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Everything you ever wanted to know about TV lighting Part...

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In my last article, I talked about some of the basic technical aspects that we need to think about when we start on the lighting trail. I covered light levels and intensities in relation to lens apertures before discussing colour temperature and its relevance to producing ‘nice’ pictures. Although I’d like to move on into lighting ‘proper’ there ar...

Submitted by Dennis Lennie

Published 01 October 2008

Mixing with the wildlife on Springwatch

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As the 5th series of ‘Springwatch’ draws to a close I’d like to share with you an insider view of one of my favourite vision mixing jobs. As a freelance vision mixer I work across the board on all sorts of programmes: quiz & chat shows, sports, drama, music & Light Entertainment, recorded & live, studio-based or Outside Broadcast. But for four week...

Submitted by Dennis Lennie

Published 01 October 2008

IPTV in 21st Century TV

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The radio and television networks born and raised in the last century are a consequence of a medium in which broadcasting is the natural way of working. From one to a fickle many it has been a matter of finding material with mass appeal which has occupied generations of commissioners. Recently, I went to the exhibition of the IPTV World Forum 2008...

Submitted by Dennis Lennie

Published 01 September 2008

tv-bay interviews Malcolm Robinson

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How long have you been with Sony?Just over 4 yearsAnd where were you before?I originally trainedat Ravensbourne before moving to CNN where I worked on stories such as the Russian Coup. I then worked for Cine Video where amongst others covered the West Indies cricket tours. After working for Visions I contracted for 4 years before moving to Sony. Wh...

Submitted by Dennis Lennie

Published 01 August 2008

Calzaghe Fight with Input Media

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Sports production company Input Media faced a series of technical, logistical and creative challenges when they were commissioned by fast rising broadcaster Setanta Sports to cover one of the biggest live Boxing events ever staged in the UK. The main fight during the 8-hour long broadcast was the world unification fight between WBO/IBF Super Middle...

Submitted by Dennis Lennie

Published 01 July 2008

CTV OB Truck

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Responding to the growing demand for HD broadcasts and with a fleet of already overworked outside broadcast trucks, CTV Outside Broadcast’s newest addition to its fleet, OB 9, is a fully-equipped production facility with the latest in High Definition production, mixing and recording equipment. Targeted squarely at major entertainment and sporting e...

Submitted by Dennis Lennie

Published 01 July 2008

A hidden beauty

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The lifestyle of the Wildlife cameraman (and woman) you’d have thought, and I was hoping, was all exotic locations and beautiful scenery. Except for me the reality was a murky, water filled quarry during a very cold winter and early spring of 2006- 07. But to come face to face with a real homegrown legend I was more than ready to take the plunge. T...

Submitted by Dennis Lennie

Published 01 July 2008

One man and his boat

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It all started when I decided to build a boat in the garage. A fifteen-foot gaff rigged pocket cruiser to be precise. I bought the plans from a naval architect in Wiltshire and had the hull planks computer cut by a specialist boat builder in Kirkcaldy. Then I searched the Internet for a DVD about boat building for beginners but found nothing. So I...

Submitted by Dennis Lennie

Published 01 May 2008

Making Common Sense of Production Health and Safety

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Programme preventionAs many of you may know the presenter of a well known motoring program has a bugbear with the subject of health and safety in programme making. In the past he has often attacked health and safety professionals for becoming far too wrapped up in an ‘absolute’ approach to risk management – focussing on minute detail at the expense...

Submitted by Dennis Lennie

Published 01 April 2008

The Sony PMW-EX1 what can we expect?

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We cannot ignore the fact that tapeless acquisition and workflow has become a ‘hot topic’ in recent months with programme makers recognising that like it or not, tapeless acquisition in HD is where television production is headed. Mitcorp have always been at the forefront of technology educating and supporting our customers with full workflow solut...

Submitted by Dennis Lennie

Published 01 March 2008