KitPlus | Articles

Life live beyond the Premier League

by Kieron SethIn Europe outside broadcast has traditionally been within the reach of a handful of deep-pocketed television companies. Across the Atlantic, small OB vans have been popular for years with niche, regional news crews beaming state pie eating competitions to eager viewers. With the advent of Local TV and low-cost fast turnaround producti...

Submitted by Kieron Seth#

Published 01 April 2013

Getting to grip with it with Mark Scotton

By Mark Scotton, sales manager for Cameragrip. Getting the right equipment to ensure you add value to your production can be difficult, especially when there are so many products available that all seem to be offering different solutions. Creating moving shots can be done in a variety of ways by using products such as jibs, cranes, tracking dollies...

Submitted by Mark Scotton

Published 01 March 2013

Finally a compact HD zoom lens!

By Steffan Hewitt, director, PolecamThere are a great number of situations in our industry where the requirement for a small low profile broadcast quality HD camera is needed, whether it be for documentaries, natural history, in car, on board, covert, news, drama, underwater, on a jib arm or small remote head – the list goes on, and expands from th...

Submitted by Steffan Hewitt

Published 01 March 2013

Lights Camera Action for Silverstone F1

Rotolight ANOVA, the world’s most advanced LED Floodlight was recently used as the light of choice for the 2012 Autosport Awards shoot at the Silverstone Formula 1 track, produced by MAKE Television (formerly Sequence Creative). MAKE Television produced the two-day shoot capturing six of the UK’s best future Formula 1 stars, competing head to head...

Submitted by Rod Aaron Gammons

Published 01 March 2013

Will Strauss gets a grip!

By Will StraussOf all the many areas of television technology that tv-bay Magazine covers, you might think that camera support is the one that appears, on the surface at least, to move the slowest. Take the tripod for example. Fundamentally, the design hasn’t changed for a hundred years. Or how about the dolly? The wheels and track device that Alfr...

Submitted by Will Strauss#

Published 01 March 2013

The joy of field editing

In the world of remote working, cloud storage and instant news, the ability to edit on location at a shoot has become a pre-requisite. Only a few years ago, field editing used to be merely about the quick rough cut, the assembly of proxy files or simply the ingest of media in an edit-friendly format. These days, however, energy efficient, high perf...

Submitted by Kieron Seth#

Published 01 February 2013

Metering in the age of loudness: Keeping things on the le...

By Martin DysterThe new age of production and post production for HD broadcast has gotten more complicated with the advent of legislation and guidelines concerning the relative loudness between different programs, channels and, especially, commercials. With ATSC A85 in place in the U.S., EBU R128 covering the members of the European Broadcasting Un...

Submitted by Martin Dyster

Published 01 February 2013

The evolving face of post production

By Will StraussIn the latter half of 2012, Assimilate made an interesting announcement about payment options for its Scratch and Scratch Lab software products. Instead of buying a license outright, it said, now you can choose to simply rent either of these Digital Intermediate (DI) ‘dailies’ tools for any period of time from a single day to three m...

Submitted by Will Strauss#

Published 01 February 2013

Off Trax interview for TV-Bay

TV-Bay interviews Off Trax partners Crispin Kyle, Jonathan Dennis and Doug Urquhart. Tell me about Off Trax:Off Trax was set up in 1995 to fill a gap in the market as a specialist light grip company offering a unique dry and wet equipment hire service to the television and film industries. We are three partners, Crispin Kyle. Doug Urquhart and myse...

Submitted by KitPlus

Published 01 February 2013

Buyers guide to cellular uplinking

by Ronen Artman (VP of marketing LiveU) and Lorna Garrett (Director, Garland Partners Ltd)Cellular uplinking continues to change the way that video is gathered in the field, bringing new levels of flexibility and cost-effectiveness. The technology allows broadcasters to alter the way that they approach events, be that news, sports, community activi...

Submitted by Ronen Artman

Published 01 February 2013

Twas the issue before Christmas;

As it’s nearly Christmas, I figured, what better way to honor the end of anther year than to celebrate everything that has gone before? To do that, I’ve picked my favourite production technology innovations of 2012. But, as we’re fast approaching the festive season, I’ve compiled them in the form a Christmas shopping list. Yes, I know. It’s genius....

Submitted by Will Strauss#

Published 01 January 2013

Loudness Monitoring: Complacent Wont Get You Compliant

Stricter regulations across the globe, the worldwide need for standardized audio level loudness processing, the need for logging and graphing mixed with long-term records maintenance for compliance verification, and the convergence of SDI/IP and ASI technologies all make for a challenging time in the broadcast industry. Identical and obligatory com...

Submitted by Bob Pank#

Published 01 December 2012

Monitoring: Cutting the Wires

Teradek began the wireless monitoring revolution at last year's NAB show. Its Cube wireless encoders are no bigger than a pack of playing cards. They compress a camcorder's video feed into an H.264 signal for transmission to either a WiFi-enabled laptop, iPad or tablet or to a Cube decoder. Straight-away live, remote and affordable monitoring was b...

Submitted by Kieron Seth#

Published 01 December 2012

Matrox Microquad reviewed

There's nothing quite like a bank of screens in front of you, showing all your video feeds coming in to the production system. The more it looks like the something from Star Trek the happier I am. However when you start to look at the cost of all those screens and especially if you are monitoring HD/SDI inputs, I have to admit a wave of despair gra...

Submitted by Kieron Seth#

Published 01 December 2012

Next generation monitoring - in the studio and in the fie...

HD pan, tilt and zoom cameras are very popular in self-operated studios, conference rooms, theatres and houses of worship. Typically, PTZ systems are remotely controlled by RS-422 or over Ethernet, with video signals routed over SDI cable into the production desk. Previously, live monitoring was only possible via the switcher that could be as remot...

Submitted by Kieron Seth#

Published 01 December 2012