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Twenty Years of Transcription


In 1998 Dom Bourne dropped out of university and started a business providing transcriptions to production companies. The company operated from his childhood bedroom and Dom hoped it would keep him in beer money for a year or two before he decided what he really wanted to do with his life. Twenty years later and, this year, Take 1 celebrates two de...

Submitted by Dom Bourne
Published 18 July 2018

Run Leaner, More Agile and Scalable OTT Operations


The migration to Software-as-a-Service (SaaS) for media processing is underway and growing as broadcasters and content service providers explore new ways to increase agility and operational efficiencies. With media processing SaaS, content and service providers can quickly and easily deploy new channels, deliver a better quality of experience (QoE)...

Submitted by Olivier Karra
Published 18 July 2018

Will we soon be paying our respects to PayTV


Recent reports show pay TV in the US peaked in 2012 and will keep dropping over the next five years. Digital TV Research’s North America Pay TV Forecasts state the US will see a 20% drop between 2012 and 2023. Should the UK be readying for a similar change in consumer viewing, or is something different happening here?Looking at UK pay TV revenues,...

Submitted by Malcolm Harland
Published 18 July 2018

Artificial Intelligence and Economics


It’s May, so it seems inevitable that this month’s column should be a bit of a reflection on NAB. And it will, in due course. But first, some news which I think is interesting. Cisco, the IT giant, is selling off its video software solutions business. It is being bought by an as-yet unnamed new company, backed by venture capitalist Permira Funds. T...

Submitted by Dick Hobbs - new
Published 07 June 2018

Opting In or Opting Out


Peter Savage, CEO of Azule, explains whether you should opt in or opt out of the current red tape nightmare facing businesses large and small. No, this isn’t another Brexit referendum but I doubt whether any of you reading this are not affected, in some way, by the new European General Data Protection Regulation, commonly known as GDPR or, as I li...

Submitted by Peter Savage 2
Published 07 June 2018

Why is ST2110 important


Presenting to a capacity audience at a joint meeting of the RTS Thames Valley Centre and SMPTE in Reading, research engineer and industry commentator Tony Orme opened the evening with the assertion - “SMPTE’s ST2110 is the most important development to hit broadcast television since John Logie Baird went head to head with EMI-Marconi at the 1936 BB...

Submitted by Penny Westlake
Published 07 June 2018

Listening to the needs of audio engineers


Monitoring SDI video content within an installation is and has always been straight forwards. If you have a monitor, and you can see the image correctly, all is well. This is not necessarily the case for metadata and especially not for audio. Assuming a SMPTE 352 payload packet is present on the SDI signal, this metadata determines how the video co...

Submitted by Alan Wheable
Published 07 June 2018

What is Next for Broadcast


The Broadcast industry is always chasing new technology. Some of that technology is further than it appears to be, and some of it is closer to adoption than it seems. In part, early adopted technology is accelerated because of customer or business demands, and in the case of IP based environments, the driving factors are speed, cost reduction, and...

Submitted by David Schleifer
Published 07 June 2018

How IP-based KVM can improve workflow in broadcast contro...


One of the most significant shifts the broadcast industry has seen over recent years is the adoption of IP technology as a standard infrastructure across the entire broadcast workflow. IP provides a network suitable for routing audio, video and control around a broadcast facility and is providing the answers to many industry challenges. An increasi...

Submitted by John Halksworth
Published 26 March 2018

Out of the box: Sennheiser Ambeo VR microphone


The use of 360 video, especially on platforms like Facebook and YouTube is really starting to take off. Gone are the days when you needed to buy multiple GoPros and rigs in order to get something decent looking. Now players like Insta360 and even GoPro with their fusion 360 camera are providing single camera, high quality solutions, enabling the ma...

Submitted by Jon Pratchett
Published 26 March 2018

Tried and tested: DPA d:vice


KitPlus recently took delivery of an interesting piece of equipment for review. We like our iPhone gadgets here. For us, useful iPhone gadgets started when the Olloclip lens gave us a wide angle adaptor. This was a good start, finally evolving into a proper tool when Ziess produced the Exolens system for the 5,6 & 7 series iPhones. Around the same...

Submitted by KitPlus
Published 26 March 2018

VR and the importance of tracking


I would like to begin this article by clarifying what we at Shotoku mean when we talk about VR in live production. It’s not the production of immersive, 360 content where you need to wear a headset; we are talking about virtual studio (VS) and augmented reality (AR) work, such as placing graphics into a green screen environment or physical set. The...

Submitted by KitPlus
Published 26 March 2018

TV Futures, Tales on Location


If I think back to last May, I was just finishing my second year at the University of Portsmouth, studying Television and Broadcasting, and winding down for the summer. Then out of the blue I got a message from my course leader, saying I might be getting a call from someone who was a location manager working for Raider productions, you know, the pr...

Submitted by Georgia Thirtle
Published 26 March 2018

Why OTT needs multicast ABR


Last year, Netflix’s global revenue reached $11 billion, with 24 million new names added to its subscribers’ list. Viewers are certainly making their preferences heard – and voting with their remote controls to show that over-the-top (OTT) content is here to stay. However, OTT doesn’t just mean video on demand but extends to live streaming too. Dri...

Submitted by Damien Lucas
Published 26 March 2018

Reliable back-up at the Music City Bowl


WLEX – LEX18 – is the NBC affiliate in Lexington, Kentucky, and part of the Cordillera Communications Group. As a very popular local station with a broadcast area that covers 40 counties across central Kentucky we have a big commitment to news, broadcasting more than seven hours of live programming on a typical day. As well as the usual unpredictab...

Submitted by Sam Gordon
Published 26 March 2018