KitPlus | Articles

How and where to do your Post Production.

The world of professional editing and post production has changed dramatically in the last few years. The biggest of the barriers to entry – (cost), has all but disappeared with the advent of desktop editing solutions. Manufacturers like Apple and Adobe and even Avid have made this possible with products like Final Cut Studio 2 and Adobe’s CS3 Prod...

Submitted by Dennis Lennie

Published 01 December 2008

IBC top visitor tips

From flower bulbs to North Sea ferries, here are some top tips from the people in the know…!Tip 1 - The funny smelling coffee shops don't generally sell good coffee!Tip 2 - Prostitution is legal in Amsterdam - not compulsory!Tip 3 - When crossing the roads, once you've safely avoided the cars, taxis, trams, bikes and rickshaws - keep an another eye...

Submitted by Dennis Lennie

Published 01 December 2008

Lights, Camera, Makohead Action

With the movie Quantum of Solace due to hit the big screens in October, audiences around the world are already gearing up for another huge blockbuster from the James Bond stable. The movie, which began shooting at Pinewood studios in November 2007, will undoubtedly include the spectacular action sequences that are the hallmark of James Bond films....

Submitted by Dennis Lennie

Published 01 December 2008

Getting the best out of your LCD

Getting the best out of your LCDs?Many people who use CRT picture monitors have found the introduction of LCD displays disappointing. Getting the best out of your LCD may not be as simple as it may seem. With a wide choice of vendors and models all proclaiming broadcast quality, it can be difficult to determine which product is most suitable for yo...

Submitted by Dennis Lennie

Published 01 November 2008

Virtual Studios

Traditionally virtual studios have been extremely expensive to equip due to the amount of technology required just to make the studio work. Besides the standard studio cameras and lighting, sophisticated additional technology is required to provide feedback from lenses, pan and tilt heads and dollies, to seamlessly synchronise foreground and backgr...

Submitted by Dennis Lennie

Published 01 November 2008

Aston 7 your lucky number for Sports Graphics

Aston Broadcast has been supplying CG products for long enough to know that the world of live sports graphics presentation never stands still for long. Programme directors like to push the boundaries on visual effects in order to wow the viewer and to differentiate the presentation from that of rival channels or programmes. More often than not, Ast...

Submitted by Dennis Lennie

Published 01 October 2008

A brief history of television graphics

Thirty years ago, television captions were routinely created by sticking white Letraset characters onto black card. Credit rolls were possible using special devices which used long strips of black material onto which the Letraset was stuck, and which were literally rolled, either by an electric motor but sometimes even by hand. There were, of cours...

Submitted by Dennis Lennie

Published 01 October 2008

IPTV in 21st Century TV

The radio and television networks born and raised in the last century are a consequence of a medium in which broadcasting is the natural way of working. From one to a fickle many it has been a matter of finding material with mass appeal which has occupied generations of commissioners. Recently, I went to the exhibition of the IPTV World Forum 2008...

Submitted by Dennis Lennie

Published 01 September 2008

tv-bay interviews Malcolm Robinson

How long have you been with Sony?Just over 4 yearsAnd where were you before?I originally trainedat Ravensbourne before moving to CNN where I worked on stories such as the Russian Coup. I then worked for Cine Video where amongst others covered the West Indies cricket tours. After working for Visions I contracted for 4 years before moving to Sony. Wh...

Submitted by Dennis Lennie

Published 01 August 2008

Is it cool to use cool lighting

Is it cool to use cool ?The term ‘cold lighting’ is used within the film & TV lighting industry as a generic term for energy efficient, Fluorescent, LED, and Plasma (panel) lighting sources which emit little or no radiant heat. HistoryThe technology is not so new; Evidence exists of neon lighting being used on a film set in Teddington Studios Engla...

Submitted by Dennis Lennie

Published 01 August 2008

Royalty Free Music Can Save You A Fortune

How important is music to your production? Think of the two notes John Williams used in Jaws to signal danger and to sometimes mislead the audience into believing that a great white shark was lurking in the hidden depths. Music plays such a crucial and powerful role in the visual world to be overlooked at your peril. Notice how suddenly your edit c...

Submitted by Dennis Lennie

Published 01 June 2008

The Benefits of Lens Add-ons

Zoom lenses on broadcast and professional video camcorders are wonderful tools for the videographer, allowing quick and easy focal length change. But ultimately, a zoom lens is limited on both the wide and telephoto end of its zoom range. On higher-end camcorders there is generally a choice of lenses, and thus zoom range, when the camera is purchas...

Submitted by Dennis Lennie

Published 01 June 2008

Quality Assurance for Digital Production Workflow

In every industry that I’ve had anything to do with the word ‘Quality’ gets backs up faster than just about anything else. Well, perhaps some parts of the automotive industry are amenable but then they largely invented the concept in the last century. Perhaps it would help to start off with a definition. After all, the word means many different thi...

Submitted by Dennis Lennie

Published 01 June 2008

The Reflecmedia Chromaflex portable chromakey system

The use of keying a foreground image over a background image to form a composite is an established and widely used technique in film and TV production. For most cameramen this will usually involve them in shooting a subject against a coloured background, typically green or blue. Sounds simple but reality can be far from it, anecdotes abound of nigh...

Submitted by Dennis Lennie

Published 01 May 2008

Chromakey questions

What does a specialist paint give me that a DIY superstore (matt blue or green emulsion) doesn’t?VFX Bluescreen Solutions paints are pigment based, as opposed to DIY chains ‘stain’ based. Pigment based paints ensure consistency and intensity of colour, against the stain based paints because they are ‘pure’, instead of being made up of various other...

Submitted by Dennis Lennie

Published 01 April 2008