KitPlus | Articles

How to Sell a Film Before it is Made

by Beth Zarkosh Issue 93 - September 2014 Independent filmmakers can produce some of the most gripping, compelling and original cinematic works around, but without funding it’s a real struggle to piece together the requisite resources for such productions to get the backing that they deserve. So what’s the answer? Simple - sell the DVD before you’v...

Submitted by Beth Zarkhosh

Published 01 October 2014

Launching the Local Newsroom

by Neil Hutchins Issue 92 - August 2014 We recently collaborated with Mustard TV, the Norwich-based television division of the Archant newspaper group, for their launch of the UK’s second Local TV channel. With just three weeks to go before the on-air date, we installed our QNews newsroom computer system, including the database server that it runs...

Submitted by Neil Hutchins#

Published 01 September 2014

Israels i24news

by Jason Danielston Issue 92 - August 2014 Israeli international news channel i24news went on air in July 2013. Broadcasting from Jaffa port, Tel Aviv, it airs international news on three channels in three languages: English, French, and Arabic. The channel provides news content and magazine pieces to 800 million households around the world on cabl...

Submitted by Jason Danielson#

Published 01 September 2014

Black magic studio camera

by Mark Stopher Issue 92 - August 2014 Blackmagic Design recently released their new Studio Camera - it’s a small, portable broadcast camera, intended for live studio productions. There’s an HD version that you can pick up for £1,289 and a 4K version is said to be shipping soon. At tv-bay we were shooting some product demonstration videos in our st...

Submitted by Mark Stopher

Published 01 September 2014

DLED Dedolight Reviewed

by Justin Mills Issue 92 - August 2014 Ive been using Felloni LED light panels for over 18 months now, and have really enjoyed the ease of operating lights using battery power in my case, V lock batteries that I also use to power my cameras. No cable runs, easy to reposition and that much less time setting up and packing up. Although their 1ft x 1f...

Submitted by Justin Mills

Published 01 September 2014

UWP-D11 Review

by Kevin Cook Issue 91 - July 2014 Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality...

Submitted by Kevin Cook

Published 01 August 2014

Getting more from your MAM

by Colin Blake Issue 91 - July 2014 The value of a media asset management (MAM) system cannot be understated. The MAM system serves as the window into your archive, and a properly implemented MAM system can mean the difference between finding and repurposing assets or letting them sit idle and unmonetized. There are several choices for MAMs availab...

Submitted by Colin Blake

Published 01 August 2014

Teletest Telesend HD LCD receiver Review

by Jon Boast Issue 90 - June 2014 It was towards the middle of last year that I reviewed my Teradek Bolt HD wireless system for TV Bay magazine. I commented then, that monitors are about the one thing that cameramen use day in day out, wireless ones particularly. Even these days you change your camera from day to day, one day you may be out shootin...

Submitted by Jon Boast

Published 01 July 2014

Powerful New Levels of Discovery

by Drew Lanham Issue 90 - June 2014 For media creators, owners, and distributors, the amount of digital media in their libraries never stops growing as they continue to add new content every day. Those who dont organize and manage their data well are not getting the maximum value out of their archive. Thats why they need easy, accurate, and cost-ef...

Submitted by Drew Lanham

Published 01 July 2014

Transforming Content and Caputure Distribution

by Russell Wise Issue 90 - June 2014 Within the broadcast industry, ongoing financial pressures have driven continued consolidation of operations, centralization of staff, and efforts to increase efficiency through smarter use of current and forward-looking media-focused technologies. At the same time, the rise of multiplatform content distribution...

Submitted by Russell Wise

Published 01 July 2014

RTS Thames Valley NAB 2014 Review

by Simon Tillyer Issue 90 - June 2014 A sunny, early summer evening welcomed over 40 people to the annual RTS NAB review on 14th May. This annual get together features a panel of guests, chaired by Dick Hobbs discussing their experiences and thoughts of NAB. The panel consisted of Maya Severyn (Head of Technical Services & Support - Chellomedia), J...

Submitted by Simon Tillyer

Published 01 July 2014

Local TV cuts the mustard

by Neil Hutchins Issue 89 - May 2014 Monday 24th March was a notable date in the roll-out of Local TV across the UK, as it saw the successful launch of the second of the new channels. Mustard TV, based in Norwich and named in recognition of an historic connection with the local Colman family, followed Estuary TV as a new broadcaster on Freeview Cha...

Submitted by Neil Hutchins#

Published 01 June 2014

Mobility drives more powerful automation solutions

by Philippe Fort Issue 89 - May 2014 The emergence of new distribution platforms presents challenges to radio broadcasters, which must establish the tools and flexibility to offer constantly renewed content on an increasing number of distribution channels. Those broadcasters that find a cost-effective way to meet this demand and effectively deliver...

Submitted by Phillippe Fort

Published 01 June 2014

Ask the experts: Life behind the rate card

by Mike Ransome Issue 88 - April 2014 From time to time, most people in broadcast and production need to rent in some equipment. It might be to extend capabilities an extra camera channel, for example or it might be to bring in something you do not normally use, like an EVS server, for instance. Now picking a dry hire company sounds awfully simple....

Submitted by Mike Ransome

Published 01 May 2014

From the edge of nowhere to the centre of everywhere

by Joe Fulford Issue 88 - April 2014 Getting your images back to a studio for broadcast can be done in many ways. Getting the tapes or cards back to the studio will take however long it takes a dispatch rider to get there, and sometimes its just not possible to get a motorcycle out to your location. You can transfer the files via FTP from another l...

Submitted by Joe Fulford

Published 01 May 2014