KitPlus | Articles

Insiders View - A few Days in the Desert

i At Finepoint, we always get excited about attending the NAB show. With tens of thousands of video professionals from around the world gathering together, NAB is a great opportunity for us to get exposure to all the latest news and technology in the world of video and post production, as well as giving us the chance to catch up with all our indust...

Submitted by Giles Bendig

Published 01 August 2017

Grading Quantum Break

Developed by Remedy Entertainment, published by Microsoft Studios and produced by Lifeboat Productions, the sci-fi game Quantum Break is an interactive and integrated live-action TV show that features actual characters chosen by the players game choices. Available for Xbox One and Microsoft Windows users, Quantum Break follows protagonist Jack Joyc...

Submitted by Juan Ignacio

Published 15 February 2017

Behind the scences of Under the Shadow

BAFTA nominated director Babak Anvari\'s first feature length film, "Under the Shadow", certainly offers a unique insight into the devastation of the 1980s Iran-Iraq war. Taking place in Tehran just as the war enters its eighth year, the thriller follows a mother and her young daughter struggling to survive a brutal bombing campaign whilst also dea...

Submitted by KitPlus

Published 07 December 2016

IBC - how was it you

IBC 2016 was very much a launching show, with more new products and updates than in many recent IBC\'s or NAB\'s. With so many of these announcements directly in the remit of a cameraman, blink and you\'d miss the next big thing in camera and lenses news. With this in mind, this review focuses on camera and lenses only. One consistent factor among...

Submitted by Duncan Payne

Published 10 November 2016

5 Things I Saw At NAB

by Peter Savage Issue 113 - May 2016 ARRI Trinity stabilisationIt may look like something that was dreamt up for a sci-fi film but the Trinity stabilisation system is a truly remarkable bit of kit that is most certainly real. Available as an upgrade to the Artemis or a third-party camera stabiliser, it consists of a compact and lightweight two-axis...

Submitted by Peter Savage 2

Published 13 May 2016

THE EVOLVING DRONE CAPTURE MARKET

Issue 110 - February 2016 Although the use of drones to capture content for film and television productions may still seem new to some, Helifilm.com began using drones for photography way back in 2008. Today, we're the premier supplier of aerial footage in Scandinavia, offering services to national and international film teams and providing access...

Submitted by Bjorn Olin

Published 16 March 2016

EXIT PLAN - Creating an indi SCI-FI for less than 3000 do...

with Richard Oakes Issue 108 - Decmeber 2015 The director behind new indie short "Exit Plan\" reveals just what it took to write, crowd fund, shoot and grade his very own proof of concept for a science fiction feature with DaVinci Resolve, a Pocket Cinema Camera, and only four crew members on set For founder of Dark Fable Media, Richard Oakes, film...

Submitted by exitplan

Published 15 December 2015

CLASS - Where do captions & subtitles live?

by Bruce Devlin Issue 104 - August 2015 Its not uncommon to see ability to insert/extract captions/subtitles as part of a tender requirement or product specification. But in a file-based world, what does this mean and where are we inserting/extracting to/from?For this article, well define captions and subtitles as text overlay that the user turns o...

Submitted by Bruce Devlin

Published 01 September 2015

The importance of storage

by Larry Jordan Issue 102 - June 2015 "What\'s the best computer to edit video?\" It\'s a great question - it\'s just the wrong question. Yes, CPU speed is important and the Internet is buzzing with the latest specs on GPUs. But, today, virtually any currently shipping computer is more than adequate to edit video; even 4K. The critical component th...

Submitted by Larry Jordan#

Published 01 July 2015

The future of storage is now affordable and flexible.

by Ed Harper Issue 102 - June 2015 As the 10th anniversary of the Avid ISIS shared storage product line approaches this autumn, Ed Harper, senior product manager in the Avid ISIS collaborative storage solutions group, looks at how the company continues to innovate its flagship, flexible and scalable storage solution. Over the years, our engineering...

Submitted by Ed Harper

Published 01 July 2015

Why video codecs matter

by Larry Jordan Issue 99 - March 2015 Video codecs confuse a lot of people. But understanding codecs is critical to just about every element of video production, editing and distribution. Codec is an acronym that stands for "COmpressor/DECompressor.\" It is easy to get intimidated by all the technical jargon surrounding codecs, but, at their core,...

Submitted by Larry Jordan#

Published 01 April 2015

Cloud Editing at BVE

Issue 99 - March 2015As Media Partners at BVE 2015 KitPlus was responsible for recording, editing and publishing 50+ hours of video content from the event seminars, roaming reporters and studio discussions over the course of the show. With material coming from different sources, crew and post-production staff consisting largely of students with var...

Submitted by KitPlus

Published 01 April 2015

Venice live productions tools go to the consumer

by Tim Felstead Issue 98 - February 2015 The objective of most studio production is to cost effectively create live or as live television to which audiences will be drawn. During the process of creation, recording into media servers can either be a separate process used only for immediate replay, or can be part of a media workflow serving multiple...

Submitted by Tim Felstead

Published 01 March 2015

Media Management in Final Cut Pro X

by Larry Jordan Issue 95 - November 2014 Media management drives editors nuts. Since the beginning of computer-based video editing, trying to remember where your media is stored is a never-ending battle between "getting it done,\" and "doing it right."With the release of Final Cut Pro X 10.1, Apple made significant changes to media management; then...

Submitted by Larry Jordan#

Published 01 December 2014

Africans in London TV

by Joseph Adamson Issue 95 - November 2014 Africans in London TV (AILTV) was first featured in TV-BAY magazine issue 029 in 2009. The article was about AILTV when it started, including the reason why it was created, the content and future plans. The emphasis was on the gear that I was using at that time which was a Canon HV20, Sony VX1000, Sony PD1...

Submitted by Joseph Ail

Published 01 December 2014