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Peace of mind in a complicated world


For many in the broadcast industry these are challenging times. With competition coming from all angles and different technological camps advocating different approaches to infrastructure and the way forwards. With the number of different variables increasing, the choices of whether to use SDI or IP infrastructures, and the choices around HDR and W...

Submitted by Alan Wheable
Published 19 October 2017

Back to Basics with IP Video Production


Its difficult to attend an industry tradeshow or read a publication without seeing discussions about the technological changes that will impact the broadcast market in upcoming years. These changes include 4K/UHDTV, High Dynamic Range and High Frame Rate video but the transition to an all IP video workflow is regarded as a disruptive technology cha...

Submitted by Michael Waidson
Published 19 October 2017

Cellular, Satellite or Fixed Link - how do you choose


Having a choice is a good thing. Take apples, for example. While one may look pretty much the same as the next, we know that the subtle differences between varieties can make a huge difference in how we choose to use them some are best for pies, some better for cider, and others just perfect for eating from the tree. Similarly, the subtleties betwe...

Submitted by Lorna Garrett
Published 19 October 2017

The importance of storage


In recent years, viewing habits have shifted dramatically; online video is becoming the preferred option for the younger generation. But its not just millennials who are cutting the cord with broadcasters and traditional platforms increasing numbers of people from all age groups are abandoning cable and instead enjoying TV online. In response to th...

Submitted by Jonathan Smith
Published 19 October 2017

Audience engagement with advertising in an OTT world


i Adapting to how we advertise in an OTT world starts by reaching audiences on every screen with tailored content. Most consumers viewing habits include multi-tasking and juggling different activities at the same time, particularly the younger viewing audiences who tend to watch in a more fragmented, on-demand manner. The task of monetizing content...

Submitted by Hank Frecon
Published 07 September 2017

Implementing an IP workflow


i The eventual move to incorporate IP into your infrastructures is an inevitability. However, with justified concerns about interoperability and uncertainty about which vendors are best placed to help organisations achieve their IP media networking and content delivery goals, is it any wonder there is hesitation about moving forward? Broadcasters v...

Submitted by John Smith -new
Published 07 September 2017

Monetizing OTT


i Competition in the TV arena is hotting-up for traditional broadcasters with even ESPN, a strong-hold of sports TV, seeing a reduction in subscriptions with the number of American homes paying to get the service declining by more than 12m since 2011. With Mintel reporting that the subscription video streaming market in the UK is due to exceed reve...

Submitted by Oliver Botti
Published 07 September 2017

Canon CN-E 18-80mm T4.4 Review


i The Canon Cine range of lenses have been around for quite a few years now. The CN-E Cinema Prime lenses became an early alternative to using PL adaptors or the Zeiss Compact Prime lenses. Other than that the choice was rehoused stills lenses or maybe if you were lucky a set of Zeiss super speeds. The cine lens set became a cost effective offering...

Submitted by Ben Sherriff
Published 07 September 2017

The Dressing Room - shooting steamy scenes


i W\'s latest factual entertainment series relies completely on the ability of fixed rig filming setups to make cast members forget their inhibitions. Described as a fly-on-the-wall documentary, "The Dressing Room\" gives TV audiences unprecedented access to team-sport dynamics off the field of play by inviting them into the hidden world of dressin...

Submitted by Josh Portwine
Published 07 September 2017

Lighting - the stuff you do not see


i Lighting is the stuff you don\'t see that makes a difference in what you do see. How the audience feels about a character and whether the scene is scary, tense or upbeat are communicated by the quality and placement of light. Lighting can take the drama to a whole new level - think about film noir with all those shadows on the wall. So called "na...

Submitted by Tama Berkeljon
Published 07 September 2017

Facebook Workplace - why it might just work


i At the Facebook F8 Developer Conference last April, Facebook\'s Workplace, a collaborative platform for organisations, announced enhanced live video functionality. Being able to stream live into Workplace will fundamentally change the way companies communicate, from broadcasting weekly meetings and webinars to live streaming Q&As. The possibiliti...

Submitted by Jake Ward
Published 07 September 2017

State of the Nation - part 1


i Imagine you are the director of the Champions League Final, knowing that 200 million people will be watching your every decision. Or you\'re directing the Eurovision Song Contest. Or even, to be honest, the Tunbridge Wells local news opt out. And at live minus 30 seconds, all the screens in the monitor wall suddenly go black then show a demand, i...

Submitted by Dick Hobbs - new
Published 07 September 2017

Integrated and automating marketing campaign production


i ITV, as an integrated producer broadcaster, creates, owns and distributes high-quality content on multiple platforms. It operates the largest commercial family of channels in the UK and delivers its content through traditional television broadcasting as well as on demand via the ITV Hub. ITV has the largest share of the UK television advertising...

Submitted by James Gilbert
Published 07 September 2017

The challenges of media workflow automation


i The media workflow challenge has never been more complex, and it\'s growing. In response exploding consumer demand for high-quality, engaging programming, media operations are under the gun to create content and deliver it to an ever-growing range of platforms and devices. Managing video assets - that is finding them, accessing them, and using th...

Submitted by Dave Clark
Published 07 September 2017

Can university really set you up?


i When deciding what career you want to go into and which University to go to, there are so many questions that go through your head. I know when I first started considering University, my grades just weren\'t good enough. I knew which undergraduate course I wanted to do, but I still had a way to go. Well, I decided to go back to College just so I...

Submitted by Jess Sutton
Published 01 August 2017