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Eye-to-eye: 2011 highlights

“Broadcasters must climb up the ladder into high definition or they’ll get their ankles chewed by the computer industry”. Memorable quote from a manufacturer of video standards converters nearly 30 years ago when NHK was trying to establish its original 1125-line (1080-active) 5:3 aspect-ratio ‘Hi-Vision’. Well it happened. 2011 was the year ‘high-...

Submitted by Bob Pank#

Published 01 January 2012

Reaching for 3D

From the opening shot of the Ryder Cup to the Champions League final when Manchester United played Barcelona this year, a stately homes documentary to a Derren Brown magic show, cameraman Chris Taber has been there, filmed it and got the T-shirt. And the reason the camera crane operator has been in demand for so many high-profile jobs? In a word: 3...

Submitted by Bob Pank#

Published 01 January 2012

Thinking of buying an OLED - read this first...

It may surprise some people that Autocue, known worldwide as the leader in broadcast, educational and corporate teleprompting, is also highly experienced in providing broadcast quality reference monitors. We’ve parlayed our experience in quality prompting screens to specify the manufacture of broadcast monitors for OB trucks, vision galleries and Q...

Submitted by Bob Pank#

Published 01 December 2011

Cut the risk out of developing and operating connected se...

When is an opportunity also a threat? In fact, most opportunities also pose some element of inherent risk. And for today’s media operators, the opportunities have never seemed riskier, and the risks have never offered so much potential gain. A diversifying, multi-screen, ‘connected’ media landscape is like a vast new hinterland for traditional broa...

Submitted by Bob Pank#

Published 01 December 2011

Learning from the master

In 1985 I took a job at Logica. In those days we were developing systems for teletext and subtitles, and later for graphics management, using computer hardware from DEC, a brand name that disappeared in 1998 when it was acquired by Compaq. The PDP-11 was revolutionary in that it was a 16 bit computer, but even then there was a suspicion that it did...

Submitted by Bob Pank#

Published 01 December 2011

Colourist and Online Editor

Who are you? (about yourself and who you work for)?I run East London Post based in Shoreditch, which is currently a single suite Colour Grading and Online Editing business based around DaVinci Resolve and Apple FCS3. What do you do? What does your company do?East London Post provides colour grading and online editing for a wide range of projects. W...

Submitted by Bob Pank#

Published 01 October 2011

Cameras for streaming

I first saw true HD pictures years ago at IBC. OpTex had a camera focusing on some beautifully lit fruit. The image on the screen was extraordinary, hypnotising. Leap forward a decade and Amsterdam brought Europe its first taste of Ultra High Definition Television - not 720p, not 1080i, but 4320p. The enveloping cinematic pictures and the embrace o...

Submitted by Kieron Seth#

Published 01 August 2011

North West 200

As the gates to the event open and the hordes roll in to watch the North West 200 motorcycle race, production company Greenlight TV is primed: production schedule ready, broadcast timetable planned meticulously. Then... torrential rain, a crash and a major oil spill... finally a credible bomb alert. It's at times like these when production skills a...

Submitted by Kieron Seth#

Published 01 July 2011

Either meet your listeners halfway, or get them to come t...

In TV Bay’s IPTV & Online issue, I spoke about how streaming video online enabled content owners to share their work with the world a lot more effectively, so although the end result is the same, what technical procedures are different for streaming pure audio content?The pace of technical advancements have now established distinct requirements for...

Submitted by Kieron Seth#

Published 01 June 2011

Post Production Ask The Experts

IntroductionIt’s a familiar scenario: A client calls with an urgent transfer request. It may be a movie sourced at 23.98PsF that needs conversion for broadcast, and the client needs an HD version at 1080 50i with Dolby E audio and an SD program at 625 50i with PCM audio, as well. Or perhaps the content was shot at 1080 59.94i, but the client needs...

Submitted by Bob Pank#

Published 01 May 2011

What are the most important opportunities and challenges...

What are the most important opportunities and challenges facing the TV industry today?To answer this question we need to look more broadly at consumer behaviour and the changing way people are consuming content. Viewers no longer solely want a passive experience with a TV programme in their front room. They want to watch catch-up TV on a laptop, do...

Submitted by Bob Pank#

Published 01 May 2011

The #BVEXPO Great Experiment

NAB, IBC and Broadcast Video Expo share one thing - they play to a global audience for TV and film production, post-production and distribution. It’s not practical to get along to all the shows so there is an increasing trend to report for that global audience. BV Expo is currently the only show without a dedicated multimedia channel. With somethin...

Submitted by Bob Pank#

Published 01 April 2011

tv-bay Questions

Who are you?I have the pleasure of being CEO of two companies! First being the diRoom, which is boutique post-production facility for colour grading, digital intermediates and delivery masters. We are all filmmakers at diRoom, so we tailor every project workflow to be an entire picture post solution for filmmakers or a service that can fill the gap...

Submitted by Bob Pank#

Published 01 March 2011

Watching Television

The pictures on this page give you a small insight into my life. The first is a picture of the television in my living room. At the time of taking the picture I was watching the English cricket team losing in high definition. The second picture is of my desk. Again you will see that it is dominated by a large screen (I’m afraid I still have a sneak...

Submitted by Bob Pank#

Published 01 March 2011

3D camera mirror rigs

3D camera mirror rigs will be around for a long time to come and contrary to popular belief, shooting in 3D is very easy with the right equipment. Entry level 3D mirror rigs made in the UK are now available, such as the manual Hurricane Rig developed by Alistair Chapman and the fully automated 'BINORIG' developed by us at Teletest Ltd. The key to a...

Submitted by Bob Pank#

Published 01 March 2011