KitPlus | Articles

UHD HDR HFR WCG Made for each other, or too much too soo...

by Bruce Devlin Issue 108 - December 2015 The majority of LCD screens rolling out of the huge factories are now 4K-ready. They have a lot of pixels, and were not going to be chopping them up with a hacksaw to make small screens in a hurry. Even cheap mobile phones have more pixels than the big TV set that hangs on the wall of the front room in my h...

Submitted by Bruce Devlin

Published 15 December 2015

Virtually there - media monitoring goes beyond hardware

by Simen Frostad Issue 108 - December 2015 Being a hardware manufacturer is a great thing. It allows you to design the totality of the product and the users experience of it, to create a plug-and-play appliance that is uniquely fitted to its task. And there are plenty of tasks that are best done with the help of a piece of dedicated hardware, for m...

Submitted by Simen Frostad

Published 15 December 2015

Creating native looks in alien worlds: the making of The...

with Richard Baker Issue 107 - November 2015 Prime Focus Worlds Richard Baker explains how Mars was brought into stereo 3D with the help of Fusion Studio for Ridley Scotts new SciFi survival epic, The Martian Directed by SciFi master Ridley Scott, this years The Martian has all the makings of a space exploration epic to remember. The film stars Mat...

Submitted by Richard Baker

Published 01 December 2015

The production desk finally gets innovative

by Kieron Seth Issue 104 - August 2015 The video switcher (aka vision mixer) is at the heart of all live television, all AV and many a live webcast. But despite its core role, its remained essentially the same concept for decades, consisting of a digital video effects processing unit, matrix switcher and control panel. Fundamentally this hardware-b...

Submitted by Kieron Seth#

Published 01 September 2015

The Lobster - achieving a textural grain

Issue 104 - August 2015 Greek director Yorgos Lanthimos is about to debut his first English language feature with The Lobster, which will be in UK cinemas on the 15th of October. We speak to DaVinci Resolve colorist and long time collaborator Tony Ford about the meticulous approach to color grading this dystopian love story. Featuring an impressiv...

Submitted by KitPlus

Published 01 September 2015

Tapeless Workflows, MAM and Archive: Back to Basics

by Mike Shore Issue 103 - July 2015 The broadcast industrys appetite for file-based workflows existed long before the technology required to implement them was available. With the emergence of cheap capture hardware, the continually decreasing cost of storage and the ever-increasing capabilities of inexpensive computing power, the transition from t...

Submitted by Michael Shore

Published 01 August 2015

NAB 2015 Highlights

by Beth Zarkhosh Issue 101 - May 2015 For those of us lucky enough to visit this year\'s annual NAB Show in Las Vegas, we know how amazing and mesmerising it was, but for those who didn\'t get the chance to make it, then here\'s a lowdown on what we thought was the highlights of the biggest post production and broadcast conventions in town!Las Vega...

Submitted by Beth Zarkhosh

Published 01 June 2015

Digital media services need more than just standard prote...

by Simen Frostad Issue 101 - May 2015 Standards are conceived in abstract. They are set up and negotiated between interested parties in a process that can last several years, with each party to the negotiations pressing its own case, and the standard that emerges at the conclusion is usually compromised in some way. At worst it can simply be a lowe...

Submitted by Simen Frostad

Published 01 June 2015

REDucation - Real world RED camera training

by Ben Sherriff Issue 101 - May 2015 Saturday 28th and Sunday 29th March saw the REDucation training workshop arrive in London at the Met Film School in Ealing Studios West London. I\'ve used a Red One but have yet to work on a shoot where I can get my hands dirty with the newer cameras they manufacture (Epic-X, Scarlet, Dragon and now Weapon). Whe...

Submitted by Ben Sherriff

Published 01 June 2015

The road to Sundance Film Festival

with Kivu Ruhorahoza Issue 98 - February 2015 Things of the Aimless Wanderer, the latest feature from Rwandese filmmaker Kivu Ruhorahoza (Grey Matter) is a beautifully crafted narrative about paranoia, mistrust and misunderstandings. Premiering at this year\'s Sundance Film Festival, audiences can expect an arresting film that reveals a series of c...

Submitted by Kivu Ruhorahoza

Published 01 March 2015

The Tour Revisited

Issue 96 - December 2014The November tour attracted over 1500 registrations visiting London and Manchester for one day in Shoreditch and the next in MediaCityUK. We asked people what they thought and there was simply too much to print. However here are the selected, together with our gallery and answers where there were issues, comments from visito...

Submitted by KitPlus

Published 01 January 2015

Emphasising Television in streaming television

by James Gilbert Issue 96 - December 2014 There have been all sorts of doom and gloom stories, over a decade or more, about how television is changing. Budgets are being slashed, workflows are becoming automated, and standard IT hardware is taking over from bespoke broadcast kit. But despite all this, television still looks good. If you watch telev...

Submitted by James Gilbert

Published 01 January 2015

4k - The biggest New Years resolution

by John Ive Issue 96 - December 2014 Whether it is Ultra High Definition (UHD), 4K or 8K - the predictions surrounding when and if this higher resolution format will become a widespread reality are still rife in the broadcast and media industry. The consensus in the sector seems to be that we may be edging marginally closer. However, many of the ba...

Submitted by John Ive

Published 01 January 2015

Everything you ever needed to know about Wireless Links

by Michael Coyler Issue 96 - December 2014 Wireless links - be it catapulting footage from the cockpit of a Formula One Car as it reaches 180MPH into a knifepoint turn, or feeding a screen in the serene landscape of Scotland\'s world-renowned links for this year\'s Ryder Cup - Radio Frequency (RF) links have taken a major foothold in recent years i...

Submitted by Michael Coyler

Published 01 January 2015

Media Management in Final Cut Pro X

by Larry Jordan Issue 95 - November 2014 Media management drives editors nuts. Since the beginning of computer-based video editing, trying to remember where your media is stored is a never-ending battle between "getting it done,\" and "doing it right."With the release of Final Cut Pro X 10.1, Apple made significant changes to media management; then...

Submitted by Larry Jordan#

Published 01 December 2014