and support of our clients is paramount. Terry Nye, as MD of the company, has over 30 years experience in Television, building on a solid foundation at the IBA, and having installed several of worlds first Digital Head Ends. NyeTec...

Submitted by KitPlus
Published 01 August 2013

Why test and measurement is for real life, not just for e...


by Will StraussIssue 79 - July 2013 Thanks to its long-standing association with virtually incomprehensible acronyms, dark machine rooms and (lets face it) engineers with unruly beards, the subject of Test and Measurement (T&M) always gets a bit of bum rap. Yet, for all the pre-conceptions, it is a hugely important part of the production and broadc...

Submitted by Will Strauss#
Published 01 August 2013

Cloud STB with Bob Pank


It’s like trying to get to Heathrow in time for your flight. Many of us have to go there by road and the journey will involve travelling on the UK’s busiest motorways. Even outside rush hour the journey may be quick, or not so quick or a real nightmare. This is a bit like live streaming video on the Internet. Yes, we’ve probably all used at least o...

Submitted by Bob Pank#
Published 01 July 2013

The evolution of camera connectivity and the HPX600


Tape in, tape out. Cable in, video out. Card in, card out. Simpler times: productions orchestrated by an army of runners, tape op’s and engineers, with transmission to TV, ingest via a VTR and a room dedicated to storing media. Today’s production team has changed. It’s become a small elite squad, tasked with multi-channel playout, multi-resolution...

Submitted by Kieron Seth#
Published 01 July 2013