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An editors perspective


by Larry Jordan Issue 92 - August 2014 When it comes to chroma-key (also called “green-screen key”) the phrase “Don’t worry, we’ll fix it in post.” is a recipe for disaster, because if you don’t shot your key right during production, it will be painful, timeconsuming and expensive to fix it later during editing. I know, because I’m an editor. Bad c...

Submitted by Larry Jordan#
Published 01 September 2014

Atomos Samurai Blade and Connect Converter TSG


by Kevin Owen Issue 90 - June 2014 Kevin Owen has worked in live television broadcast industry for the past 10 years, specializing in fiber optic systems integration and video engineering. Troubleshooting problems on the fly, often at remote locations away from the production truck has become an integral part of his job. Kevin is most often found w...

Submitted by Kevin Owen
Published 01 July 2014

Ooh ahh.. just a little DIT with Will Strauss


by Will Strauss Issue 84 - December 2013 Issue 84 - December 2013 Like the Offshore Windfarm Engineer or the Waste Management Consultant, the Digital Imaging Technician (DIT) is very much a 21st Century profession and one that didnt exist 10 years ago. Generally recruited for a digitally-shot feature film, commercial or TV drama, the role was initi...

Submitted by Will Strauss#
Published 01 January 2014

From archival master to usable video with Mark Gray


by Mark GrayIssue 80 - August 2013 With about 4 million new video channels expected to hit the market in the next five years, its going to be more important than ever to make high-quality content readily available. Many media archives and libraries; studios; broadcasters; production and postproduction facilities; and mastering, quality control, and...

Submitted by Mark Gray
Published 01 September 2013

Why test and measurement is for real life, not just for e...


by Will StraussIssue 79 - July 2013 Thanks to its long-standing association with virtually incomprehensible acronyms, dark machine rooms and (lets face it) engineers with unruly beards, the subject of Test and Measurement (T&M) always gets a bit of bum rap. Yet, for all the pre-conceptions, it is a hugely important part of the production and broadc...

Submitted by Will Strauss#
Published 01 August 2013

A cinematic makeover with Blackmagic Design


With the announcement of Blackmagic Cinema Camera at NAB 2012, Mark Linnhoff, a France based cinematographer, began to see the future of filmmaking in a new light. “Finally, an affordable acquisition tool that doesn’t compromise on image quality,” he recalled. “When I got the camera, I carried out some tests with a series of Carl Zeiss ZF.2 and Nik...

Submitted by Mark Linnhoff
Published 01 July 2013

Audio phase: Robin Palmer asks why it is wobbly?


Phase meters and audio vectorscopes are to be found on most test kit involved with audio monitoring. This is important because left/right audio correlation problems between the channels will distort the stereo ‘image’ and could degrade mono compatibility. If left and right phase should ever be inverted, any centered identical audio would be cancell...

Submitted by Robin Palmer
Published 01 June 2013

What you see is what you get? Doubtful!


by Robin PalmerThe colour you see is not necessarily the same colour experienced by someone else looking at the same thing. It all depends on the viewer and the viewing conditions as well as the actual colour of the thing. In some professions having perfect colour vision is a matter of safety as in the case of airline pilots and those in railway si...

Submitted by Robin Palmer
Published 01 March 2013

Technical Testing Joins Forces with Visual Monitoring


In the past, test and measurement equipment was designed exclusively for broadcast engineers. Vectorscope and waveform read-outs sketching out shapes on a scope were readily understood by technicians fluent in the language of signal analysis. Today multi-camera digital acquisition is not merely the domain of the broadcaster; television production i...

Submitted by Kieron Seth#
Published 01 December 2012

Zoom lenses and minicams


Finding a quality tracking zoom lens for the minicams made for the likes of Toshiba/Iconix/Hitachi/Sony has been an uphill battle. The cameras have been made primarily for the medical imaging market for microscopes and endoscopes but adopted by the broadcast industry as a high end minicam. However lenses were always a problem. Fujinon made the TF r...

Submitted by Bob Pank#
Published 01 November 2012

Pointing out the right colours


In the old days of PAL and NTSC analogue television, a vectorscope was an essential tool for examining chroma at every part for the programme production and transmission chain. This was because the colour information was carried as a phase and amplitude modulation which could be sensitive to a variety of transmission or recording non-linearities an...

Submitted by Bob Pank#
Published 01 October 2012

Mastering a tough business


I recently had a great day out, visiting a company which is enjoying a massive boom in business, has customers prepared to wait as much as a year for its products, and is trying to recruit dedicated staff to increase output. Yet its chairman says “manufacturing is a tough business to be in”. In 1892 a remarkable picture was taken, on a 5” x 7” plat...

Submitted by Bob Pank#
Published 01 September 2012

Handheld T and M the broadcast emergency service


“Test and Measurement”. Shudder. Like “Health and Safety”, “Bus” and “Replacement Service” or “Keith and Orville” it’s a collocation of words that fills me with dread. Seriously, who wants to read about “Test and Measurement”? Well, as it turns out, the answer is: quite a lot of people. Because, despite its lack of glamour, it is hugely important....

Submitted by Will Strauss#
Published 01 August 2012

Colourist and Online Editor


Who are you? (about yourself and who you work for)?I run East London Post based in Shoreditch, which is currently a single suite Colour Grading and Online Editing business based around DaVinci Resolve and Apple FCS3. What do you do? What does your company do?East London Post provides colour grading and online editing for a wide range of projects. W...

Submitted by Bob Pank#
Published 01 October 2011

Panasonic AF101 review


In 2008 Canon released its latest stills camera the 5DMk2. Little did they know what they had released on the videographers world. This so called STILLS camera had a hidden talent, that of course of remarkably good 1080p video. The indie film makers went wild, no more did they have to bolt on large cumbersome depth of field adapters to their video...

Submitted by Bob Pank#
Published 01 September 2011