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KVM enterprise and video matrix switchers in broadcast ap...


KVM enterprise and video matrix switchers in broadcast applicationsEngineers within the professional broadcast world are comfortably familiar with video routers for the control of uncompressed video and audio signals within live studio and editing locations. However there is less familiarity with the use of KVM enterprise and video matrix switchers...

Submitted by Kieron Seth#
Published 01 August 2011

Question and Answer with Trilogy


Question 1: What bandwidth would I need to allow on my network to reliably support IP communications and what other issues would I need to take into consideration?The bandwidth required to support IP based intercom or talkback communications really depends on the quality of audio you want to achieve. Therefore the higher the quality, the greater th...

Submitted by Kieron Seth#
Published 01 August 2011

Considering cables and connectors


For a broadcast engineer, choosing the big equipment is always exciting. Even comparing specifications and functionality on core products like routers or DAs is interesting. Then you have to connect it all together – and the temptation is just to reach for the nearest drum of co-ax and bag of BNCs. There surely cannot be much fascination in compari...

Submitted by Bob Pank#
Published 01 July 2011

Test and measurement in digital television


Do we need to worry about test and measurement in digital television?Let’s be clear about this. Test and measurement tools are not there to make life difficult for you, they are there to ensure that we get the best quality pictures and sound through the long path to the home within a required technical specification. So yes, simply put, checking th...

Submitted by Bob Pank#
Published 01 July 2011

tv-bay questions


Q. What is your opinion on the current state of the broadcast market?Broadcast is back! Well, of course, it never went away, but the recession hit many capital projects for broadcasts all over the world and it slowed significantly. Recently, we’ve seen a significant upturn in all areas, which is good for us all. Our business has been very successfu...

Submitted by Bob Pank#
Published 01 June 2011

Its good to talk


Online, my sister is quite the socialite. She has more friends on Facebook than people I’ve ever met, and a very active Twitter account. Let’s not even get started on LinkedIn, Buzzsprout, Flickr, You Tube, MySpace and Scrib’d. Half her life is on the web, and while the conventions of these online relationships remain a mystery to me, my sister is...

Submitted by Bob Pank#
Published 01 June 2011

Introducing Emma and her commentaries


My name’s Emma, and I am currently in my first year working as a freelance production assistant. In these commentaries I’ll be sharing with you what I get up to, the n00by mistakes I’ll inevitably make, but hopefully some successes!This month I was fortunate enough to be a part of the Tony Hawk Twitter Hunt. If only the life of a production assista...

Submitted by Bob Pank#
Published 01 June 2011

An Introduction To Microphone Types, Uses, and Techniques


Almost everyone knows what a microphone is, but far fewer people know how they actually work and how to get the best out of the various types available. Pieter Schillebeeckx, Chief Designer at UK microphone manufacturer SoundField, fills in some basics. As technology has become easier to use, cheaper and more portable, it's become more popular. Ear...

Submitted by Kieron Seth#
Published 01 June 2011

Either meet your listeners halfway, or get them to come t...


In TV Bay’s IPTV & Online issue, I spoke about how streaming video online enabled content owners to share their work with the world a lot more effectively, so although the end result is the same, what technical procedures are different for streaming pure audio content?The pace of technical advancements have now established distinct requirements for...

Submitted by Kieron Seth#
Published 01 June 2011

DVB-3DTV: A Milestone


In 1822, George Stephenson set his Standard Gauge for the world’s first steam railway at 4 foot 8 inches (1.44m), to match a nearby wagonway that worked well at Killingworth Colliery. Despite Isambard Kingdom Brunel building the London-to-Bristol line (1838) on what he considered to a better 2.2m ‘Board Gauge’ (he was right!), the Gauge Act of 1846...

Submitted by Bob Pank#
Published 01 April 2011

BVE 2011 retrospect


BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#
Published 01 April 2011

A novel approach to delivering radio content


Who does a national broadcaster turn to with 9 TV and radio stations, each with 20hrs of daily programmes and a need to deliver them locally and cross continental... In a media rich world where viewers habits are rapidly changing they need to add another dimension to radio while maintaining the 'spirit' of a radio programme. France Tlvisions’ Rseau...

Submitted by Bob Pank#
Published 01 April 2011

The #BVEXPO Great Experiment


NAB, IBC and Broadcast Video Expo share one thing - they play to a global audience for TV and film production, post-production and distribution. It’s not practical to get along to all the shows so there is an increasing trend to report for that global audience. BV Expo is currently the only show without a dedicated multimedia channel. With somethin...

Submitted by Bob Pank#
Published 01 April 2011

True Colours Shine Through With CCS


When you are a broadcast engineer working in front of a stack of LCD monitors, seeing a significant difference between the brightness and colour of each monitor can be both annoying and tiring on the eyes. Worse still, if you in a Master Control Room and the pictures have taken on a sickly green hue, how do you know that it is just the monitors at...

Submitted by Bob Pank#
Published 01 March 2011

Television, the limits of the possible


When I was a young scribbler in 1970, my then employers allowed me to launch and run on their behalf a magazine called Studio Sound. It was one of my better career moves and survived (mainly thanks to me leaving it in 1974) for about 35 years. Fairly good going for a trade publication. The upside of editing Studio Sound was being invited to a bean-...

Submitted by Bob Pank#
Published 01 February 2011