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SIZE is everything


Issue 93 - September 2014Live broadcast television or stage productions are a fast moving environment where clear instructions need to be delivered quickly if everything is to run smoothly. Whilst efficient conveyance of prompts or direction is vital, there is usually the additional need to avoid the audience being aware of the methods employed. La...

Submitted by KitPlus
Published 01 October 2014

KVM extenders and matrix switches in broadcast


by Enno Littmann Issue 92 - August 2014 How successful has exhibiting at IBC been in the past?IBC 2014 marks the fifth successive year that IHSE has exhibited at the exhibition. Each year since 2009 we have moved to a more prominent position, increased the size of the stand and generated greater levels of interest amongst visitors. Many of whom hav...

Submitted by Enno Littmann
Published 01 September 2014

Black magic studio camera


by Mark Stopher Issue 92 - August 2014 Blackmagic Design recently released their new Studio Camera - it’s a small, portable broadcast camera, intended for live studio productions. There’s an HD version that you can pick up for £1,289 and a 4K version is said to be shipping soon. At tv-bay we were shooting some product demonstration videos in our st...

Submitted by Mark Stopher
Published 01 September 2014

UWP-D11 Review


by Kevin Cook Issue 91 - July 2014 Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality...

Submitted by Kevin Cook
Published 01 August 2014

On Set of Top Gear festival live


Issue 91 - July 201420th June 2014, London UK - Zero Division provided a bespoke installation of the Boxx TV Zenith system for the Top Gear Festival in Barbados at the newly renovated Bushy Park race track, and provided on-site support during the event. The Top Gear Festival is a live show staged to tens of thousands of visitors, to bring the spiri...

Submitted by KitPlus
Published 01 August 2014

Information Control and Automation but not as you know it


by Sandra Squire Issue 90 - June 2014 Cameras, branding, lighting and timers all at the touch of a button. Accurate clocks, timing and cue information are essential components of any broadcasting environment directors, production teams and presenters have always depended on them for the delivery of broadcast critical operations. This is still the c...

Submitted by Sandra Squire
Published 01 July 2014

The 24 Hour Universtity Television Broadcast Challenge


by Charlie Watts Issue 90 - June 2014 By the time you read this, the University of Portsmouth will have completed a mammoth 24 hour live television broadcast. This television spectacular, beginning at 8pm on May the 29th, was conceived to help celebrate the opening of a new building, raise money for charity, break a Guinness World Record, and to ex...

Submitted by Charlie Watts
Published 01 July 2014

Audio over IP: A more flexible distribution landscape


by Werner Drews Issue 89 - May 2014 In recent yearsx and months IP has become a very important part of the radio broadcasters technical toolkit. As an audio technology company with a fast-developing range of audio distribution products, we have experienced and responded to rapidly mounting demand for IP capability. Broadcasters see IP as a way of a...

Submitted by Werner Drews
Published 01 June 2014

Does lack of training produce inaudible sound


by John Barlow Issue 89 - May 2014 Jamaica Inn just happens to be the latest example of a mainstream TV drama production being broadcast with inaudible dialogue. The reasons vary from production to production but the end result is always an enormous waste of both acting and technical talent along with immense swathes of production budgets. Was it a...

Submitted by John Barlow
Published 01 June 2014

Problems and solutions in audio


by Mike Law Issue 89 - May 2014 BCD Audio is a UK manufacturing and design company specialising in audio products for the global broadcast and professional market. Mike Law is company managing director and also head of design. He is a member of the IET and the AES. He presents here several case studies to illustrate how the company has been able to...

Submitted by Mike Law#
Published 01 June 2014

Mobility drives more powerful automation solutions


by Philippe Fort Issue 89 - May 2014 The emergence of new distribution platforms presents challenges to radio broadcasters, which must establish the tools and flexibility to offer constantly renewed content on an increasing number of distribution channels. Those broadcasters that find a cost-effective way to meet this demand and effectively deliver...

Submitted by Phillippe Fort
Published 01 June 2014

Assuring loudness compliance for international content di...


by Samuele Tezza Issue 89 - May 2014 At SAMPLE, sound is our business. An up-and-coming digital recording studio and post-production house based in Verona, Italy with offices in Milan and Rome, SAMPLE offers a full range of high-end services including voice recording for television and radio, dubbing for cinema and television, original soundtracks,...

Submitted by Samuele Tezza
Published 01 June 2014

Object of desire


by Will Strauss Issue 89 - May 2014 If NAB is a decent yardstick, 2014 is all about 4k and why, when and how it might become a mainstream TV proposition. But in amongst all this pixel counting and discussion about higher frame rates, there is a subject that often gets forgotten but definitely deserves a mention, one that is closely linked to the in...

Submitted by Will Strauss#
Published 01 June 2014

Ask the experts: Life behind the rate card


by Mike Ransome Issue 88 - April 2014 From time to time, most people in broadcast and production need to rent in some equipment. It might be to extend capabilities an extra camera channel, for example or it might be to bring in something you do not normally use, like an EVS server, for instance. Now picking a dry hire company sounds awfully simple....

Submitted by Mike Ransome
Published 01 May 2014

Whats in a name


by Dick Hobbs Issue 88 - April 2014 That which we call a rose, by any other name would smell as sweet. Juliet, being a bit too passionate for her tender years, thinks that Romeo would, if he were not Romeo calld, retain that dear perfection which he owes without that title. When I was Juliets age, and had done something which deserved a treat, I wo...

Submitted by Dick Hobbs.
Published 01 May 2014