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Converting for displays


Behind every great display there’s a great converter. Ever since television started to go digital in studios and post production, the number of digital formats has grown. For a while the television standards bodies got a grip and succeeded in pulling nearly everyone along the ‘SDI’ track; now itself expanded to HD-SDI and 3G-SDI – carrying a multit...

Submitted by Dennis Lennie
Published 01 September 2009

How to choose a broadcast display


How to choose a broadcast display…10 years ago, buying a CRT monitor was simply a case of buying the latest version of your facilities favourite brand in either Grade I or II. The advent of the LCD, HD and the demise of the CRT means we have now to try and decipher all the marketing jargon to work out which display best fits our needs. To help de-m...

Submitted by Dennis Lennie
Published 01 September 2009

Beating the Blu-ray coding blues


Tommy Simonsson runs SitoCad in Stockholm, Sweden, a professional video production company specialising in industrial work, conferences and weddings. He shoots in high definition on a Sony PMW-EX3 camcorder, and finishes his projects using the Grass Valley EDIUS nonlinear editor. “When I show them what HD looks like, most of my customers choose Blu...

Submitted by Dennis Lennie
Published 01 August 2009

Eye to eye on Broadcast content management 2009


Content asset management is one of the fastest developing areas of the entire broadcast business. Its advantages over old-style film and videotape libraries are so widely recognised that they hardly need repeating. NAB provided an opportunity to look at new advances from some of the key players. AP introduced a new module for its ENPS 6.0 and 7.0....

Submitted by Dennis Lennie
Published 01 August 2009

The filming of Lands End to John OGroats


I’ve been here for several minutes now. Standing in the pouring rain with a camera pointing at the road sign for Somerset, the drops of rain tapping on the camera rain cover add a certain atmosphere to the wild track. I stood trying to work out who was the madder, the two cyclists I was waiting for, or me. Here they come, 10 seconds on the tape, ba...

Submitted by Dennis Lennie
Published 01 August 2009

Its A Bigger DAM Picture


There’s a lot of fuss these days about “Digital Asset Management.” Why? Because organizations (and their hard drives) are busting at the seams with digital assets that are multiplying faster than hamsters at a rave. Many of these organizations already have enterprise management software solutions in place, so DAM often becomes a new, isolated plane...

Submitted by Dennis Lennie
Published 01 August 2009

Holophone H2-PRO used on Slumdog Millionaire


As far as independent films go, Slumdog Millionaire has certainly hit the jackpot, garnering eight Oscars including one for “Best Sound Mixing”. Contributing to the movie’s triumphant soundscape is Holophone’s H2-PRO surround microphone, which award-winning Sound Mixer Resul Pookutty used to capture ambient sounds for some of the film’s most essent...

Submitted by Dennis Lennie
Published 01 June 2009

PHABRIX storming ahead at NAB with eye and jitter


It is not often that a product is released that encapsulates so distinctly the essence of British ingenuity but the new SxE hand held test and measurement instrument with eye and jitter functionality from PHABRIX may just have set itself in that mould. Having successfully launched the PHABRIX SxA, a three in one portable testing device at IBC2008,...

Submitted by Dennis Lennie
Published 01 June 2009

JVC introduces new Final Cut Pro 6


Victor Company of Japan, Ltd. (JVC) further expands its ProHD camcorder line-up by introducing two professional solid state camcorders, the industry's first to store files in the native QuickTime format for Apple's Final Cut Pro™ onto reliable and inexpensive SDHC media cards. The compact hand-held GY-HM100 3-CCD camcorder is introduced in January...

Submitted by Bob Pank#
Published 01 April 2009

Red One Hit or Myth


So – after having arrived a year ago to these shores the Red is starting to settle into everyday living here in the UK. Possibly being American and designed by an iconic trendy sunglasses designer, we shouldn’t be surprised by its many foibles. The Red started life in the UK as whispered conversations about a piece of equipment being developed that...

Submitted by Dennis Lennie
Published 01 April 2009

HD camera market


With the low cost HD market taking an ever firmer grip on the industry, we asked for Hireacamera Managing Director Guy Thatcher’s opinion on the changes taking place. So is anyone still hiring DV/DVCAM equipment anymore?Certainly in the area we specialise in, since the arrival of the Sony HVR-Z1E nearly four years ago, we have slowly watched the ma...

Submitted by Dennis Lennie
Published 01 March 2009

Surround Sound For HD Broadcast


While 2008 may not be fondly remembered as a classic year if you work in certain industries, it's a fascinating time to be working in video media production or broadcast television. The steady move to high-definition at all stages of the video production process, is causing the biggest shake-up in technology and working practices since the introduc...

Submitted by Dennis Lennie
Published 01 February 2009

Choosing the right tripod


Camera support equipment is constantly changing as technological advances influence what can be created in the viewfinder. New generations of ultra compact cameras are enabling the camera operator to explore and get into the action as never before and longer lenses allow close-up views previously unobtainable. But with so much choice, how do you se...

Submitted by Dennis Lennie
Published 01 January 2009

New developments in mobile HD production


When widescreen HDTV was first demonstrated back in the 1980s, the pictures were great but the size and price of the kit left much to be desired. Two decades on, broadcast-quality 1080i/720p HD cameras and recorders have reached levels of compactness and affordability that would have seemed impossible in those early days. When I designed the origin...

Submitted by Dennis Lennie
Published 01 January 2009

Lightworks Editing


It is said that “Variety is the Spice of Life” and the Lightworks Editing systems have been very spicey recently. The new season of the English Football Premiere League will once again see Perform Media Services Ltd. bringing their Lightworks “Softworks” editing systems into action. Perform have the contract to provide in match “near live” and dela...

Submitted by Dennis Lennie
Published 01 December 2008