KitPlus | Articles

Sony PWS-4500 Live Production Server Reviewed

Available since 2016, the Sony PWS-4500 is a solid-state UHD/HD live production server designed for use in applications such as sports, studio or stage events. The target applications are master recording and advanced replay operations for live production companies for whom the server's ability to record the output from high frame rate cameras and...

Submitted by Andy McKenzie

Published 24 January 2019

New developments in remote broadcast cameras

Small, specialist broadcast cameras are doing more work than ever before. David Bradley of BR Remote explains how the operation of cameras is changing to deliver much greater volumes of content, and outlines some of the creative possibilities that next wave of remote technology will bring. Perhaps the greatest challenge facing broadcasters and prod...

Submitted by David Bradley

Published 24 January 2019

Viva La Microphone Evolution

2018 marked the twentieth year of Sennheiser Evolution microphones - a range of wired and wireless live performance microphones and wireless systems that took Sennheiser from relatively small-volume broadcast manufacturing to a prime position on stages around the world. Last November, Sennheiser UK marked this auspicious occasion by holding an even...

Submitted by KitPlus

Published 24 January 2019

Shopping for lenses and more...

When it came to updating the studio at the University of Surrey, Andy Attwell was looking for manufacturers that would offer more than just a great product. It sounds like a dream job. With the funding secured to update the studio in the Department of Music and Media at the University of Surrey, Guildford, it was time for Television Studio Manager,...

Submitted by Andy Attwell

Published 24 January 2019

Sony HDC-4800 Review

First announced at NAB 2016, the Sony HDC-4800 is a studio camera system capable of shooting 4K/UHD at up to 8x or full HD at up to 16x. With a price point upwards of £250,000 it is a very high-end product with a wide feature set. In Sony's own words, "This is the future of live production, designed to satisfy the storytelling aspect of modern spor...

Submitted by Andy McKenzie

Published 09 November 2018

GoPro HERO 7 Review

When I heard I was filming a nature restoration project in the pouring rain this week I was excited. WHY? No Cameraman enjoys the rain, surely but this time I was enthusiastic because I knew this would be the perfect opportunity to try out the brand new GoPro Hero 7 Black Edition. Scythes, water, and wildlife that excrete things are not normally co...

Submitted by Tim Bearder

Published 09 November 2018

The Wireless Way to 4k

DTC’s AEON group of products have been specifically designed for the 4K market. We encode with the more efficient HEVC algorithm, which means we are taking a 12G signal and compressing it to a bitrate that can be managed over an RF link. So what makes this a leading idea in the 4K revolution?For a start, sport continues to drive technical innovatio...

Submitted by JP Delport

Published 09 November 2018

The brave new world of software based production

In today’s rapidly evolving broadcast industry, the only constant media organizations can truly count on is change — and the need to adapt as rapidly and cost-effectively as possible. One of the biggest agents of change is the IP revolution, driving broadcasters to migrate their operations to all-software solutions running on commodity, IT-based te...

Submitted by Boromy Ung

Published 09 November 2018

AI in Media and Entertainment

Artificial Intelligence (AI) is a term appearing everywhere these days. What is happening in media and entertainment (M&E) that makes the industry ripe for AI? In other words, why does the M&E industry need AI?In virtually every industry, AI is claiming a growing stake in the supply chain, creating both operational enhancements and business efficie...

Submitted by David Candler

Published 09 November 2018

Keeping it remotely real

Everyone wants to do more with less. Always have, although it could be argued that doing more with more is something to aspire to, not many have that luxury. So let’s stick with the prevailing winds of doing more with less, and not just doing more, but doing it remotely, particularly in terms of production. Remote production, in particular, is gett...

Submitted by Reuben Such

Published 09 November 2018

Protecting the continuity of transmission

Your viewers love you. You consistently bring them their preferred channels 24/7. They’ve come to rely on you for their viewing pleasure. They never miss cheering on their beloved sports teams. They’re the envy of their friends as they watch live concerts of their favourite bands. They gather the family around and catch up on their must-see shows....

Submitted by Lorna Garrett

Published 09 November 2018

Giving Welsh sport a global audience

From the Ospreys Rugby Union team, to the Football Association of Wales, as well as national cycling, swimming and boxing coverage, Port Talbot based Buffoon Film and Media has been heavily involved in putting Welsh sports on the world stage. Focusing mainly on platforms including Facebook Live and YouTube, the team has already live streamed to mor...

Submitted by Adam Amor

Published 09 November 2018

What content providers need to know about OTT

1.) What are the key elements involved in OTT monitoring? Why is it critical today?As OTT (Over-The-Top) technology has gotten more mature and established robust standards over the years, the concept of OTT monitoring is gaining popularity. With customer expectations soaring, it’s vital for OTT providers to deliver superior quality content. To deli...

Submitted by Hiren Hindocha

Published 09 November 2018

The Pace of Change

The youngest human to stand on the moon (so far) was Charles Moss, the lunar module pilot of Apollo 16. Charlie had a wonderful claim: his father witnessed the Wright Brothers’ first flight at Kitty Hawk, and lived to see his son on the moon. Does anything capture the speed of technological advance better than that? The whole of the history of powe...

Submitted by Dick Hobbs - new

Published 08 September 2018

What is next in OTT

In the past year alone, we’ve seen a substantial increase in the amount of OTT content that’s being streamed. In the first quarter of 2018, there’s been a 114 percent year-over-year growth in streaming video hours, and those numbers are only expected to rise. With OTT revenue predicted to reach $16.6B in 2018, a 40% gain over last year, there’s no...

Submitted by Mary Kay Evans

Published 08 September 2018