KitPlus | Articles

Dont Drink from the Mainstream.

Here’s the note pinned on the studio door of Undercurrents productions in South Wales. To do list for 20081) Make 10 new video series on topics ranging from Woodland skills to Technology reviews and from Political news to investigative documentaries. 2) Develop a desktop video player application based upon the open source software. 3) Launch an Int...

Submitted by Dennis Lennie

Published 01 August 2008

Getting up to speed with IPTV

Internet Protocol Television (IPTV) has been gathering pace around the world for the past few years and is major competition to cable and satellite broadcasters. As a satellite subscriber its something I seem to have largely overlooked and the recent IPTV World Forum prompted me to get up to speed on this emerging format of TV delivery and called f...

Submitted by Dennis Lennie

Published 01 August 2008

Is it cool to use cool lighting

Is it cool to use cool ?The term ‘cold lighting’ is used within the film & TV lighting industry as a generic term for energy efficient, Fluorescent, LED, and Plasma (panel) lighting sources which emit little or no radiant heat. HistoryThe technology is not so new; Evidence exists of neon lighting being used on a film set in Teddington Studios Engla...

Submitted by Dennis Lennie

Published 01 August 2008

Everything you ever wanted to know about lighting Part 1

Anyone starting on the long and winding road of lighting might well be baffled at the number of very different approaches that he or she might find in books and articles. I certainly did, and that was probably because my training in Television had been engineering based, where the very nature of engineering provides specific answers to specific pro...

Submitted by Dennis Lennie

Published 01 August 2008

CTV OB Truck

Responding to the growing demand for HD broadcasts and with a fleet of already overworked outside broadcast trucks, CTV Outside Broadcast’s newest addition to its fleet, OB 9, is a fully-equipped production facility with the latest in High Definition production, mixing and recording equipment. Targeted squarely at major entertainment and sporting e...

Submitted by Dennis Lennie

Published 01 July 2008

Guide to filming in London

Film London aims to make filming in the capital as straight-forward a process as possible. They hold a library of over 10,000 London film locations, a comprehensive database of crew and facilities in the region, and can also provide information and advice about the filming process. Please note however that they do not provide permits for filming. T...

Submitted by Dennis Lennie

Published 01 July 2008

Selling your business Part 1 of 3

In this first of three articles on selling a business, Peter Savage explains why it is not easy to determine the true value of a businessThe industry buzzed this month with news that Simon Meikle at Mitcorp was selling out to fellow reseller CVP. Amounts, money valuations, multiples were all bandied around so I thought it a good time to run over so...

Submitted by Dennis Lennie

Published 01 July 2008

The Benefits of Lens Add-ons

Zoom lenses on broadcast and professional video camcorders are wonderful tools for the videographer, allowing quick and easy focal length change. But ultimately, a zoom lens is limited on both the wide and telephoto end of its zoom range. On higher-end camcorders there is generally a choice of lenses, and thus zoom range, when the camera is purchas...

Submitted by Dennis Lennie

Published 01 June 2008

One man and his boat

It all started when I decided to build a boat in the garage. A fifteen-foot gaff rigged pocket cruiser to be precise. I bought the plans from a naval architect in Wiltshire and had the hull planks computer cut by a specialist boat builder in Kirkcaldy. Then I searched the Internet for a DVD about boat building for beginners but found nothing. So I...

Submitted by Dennis Lennie

Published 01 May 2008

The Reflecmedia Chromaflex portable chromakey system

The use of keying a foreground image over a background image to form a composite is an established and widely used technique in film and TV production. For most cameramen this will usually involve them in shooting a subject against a coloured background, typically green or blue. Sounds simple but reality can be far from it, anecdotes abound of nigh...

Submitted by Dennis Lennie

Published 01 May 2008

Setting up in business: Le Christmas Crunch

Well, I just fancied having a break as we have been slogging away for almost six months – planning, starting, measuring and then employing. So, phew, it’s the Christmas break. Well haven’t we done well to get here? You certainly have. And now for a little topical help: the credit crunch that is currently the focus of so many media reports. What doe...

Submitted by Dennis Lennie

Published 01 May 2008

Chromakey questions

What does a specialist paint give me that a DIY superstore (matt blue or green emulsion) doesn’t?VFX Bluescreen Solutions paints are pigment based, as opposed to DIY chains ‘stain’ based. Pigment based paints ensure consistency and intensity of colour, against the stain based paints because they are ‘pure’, instead of being made up of various other...

Submitted by Dennis Lennie

Published 01 April 2008

Chromakey tips and tricks.

Chromakey is one of those slightly magical effects that can still bring out the child in all of us. Also childlike are the frustrated tantrums you throw when you have been trying for hours to get a decent key, and realise you will have to pay some compositing wizard to rescue the shot. There are now 2 distinctly different ways to shoot chromakey fo...

Submitted by Dennis Lennie

Published 01 April 2008

Making Common Sense of Production Health and Safety

Programme preventionAs many of you may know the presenter of a well known motoring program has a bugbear with the subject of health and safety in programme making. In the past he has often attacked health and safety professionals for becoming far too wrapped up in an ‘absolute’ approach to risk management – focussing on minute detail at the expense...

Submitted by Dennis Lennie

Published 01 April 2008

The Sony PMW-EX1 what can we expect?

We cannot ignore the fact that tapeless acquisition and workflow has become a ‘hot topic’ in recent months with programme makers recognising that like it or not, tapeless acquisition in HD is where television production is headed. Mitcorp have always been at the forefront of technology educating and supporting our customers with full workflow solut...

Submitted by Dennis Lennie

Published 01 March 2008